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Untamed’s Self-Titled Debut Album Shares Songs Linked By Impact
Catch Amelia White Live Supporting The February Release Of ‘Love I Swore’
Dig Into Lord Of The Lost’s First Covers Album ‘Weapons of Mass Seduction’
Watch Searows’ Searching Video For “End Of The World”
Graham Parker & The Goldtops Pair Two Live Tracks With “Sun Valley” For A Triple Single
Watch ‘Nashville’s Big Bash’ Hosted By Elle King On TV And Streaming For NYE
Phear Is Looking To ‘Save Our Souls’ In 2024
Brother Bird’s “something better” Transmutes Despair Into Creativity
Daniel Johnston’s ‘Alive In New York City’ Album Release Will Have A Brooklyn Celebration On January 21st
Karriem Riggins & Madlib’s Jahari Massamba Unit Readies Second Album ‘YHWH Is Love’
John Oates Supports Teen Cancer America With The Single “Get Your Smile On”
Three New Shoegaze Albums By Screaming Bones Close Out 2023
Kathleen Hanna’s 2024 Book Tour For ‘Rebel Girl: My Life As A Feminist Punk’ Will Span The USA
Maria Elena Silva Brings Rock, Romance, And Flamenco-Influenced Guitar To ‘Dulce’
In The Rosemary Dreams Bring Stoner Rock And Post-Punk To ‘Day After Night Before’
Samuel Wilbur’s ‘The Age’ Focuses On The Global Climate Crisis
Harrison Storm’s ‘Wonder, Won’t You?’ Reflects How He Connects With The World
VLTIMAS Compose A Score For The Apocalypse With Album ‘Epic’
Horizon Theory Sees The Relevance Of Flobots Track “Handlebars” And Delivers Their Own Take + Video
Glassio Teams Up With Rodes Rollins & Mumble Tide For Four Part Single “Will You Still Come Back Tomorrow?”
Son Of The Velvet Rat’s “Beautiful Day” Features Jolie Holland & Discovers A Dream-Like Cycle
All The Tracks On Leslie Evers ‘Bound For Land’ Share A Common Theme Of Love
Celebrate The Close Of The Year By Streaming Bobby Weir, The Wolf Bros & The Wolfpack In Concert
Tilburg’s ‘Turning Time’ Brings Together 70s Prog Rock And Dark Electronica
Listen To Jason Isbell And The 400 Unit’s Rendition Of Kevn Kinney’s “Look What You’ve Done To Your Brother”
Ponte Del Diavolo’s “Demone” Blends Doom Metal, Post-Punk, And Dark Wave
Save Ferris Share A Tale Of Longing With “Xmas Blue”
Rebecca Pidgeon Explores A Fascination With Filmmaking For ‘Songs Of L.A.’
DJ Ashba’s “Party Tonight” Featuring Dia Channels 1940s Style Vocal Melodies
Watch Yoshiki Perform “Closer” With The Chainsmokers In Clip From New Documentary
The Blue Note Quintet Pays Tribute To Their Heroes On Blue Note 85th Anniversary Tour
Oceans Of Slumber’s “Poem Of Fire” Is A Musical Medley Of Their Upcoming Album
Blowfuse’s “Move On” Is A Call To Positive Action
Interview: Billy Raffoul’s ‘For All These Years’ Is Built On Perspective And Empathy
Alan Lomax’s Festive Multi-Cultural Field Recordings Get Collected As ‘Songs Of Christmas, Midwinter & New Year’
Like A Storm’s “Sinners & Saints” Gets A Heavy Alternative Remix Addressing Humanity’s Inner Conflicts
Walter Martin’s ‘Concert at Coco’s’ Is A Family Party Record Featuring New Songs And Favorites
Ruthie Foster’s New Live Version Of “What Kind Of Fool” Reflects Where She Stands On Love
Video Premier: Mike Miz’s “Heroes” Calls To Mind The Ones We Miss And The Music We Love
Gravenoire Joins Season Of Mist, Teases New Music In 2024
Jenny Boyd Expands Her Doctoral Thesis Featuring 65 Interviews With Musicians For The Book ‘Icons Of Rock – In Their Own Words’
Interview: Movie Club’s Vince Cuneo Talks ‘Great White’ And Thinking Outside The Box
Daniel Johnston’s Work Gets First Comprehensive Collection With ‘Daniel Johnston In The 20th Century’
Two Feet Launches Independent Record Label And Announces Initial Roster
Keane’s Unreleased Song For ‘Love, Actually’ Gets A Lyric Video By Richard Curtis And Spike Curtis
Mento Buru Finds More Neighborhood Musical History To Celebrate For ‘East Bakersfield Christmas II’
Lily Seabird’s ‘Alas’ Spotlights Cycles Of Grief And Letting Go
Borknagar’s ‘Fall’ Will Celebrate Boundary-Pushing
Watch Voodoo Beach’s Live Session With Felix Keiler Of Die Kerzen
New Zealand’s L.A.B. Closes A Big Year With “Oh No (Pt. 2)”
Amon Amarth Faces Off Against Several Members Of Saxon For “Saxons And Vikings” Track + Video
Steve Aoki & Yellowcard Collaborate On 20th Anniversary Remix Of “Ocean Avenue”
Watch Catbells’ Video For “Walking In The Air” From The Snowman
Samael Brings Their 25th Anniversary Tour Performance Of ‘Passage’ To Live Release
Mick Mars Looks At Both Sides Of The Story For “Right Side Of Wrong”
Monkey3’s ‘Welcome To The Machine’ Plumbs The Future Of Humanity
Matthew Sweet Will Tour, Release 1993 Live Album + A New Studio Album In 2024
Telltale’s “Otherside” Acknowledges The Darker Side Of Escaping From Reality
Kitchen Dwellers Follow The Swing Of “Pendulum (V)”
Interview: Bre Kennedy Finds Her Moment To ‘Scream Over Everything’
Stax Meets Motown In Black History Month Online Event That Brings Two Cities Together
XII Thorns Crafts An Eerie Narrative In Old Dutch With “De Kelderbode”
Atreyu Explores Anxiety, Depression, Self-Belief, And Identity To Find ‘The Beautiful Dark Of Life’
Black Market Karma Pairs “Wisdom Shifter” With “The Sour Truth” Featuring Sonic Boom For 10 Inch Vinyl
Magnús Jóhann’s ‘Rofnar’ Is Built Around Sonic Deconstruction
Exit Eden Brings Symphonic Metal To Journey’s “Separate Ways”
Foscor Returns With “Solitud”, A Brand New Chant From The Past
Chris Kage’s ‘Cycles’ Finds Life To Be A Self-Created Tapestry
The Montvales Address Uncertain Times For ‘Born Strangers’
’92 Introduces Their Rebellion With “Culture”
Emel’s “Souty” Finds An Empowering Voice
Bryan Adams ‘Live At The Albert Hall’ Captures Three Albums Performed In Their Entirety
Maddox Jones & Great Adamz Wrote “It’s Christmas Time” To Build Each Other Up
Vitriol’s “Weaponized Loss” Reconsiders Suffering As Preparation For Survival
Letters Sent Home Crafts “Elements” As A Love Song And Cry To Nature
Arms And Sleepers’ Track “Belfast (Feat. Sofia Insua” Meditates On Communities Affected By Conflict
Ryujin’s “Gekokujo” Is Japanese Metal Folk Horror
Watch The Gems’ Video For “Undiscovered Paths”, Ahead Of Debut Album ‘Phoenix’
The Dollyrots Get Punk Yet Sentimental For “Auld Lang Syne”
Merrimack’s ‘Of Grace And Gravity’ Seeks A More Primitive Form
Charles Moothart Introduces Apocalyptic Pop Via “Roll”
Ethan Lipton & His Orchestra Celebrate People Who Share Their Whole Selves With “Talking To Bonnie”
Hazlett’s ‘Goodbye To The Valley Low’ Stems From A Journey To The Other Side Of The World
Helfró Introduces Introspective Themes With ‘Tálgröf’
Silver Planes Asks “Where You Gonna Run?”
Washing Machina Wishes You A “Merry Fuzzy Christmas”
Mackenzie Shivers Pairs Grounded Love Song “pedestal” With “a cautionary tale” For 7 Inch Offering
The Speakeasy’s “Devil In Disguise” Hints At Future Freedom
Miss Grit Shares EP Gathering Remixes Of Debut Album ‘Follow The Cyborg’
Lapalux’s 2013 Debut ‘Nostalchic’ Gets A Vinyl Reissue From Brainfeeder
“For You” From Thee Sinseers Blends Southern California Sounds With A Devotional Message
Gloryhammer Celebrates Their Cover Of Classic Cheap Trick Track “Mighty Wings” With Wide Release
Zach Seabaugh Writes “Helium Balloons” About Things Better Left Behind
Song + Video Premier: Stevi Daft’s “Vertigo” Is A Healing Rock Ritual
Taylor Pearlstein’s ‘Perfect Blue’ EP Delves Into Self-Delusion And Our Desire To Be Wanted
Yasu’s “My Spaceship Lost Control” Finds An Astronaut Adrift
Today Was Yesterday’s Debut Album Features Rush’s Alex Lifeson & The Doors’ Robby Krieger
Amanda Stewart Covers “A Long December” From Counting Crows For EP ‘Since It’s Christmas’
Ethan Iverson Helms Two Trios And Works With Younger Musicians For ‘Technically Acceptable’
Metal Trio Imperial Triumphant Covers Wayne Shorter’s “Nefertiti”
Hakushi Hasegawa Announces First Time Vinyl Releases For ‘Somoku Hodo’ & ‘Air Ni Ni’
Morgan Myles & Sam Morrow Debuted Original Song “Christmas Just Us Two” At The Grand Ole Opry
Johnny Brenda’s & Mt. Joy’s Matt Quinn Team Up For A Show Benefitting World Central Kitchen
Katherine Yeske Taylor’s ‘She’s A Badass: Women In Rock Shaping Feminism’ Arrives In January 2024
Lost Under Heaven Takes On “She’s Acting Just Like A Child” For Badlands Remix Project
High Llamas Opens Up To Possibilities With ‘Hey Panda’
Sabatta Brings Psych Rock Sensibilities To ‘How To Get Even’
Dustin Douglas & The Electric Gentlemen Get Super-Seasonal In Their Video For Billy Squier’s “Christmas Is The Time To Say I Love You”
Winter Aid’s Inner Sunset EP Bridges The Old World And The New
Scott Stapp’s “Black Butterfly” Chronicles Transformative Growth
Watch Marcus Rezak Collaborate With Blues Traveler On “Mulling It Over”
Interview: Grave Domain’s Shel Plock Guides Us Through The Underworld
Dea Doyle’s “One For Me” Testifies To Love’s Surprises
Watch Temic’s Iceland-Set Video For “Through The Sands Of Time”
Cybotron’s Techno Classic ‘Enter’ Gets A 40th Anniversary Expanded Reissue
Small Isles Goes Cinematic For The EP ‘Everything On Memory’
Diane Coll Addresses ‘Old Ghosts’ In The Mirror On A Healing Journey
The Haptics Explore The Darker Side Of Relationship Power Dynamics With “Mouse”
Giantsky’s Sophomore Album Brings Together Folk, Electronica, And Post-Rock Traditions
Hani Abadi’s “My Story” Offers Hope During Dark Days
Trashcan Sinatras’ John Douglas Releases Debut Solo Album Recorded Live
Two Key Tracks From The Comateens Get A New Multi-Format Release From Left For Dead Records
Collaborative Group Zahn Returns With ‘Adria’, A Journey Into European Holiday Culture
Leftover Salmon’s Andy Thorn Answers Fan Demand With ‘High Country Holiday’
Leslee Smucker’s ‘Breathing Landscape’ Was Recorded In An Abandoned Water Tank
From Ashes To New’s Rock Take On “All I Want For Christmas Is You” Gets A Video
Darko’s “What I Cannot Be” Pushes Back Against Traditional Ideas Of Masculinity
Listen To Half Moon Run’s Alternate Live Version Of “9beat” And Catch Their North American Tour
Necrowretch’s ‘Swords Of Dajjal’ Focuses On A Mysterious Doom-Bringer
Velcros Tease ‘Strange News From The Vault’ With Psychedelic Track “Hollowed”
Ismay’s ‘Desert Pavement’ Was Inspired By Rural Life And Days Of Yore
Joe McGinty & The Losers Lounge Celebrate 30 Years Of Live Events With A Tribute To Burt Bacharach
Willie Jones Champions Things That Stay The Same With “Dive Bar” Featuring Ben Burgess
Americana Ode “Marfa Christmas Lights” From Beth // James Finds Santa Unwinding With Mrs. Clause
TÝR Announces ‘Battle Ballads’ North American Headlining Tour For 2024
Ron Gallo’s ‘Foreground Music’ Gets A Deluxe Edition Including Acoustic And Demo Versions
Ani DiFranco Will Make Her Broadway Debut In ‘Hadestown’
Watch Kill The Thrill’s Near-Apocalyptic Video For “Autophagie”
Kelly Finnigan’s ‘A Joyful Sound’ Gets Released As A Box Of 45s For Record Store Day
Chloe Star’s “Found My Peace” Is A Song Of Awakening
Olathia’s ‘The Forest Witch’ Traverses Both Battles And Good Times
Off Lights Bring Rock ‘Back To Life’
Many Eyes Tackles Trauma Head-On With “Mystic Cord”
Noa Jamir’s “Subside” Weathers Changes That Bring Us To Personal Growth
Pines Chronicles An Eventful Journey For ‘Life As We Know It’
‘Light In The Attic & Friends’ Gathers 20 Tracks From Their ‘Covers Series’ For Record Store Day
Young The Giant’s ‘Live Across America ’23’ Spans Albums And Venues
Taylor Acorn’s “Basement” Reminds That Things Won’t Always Be As Bad As They Seem
New Years Day Reunites With Original Lineup To Create The Half Dark, Half Fun ‘Half-Black Heart’
Helene Cronin’s ‘Beautiful December’ Captures The Magic Of The Season
Jake Thistle Recorded His Debut EP ‘The Half Left Out’ Between New Jersey And Nashville
One Square Mile’s ‘Source Of Suffering’ EP Channels Hermosa Beach Punk Traditions
Hellman’s “Desktop Activists” Calls Out Uncivil Online Culture
Jared Dustin Griffin’s ‘Battle Cry Mercy’ Documents Struggles, Sacrifices, And Redemption
Gost’s ‘Prophecy’ Imagines The Fall Of Western Civilization
Crossbone Skully’s New Track “I’m Unbreakable” Will Be Part Of A 7 Inch Package To Benefit MusiCares
Watch Säje’s Animated Video For Their Grammy-Nominated Rendition Of “In The Wee Small Hours Of The Morning” Featuring Jacob Collier
Amelia White’s “Something New Comes” Offers Hope After Pain
Molly Hatchet Returns To Releasing With “Firing Line”, A Track About Standing Up For Yourself
Tess & The Details Invite You To Have A Really Good Time With ‘Runaway’
Slayer’s ‘No Mercy’ Gets Two 40th Anniversary Re-Releases
Shaina Hayes Focuses On A Positive Form Of Remembering For ‘Kindergarten Heart’
Whitechapel Announces ‘Live In The Valley’ Album Recorded At Their 2022 Christmas Benefit Show
CrowJane’s “Destroy” Brings A Synth Pulse To A Punk Aesthetic
Kitchen Dwellers Follow In Dante’s Footsteps For New Album ‘Seven Devils’
Video Premier: Steve Drizos Looks For One Sure Thing In The Parade Of Life With “katie”
Atreyu’s ‘The Beautiful Dark Of Life’ Steps Back To Look At The Whole Picture
Catholic Guilt’s “Can You See Me?” Processes A Sense Of Lost Identity
Woody Platt & Del McCoury Team Up For Classic Bluegrass On “Broke Down Engine”
Jordan Mailata & Patti LaBelle Duet On “This Christmas” For ‘A Philly Special Christmas Special’ To Benefit Philadelphia Charities
Odd Robot’s ‘Deathmates’ Breaks Five Year Silence With 17 Tracks
Jamie Hannah Shares His Mantra Of Choosing Courage Over Fear With “Dragonfly”
The Continental Drifters’ 2023 Performance At New Orleans Jazz & Heritage Festival Gets Wide Release
Layperson’s ‘Massive Leaning’ Tracks A New Path Forward
J. Wilms Has More Stories To Tell For ‘The Fighter’
Paul McDonald And The Mourning Doves Illustrate The Harder Side Of The Holidays With “Maybe This Christmas”
Driftwood’s “December Last Call” Was Written As A Real-Life Drinking Song
Upon Stone Channels A Nocturnal Spirit For Debut Album ‘Dead Mother Moon’
Key Compositions Get The Limelight With ‘Forsaken Themes From Fantastic Films Vol. 2: Who Wants To Live Forever’
Balsam Range’s ‘Kinetic Tone’ Is A Shared Mindset
Helga Shares Their Struggle To Feel “Alive Again”
Elephant Stone’s “History Repeating” Is A Plea For Reparations To Indigenous Canadians
Mackenzie Shivers Brings Her Version Of Dream Pop To “A Cautionary Tale”
Spelles Explores Inner Worlds And Private Hells For ‘Diving Into The Arms Of The Divine’
Schande’s “52 hz” Was Inspired By A Whale Song Phenomenon
‘Highlights Of Existence’ Title Track From Gale Forces Insists On Our Primary Need For Connection
Interview: Listening Party’s ‘Been A Long Time Comin’ Handles Elusive Adulthood With Humor
Apashe Works With Geoffroy For “Lost In Mumbai”
Elif Dame’s ‘Securely Detached’ Documents Her Mental Health Hiatus
KillerStar’s “Falling Through” Celebrates Time Standing Still
All-Star Marianne Faithfull Tribute Album Will Benefit The Artist As She Recovers From Long Covid
Heather Anne Lomax And Michael Doman Duet On Poignant “Bits and Pieces”
Longwave’s ‘The Strangest Things’ Will Return On Red Vinyl For Its 20th Anniversary
Go Betty Go’s “We Talk A Lot” Conjures That Adventurous Feeling Of Falling In Love
Reid Jenkins Confronts Himself As An Obstacle To Craft ‘Hall Of Gems’
Porcupine Tree’s ‘Closure/Continuation’ Live Album Captures Their Return To Touring
Time Spent Driving Returns With A Brutally Honest Approach For ‘Estrangers’
The Cranberries’ Debut Album ‘Everybody Else Is Doing It, So Why Can’t We?’ Gets A 30th Anniversary Gold Vinyl Release
Close Talker’s Break Resulted In Renewed Inspiration And ‘The Sprawl’
Empty Country Expands Its Lore With A Sophomore LP
Insomnium’s ‘Songs Of The Dusk’ EP Offers An Alternate Ending To ‘Anno: 1696’
Johanna Knutsson Completes The Badlands Remix Project With “Clown”
Maggie Rose’s “Underestimate Me” Sets Out To Shatter Expectations
Hayley and The Crushers Cover Iggy Pop’s “Lust For Life” In Honor Of Detroit’s DIY Scene
The Storm Windows Find Optimism But Plenty That Needs Fixing For “It’s Christmas Time (Live)”
Lilli Lewis Learns Gentler Truths Through ‘All Is Forgiven’
Angelus Apatrida’s “Snob” Features Jamey Jasta Of Hatebreed
Carnation Celebrate A Rebirth With ‘Cursed Mortality’
Sarah Mary Chadwick’s Bonus Track “If I Have It In Me At All” Is A Questioning Love Song
Watch Lisa LeBlanc’s Live Performance Of “Dans L’Jus” Commenting On Societal Burnout
Five Finger Death Punch Partners With Covenant House To Impact Youth Homelessness
Josie Cotton’s “Day Of The Gun” Video Completes Her ‘Trilogy Of Horror’
Johnny O’Neil’s “Take Me Down” Moves Through The Darkness Of Opioid Addiction Towards Hope
Song Premier: Helene Cronin’s “I Could Use A Silent Night” Prizes The Beauty Of Simplicity
We Are Scientists Bring Dual Albums ‘Huffy’ And ‘Lobes’ To North American Audiences In November & December
Watch Hackedepicciotto’s Video For Friendship-Inspired Track “Troubadour”
The Claudettes Fume Over A Bogus Magic Potion With “No Matter How Much”
The Mighty Clouds Of Joy’s Key Album ‘Kickin’ Gets An Expanded Reissue
Mercyful Fate Celebrates 40 Years Of ‘Melissa’ With A New Digital Release And Merch Line
Chestnut Grove Announces ‘Can’t Stand The Music’ For 2024 And A Tour Before Hiatus
John-Robert’s ‘Garden Snake’ EP Is A Virginia Record Made In LA
Song Premier: The Pinkerton Raid’s Cover Of “White Winter Hymnal” Captures Emotional Intensity
Quarters Of Change Finds Acceptance With “Heaven Bound”
“Baby Burglar” From Madness Was Inspired By A Real-Life Home Invasion
Cary Morin’s ‘Innocent Allies’ Pays Tribute To A Western Painter And The Landscape Of Morin’s Childhood
Caleb Lee Hutchinson’s ‘Southern Galactic’ Brings Spacey Vibes To Country Traditions
Eddie Berman Shares A Parent’s Terror And Delight With “First Of Spring (Keira’s Song)”
‘Veneer’ From José González Gets A 20th Anniversary Deluxe Version And A 2024 Tour
Sukey Molloy Releases First Holiday Album For Families, ‘Snow Is Falling! Songs For Christmas, Hanukkah & Knwanzaa’
Heilung Share The Experience Of Their Live Performance Ritual With “Anoana” Filmed At London’s Apollo Theatre
Many Eyes’ Video For “Revelation” Pays Homage To Nirvana’s Game-Changing “Smells Like Teen Spirit” Video
Al Staehely’s ‘Somewhere In West Texas’ Captures The Magic Of The Desert On Vinyl
The Hill Is Burning Launches Second Collection ‘From Alpha To Omega’
Watch Mereki’s Video For “In Everything” Featuring Classic Fairytale Animation
Karamelien Are ‘Living With The Moon’ And Emphasizing The Basslines
The Kinks Release Ray Davies’ Mix Of 1974 Studio Track “Money Talks”
Dolly Dagger’s ‘Nightmare’ EP Processes Art As Survival
Grandaddy Chases A ‘Blu Wav’ Combining Bluegrass And New Wave Elements
Interview: Abby Posner’s ‘Second Chances’ Captures Possibilities And Growth
Newmoon Leans Into Thick Layers Of Guitars For ‘Temporary Light’
Earthburner Returns To Announce Debut Full-Length Album
The Ground Is Lava’s Emo Classic ‘Bottle Rockets’ Returns For Its 10th Anniversary On Cassette, CD, And Digitally
Van Duren & Good Question’s 1992 Career-Spanning Performance Gets A Release As ‘Cartwheeling: Live In Memphis’
Crystal Canyon’s ‘Stars And Distant Light’ Was Tracked Meticulously Onto Analog Tape
Svartanatt Brings Doom And Magic To ‘Last Days On Earth’
Chris Botti Makes His Blue Note Debut With ‘Vol. 1’
Song Premier: David Newbould’s “Morning” Wakes Up But Keeps The Dream Alive
Mustangs Of The West’s ‘Down At The Palomino’ Hints At Their History With The Historic Venue
For Closure Reflects On Difficult Family Relationships For “Carousel”
Shower Curtain’s Song & Video For “Edgar” Shines The Spotlight On A Beloved Pet
Holden Miller Takes A Dualistic Look At His Mind With ‘My Brain Is Fired’
Bonnie Montgomery’s “I’ll Know” Pays Tribute To Her Love For Beethoven
Foo Fighters’ Chris Shiflett Happily Gets ‘Lost At Sea’ With More Country Rock
With ‘Tight Feathers’ Course Focuses On Embracing Life While Protecting One’s Inner Self
Sam Morrow’s “Searching For Paradise” Details A Journey To A Better Place In Life
Magnum Announces ‘Here Comes The Rain’ And 2024 Touring
Hannah Marks Blends Jazz And Rock For ‘Outsider, Outlier’
Robert Jon & The Wreck Deliver “Hold On” About The Crazy Lifestyle Of The Road
Rivers of Nihil’s “Hellbirds” Is One Of Their Heaviest Songs Yet
Drew Haley Plays With Humor On EP Title Track “Don’t Mess With Mama”
Zack Miranowic Goes Acoustic For ‘Cryin’ Out’ EP
Travis Book Takes On A Rollercoaster Of Emotions With “Afraid Of Love”
The Blips Bring It All Back ‘Again’
Bastards Of Soul’s Video For “You Let Me Down Again” Features Studio Footage Of The Late Chadwick Murray
Interview: Mariel Loveland Talks Solo Project Best Ex And The Female Experience Behind ‘With A Smile’
Vince Clarke’s “White Rabbit” Examines Our Dark Relationship With Technology
La Rosa Noir’s ‘Arellano’ Captures Life’s Adversities And Sweet Moments
G. Love & Special Sauce Celebrate The 30th Anniversary Of Their Debut Album With Reissue & National Tour
Nailah Hunter’s ‘Lovegaze’ Focuses On The Resilience Of The Natural World
Louis Carnell & Ben Vince Team Up On “Three” In Ongoing Collaborative Series
Crypta’s “Stronghold” Chronicles Inner Fears
Watch The Dollyrots’ Video For Anthemic Pop-Punk Track “5+5”
Burnt Tapes Remember A Light In Dark Times With “Little Sister” Featuring Hermione Greenwood
Song Premier: Lee Gallagher And The Hallelujah’s “Baby I’m There” Goes The Distance
Octavian Winters Faces Isolation And Loss For Debut Album ‘The Line Or Curve’
Marc Valentine’s “Skeleton Key” Explores The Darker Side Of A Relationship
Ester Brings A Bit Of Light To “Little Shadow (Duo Version)” Featuring Katelyn Cohen
Berk Jodoin’s “Aces & 8’s” Asks Why We Chase Elusive Goals
Alex Jordan Steps Forward As A Frontman With ‘Queen Kerosene’
John Buffalo’s All-Electronic Sound Was Prompted By A New Lease On Life
Terra Lightfoot’s ‘Healing Power’ Was Inspired By An Encounter With The Natural World
Unwell’s “Homegrown” Is An Anthem To Hometowns
Eddie Roberts & The Lucky Strokes Bring Southern Rock And Funk To Their Self-Titled Debut
Daniel Donato Gets Cosmic For Uplifting Track “Hi-Country”
‘House Of Terror’ Returns With An Expanded 40th Anniversary Edition
Watch Sun Room’s Rowdy House Show Video For “At Least I Tried”
Interview: Meltt Brings Mood And Message To ‘Eternal Embers’
Morat Collaborates With James TW On Their First Bilingual Song “Someone I Used To Know”
Sorcerer’s “Reign Of The Reaper” Finds A Majestic Presence In Death
Elephant Stone Will Take Us ‘Back Into The Dream’
Charlie Burg’s “Before We Step Inside” Dances Misery Away
Uncle Lucius Shares Their “Civilized Anxiety”
Drumcorps Remixes Entheos’ Track “The Interior Wilderness” With Even More Existential Dread
Jake Thistle Takes “Brooklyn Can Wait” Into The City
Watch Shakti Perform “Shrini’s Dream” Live At The Ryman Auditorium In Nashville
Song Premier: Scott Sean White’s “Small World” Is A Gently Delivered Wake-Up Call
Lo-Fi Hip Hop Artist Powfu’s ‘Gathered By The Lantern’ Collects Meaningful Stories
The Woggles’ Double Single “Mr. Last Chance” B/W “The Will O’ The Wisp” Features A New Two-Guitar Attack
Our Man in the Field Finds ‘Gold On The Horizon’
Helena Deland’s ‘Goodnight Summerland’ Emphasizes The Living Heart In Each Lyric
Whitehall’s “Lost And Found” Explores Ego Loss
The Adam Deitch Quartet Are Ready To ‘Roll The Tape’
Corner Club’s “Funny Colors” Processes The Passage Of Time
Gonzales Smith’s “Lexington Line” Chases A Moment Of Certainty
Wayfarer’s “A High Plains Eulogy” Is A Dark Little Folksong
Amaunet’s Debut Full-Length Album ‘Home’ Courts A Raw, Effortless Sound
Alan Chang’s ‘Check Please’ Introduces His Jazz-Infused Pop
Vantage Point Delivers “A Reminder” To Keep Looking Towards Tomorrow
Lauren Lakis Blends Heavy And Shoegaze Elements For ‘A Fiesta And A Hell’
Broke Mountain Bluegrass Band Brings Their Impactful Album ‘Cabin In The Hills’ To 20th Anniversary Release
Destruction Celebrates 40 Years Of Thrash Metal With Anniversary Tour
Gram Parsons’ 1973 Recording ‘The Last Roundup: Live From The Bijou Cafe’ Featuring Emmylou Harris Arrives On RSD
Josh Radnor’s “NYC” Is A Love Letter To A Person And A City
Song Premier: Patton & Brokus Take Off The Rose Colored Glasses For “Here’s To My Friends” But Find Plenty To Love
Morne Takes A Look At The World And Calls Humanity A “Wretched Empire”
Good Rzn’s ‘Falling In Slow Motion’ Shares A Kaleidoscopic Journey
Autogramm’s “WannaBe” Stands By Those Facing Change
Tex Crick Brings Hawaiian Guitar To “Barefoot Blues”
‘Metal Massacre: The Story Behind The Legendary Album’ Documentary To Air On October 28
Watch The Hu’s Haunting Animated Video For “Sell The World”
The Maine’s ‘Can’t Stop Won’t Stop’ Gets A 15th Anniversary Vinyl Reissue
Inger Lorre’s ‘Gloryland’ Confronts Looming Mortality To Find Redemption
The Stone Eye’s “Raindrops” Has Echoes Of Their Early Work
Scott Fisher’s ‘Kingdom of Ego’ Tracks American Rugged Individualism Gone Awry
Song Premier: Antonio Andrade’s “My Reward” Lets His Guitar Speak Volumes
Patrick Davis & Guy Clark’s “Wrong Side Of The Tracks” Featuring Branford Marsalis Captures Jazz Club Magic
StrateJacket’s “Bad Start” Became The Template Of Their Sound
Julia, Julia’s ‘Derealization’ Celebrates First Anniversary With Sped-Up Versions Of Select Tracks
Kronos Quartet & Ghost Train Orchestra Collaborate Via The Music Of Moondog
Morsel’s ‘On A Bee Line’ Gathers Life Lessons From The Road
Structure Sounds Celebrates Fresh Starts With ‘Light Up Your Sorrow’
Maya Delilah “Necklace” Balances Hopes And Fears
Martin Zellar Returns With Family Collaboration ‘Head West’
Europe’s Video For ‘Hold Your Head Up’ Gives Us A Glimpse Of Upcoming Documentary
Jesse Ahern’s “The Older I Get” Featuring Ken Casey And Jaime Wyatt Courts Humility And Wisdom
John Baumann’s ‘Border Radio’ Features Texan Vignettes
Check Out Lorna Shore’s Video For “Welcome Back, O’ Sleeping Dreamer” And Halloween-Themed Merch
Goodnight, Texas Embraces Hard Rock For “Runaways” Featuring Kirk Hammett
Jonah Tolchin’s ‘Dockside’ Holds Onto The Blues
Video Premier: Kurt Baker’s “Bright Blue Sky” Keeps Beauty In Its Sights
Sum 41’s “Landmines” Is An Old School Pop Punk Song
Jim Sullivan’s Star-Studded Interviews Get A Second Volume Covering The 70s And 80s
Robert Pollard’s Circus Devils Are Back With Album ‘Squeeze The Needle’
Video Premier: Heather Anne Lomax & Michael Doman Are Confessional And Confident For “Heavy Load”
On Thorns I Lay Tells A Tale Of Nature’s Revenge With “Thorns Of Fire”
Tiffy’s ‘So Serious’ Spotlights The Potential Of Soft Punk
Eddie Berman’s ‘Signal Fire’ Captures ‘Aliveness’
Video Premier: Tommy Emmanuel And Sierra Hull Wordlessly Channel Peace With “Precious Time”
Watch Blackrain’s Paris-Set Live Performance Video For “All The Darkness”
Discover More Of Hasaan Ibn Ali’s Work With ‘Reaching For The Stars: Trios/Duos/Solos’
Soul Asylum’s 1993 Unplugged MTV Performance Gets A Digital Release
Song Premier: Ben Gage’s “Tie Me Down” Sees Only The Good In A Tricky Relationship
Australian Hardcore Outfit Iron Mind Returns With Double Single “Assume Your Ultimate Form”
Walker Brings New Confidence To ‘Good Man’
Dominique Fils-Aimé’s New Trilogy Opens With ‘Our Roots Run Deep’
Dale Hollow’s ‘Hack Of The Year’ Approaches Country Traditions With A Sense Of Humor
Jonathan Young’s ‘Children Of The Night’ Is An Eclectic Combination Of Heavy Metal And Folk Elements
Revelation Records Reissues Bold’s 1988 Album ‘Speak Out’ With Extras
Meltt’s ‘Eternal Embers’ Cycles Through Growth, Decay, And Rebirth
Ronnie James Dio Documentary ‘Dio: Dreamers Never Die’ Gets A DVD And Blu-Ray Release
‘Laundry Pile’ From Arkells Is For The Sentimental
Vincent Neil Emerson’s “Little Wolf’s Invincible Yellow Medicine Paint” Spotlights Native American Traditions And Western Themes
Sâver Channels Synth-Driven Sci-Fi For “Primal One”
Winger’s Hard Rocking ‘Atlantic Years 1988-1993’ Are Gathered In A Box Set
Watch Bush Perform Tonight In Support Of Unity Against Gun Violence
Maria Wilman Introduces Her Musical World With ‘Dark Horse’
Watch Therion’s Symphonic Metal Video For “Twilight of the Gods”
Los Lonely Boys Express The Movements Of Life And Love Via “Dance With Me”
Beharie Brings R&B And Soul To ‘Are You There, Boy?’
Ann Wilson & Tripsitter Are Taking Us Through ‘Another Door’
Jesse James Dupree And AC/DC’s Brian Johnson Get Together Again To Write “Never Gets Old”
‘Time Has Come Today: Rock and Roll Diaries 1967-2007’ Completes Harold Bronson’s Biographical Trilogy
Gideon King & The City Blog Share The Intricacies Of Friendship With “Skunks Misery Road”
Massive Project Honoring Kevn Kinney’s Songwriting Includes Great Lake Swimmers Covering “Peacemaker”
Sorcerer’s ‘Reign Of The Reaper’ Is Both Darker And More Lyrical Than Their Previous Albums
Watch Knapsack’s Celebratory 25th Anniversary Video For “Katherine The Grateful”
Loraine James Examines Her Past And Present For ‘Gentle Confrontation’
Jon Dee Graham Reflects On An After Death Experience With ‘Only Dead For A Little While’
Celebrate Andrew Gold’s Seasonal Classic ‘Halloween Howls’ With Remixes And New Vinyl Options
Embers Goes Emo Revenge For “Scratch My Name”
Hot Freaks Bring Vintage And All New Songwriting To ‘Hot Freaks Forever’
Colin Hay’s ‘Now And The Evermore’ Gets A Deluxe Edition With Extra Tracks From Original Sessions
Watch The Corps’ Live Video For “Mockingbird”, A Track About Finding Your Footing In Hard Times
Anton O’Donnell Carries The Burdens Of Modern Life For Glasgow-Inspired ‘Tomber Sur PRW’
Danny O’Keefe Gathers Up Much-Loved Tracks And A Live Performance For ‘Circular Turns’
A Two-Song Suite Introduces Leon III’s Next Album, ‘Something Is Trying To Change My Mind’
Larkin Poe Show Their Songwriting Roots With ‘An Acoustic Companion’ EP
Seminal Tim Easton Albums ‘Special 20’ & ‘Not Cool’ Return To CD And Vinyl Formats
Whitechapel’s Video For “Without You/Without Us” Brings An Epic Battle To Life
Collective Soul’s ‘7even Year Itch: Greatest Hits, 1994-2001’ Heads To Vinyl For The First Time
The Steel Wheels Deliver Hymn-Like Reassurance With “Easy On Your Way”
Dan Davidson Takes ‘Nineteen Eighty Something’ On The Road
Cirith Ungol’s ‘Dark Parade’ Took Shape One Track At A Time During Difficult Times
Check Into Broadside’s ‘Hotel Bleu’ And Be Part Of The Story
Interview: Christian Parker Follows The Spirit Of The Byrds For ‘Sweethearts’ Joined By Earl Poole Ball And JayDee Maness
Roger Joseph Manning Jr. Expands On His Solo Work With ‘Radio Daze & Glamping’
Watch Wind Rose’s Dwarven Video For “Mine Mine Mine!”
Ben Harper & Charlie Musselwhite’s ‘Get Up’ Returns To Vinyl On Its 10th Anniversary
Cat Power’s Live Performance Of Dylan’s 1966 Royal Albert Hall Concert Gets A Release
Joey Alexander Collaborates With His Touring Trio For ‘Continuance’
Extreme Metal Producer & Engineer Takes The Spotlight In New Oral History ‘The Scott Burns Sessions: A Life In Death Metal 1987-1997’
Taylor Acorn Gathers Diary Songs For ‘Certified Depressant’ EP
Rod Wave Takes ‘Nostalgia’ To Arenas This Fall
Border Collie’s “I Don’t Believe You” Airs Bitterness And Loss
The Golden Vampire Experience Takes On Human Dreams, Darkness, And Addiction For ‘Polaris’
Graham Parker Throws Out Conservative Arrangements On ‘Last Chance To Learn The Twist’ With The Goldtops
Interview: The Women Of Guji On Making The Leap Into New Musical Territory To Share Their Truth
Ed Prosek Explores Belonging For ‘The Foreigner’ EP
Goose Reveals Studio Versions Of The “Travelers-Elmeg Suite” As The EP ‘Autumn Crossing’
Nanci Griffith’s Earliest Albums Are Collectively Reissued As ‘Working In Corners’
Terry Klein Writes About People Close To Him For Third Album ‘Leave The Light On’
Milliseconds Contemplates A Life Of Spontaneity For “Fallingwater”
Ikonika Takes On “I Want Blood” For The Badlands Remix Project
Hiroshi Yoshimura’s Ambient Classic ‘Surround’ Gets A Reissue
Wormhole’s ‘Almost Human’ Is Inspired By Brutal Sci-Fi Universes
Laye’s “You’re My Achilles Heel” Is A Prelude To Heartbreak
Rodcore Palmer Launches Hope Fiend With Community Goals In Mind
Lily & Madeleine’s “No Part Of Me” Finds Relief Setting Oneself Free
Watch Primordial’s Video For “Pilgrimage To The World’s End”
Liska Finds “Infinity” In Another’s Eyes
Civic Leans Into Transformative Change With “Hourglass”
Expansive Oral History Celebrates New Hope’s John & Peter’s, A Venue With Over 50 Years Of Continuous Music
Lacrimas Profundere May Have Produced The Saddest Melody Ever Heard For “Breathing Souls”
The Rural Alberta Advantage Collaborated With Their Fans To Perfect ‘The Rise & The Fall’
Side-Line Magazine Launches ‘Electronic Bodies’ Compilation To Bring Psychological Support To Ukrainian Soldiers and Citizens
Revisit A Groundbreaking Label With ‘Hit The Bongo: The Latin Soul Of Tico Records’
Soft Play Announces Their Return With The Humor And Critique Of “Punk’s Dead”
Voodoo Beach Returns From The Edge Of Dissolution For ‘Wonderful Life’
Michael Des Barres & Kris Rodgers Team Up For “Bounce Back Baby”
Song Debut: Miles & Mafale’s “March” Tells The Tale Of A Girl And Her Country
Traindodge’s “Living Proof” Finds A Way To Navigate Confusion
Baroness Embarks On An Acoustic Record Store Tour For ‘Stone’ Release
Guided By Voices Releases Their 1983 Demo EP ‘Forever Since Breakfast’ Digitally
Values Here Finds That Destiny Has Its Own Rules
C.O.F.F.I.N Explores Modern Existence And Modern Sacrifice With “Factory Man”
Mae Simpson’s Debut Album ‘Chandelier & Bloom’ Was Three Years In The Making
Blacklite District Introduces Acoustic Interpretation “Just So You Know XL”
Mermaid Takes On Powerlessness In Society With “Purr”
Rachel Sumner’s “Radium Girls (Curie Eleison)” Shines A Light On Labor Law Landmarks
Day Aches Looks At Unraveling Relationships For Debut Album ‘One Last Dream Before Dying’
Jason Hawk Harris Channels An Intense Period Of Transformation Into ‘Thin Places’
Survival Guide’s Emily Whitehurst Talks Independent Songwriting For ‘deathdreams’
Carla Olson Readies Next All-Star Duet Album ‘Have Harmony Will Travel 3’
‘Extended Play 002’ From Isaac Watters Continues A Conversation About Longing And Hope
L7 Announces ‘Cooler Than Mars’ Flexi Disc And Fan Club Launch
Sky Lions Create An Open Letter About Struggle With ‘Inside The Circle’
Sandy Bell Lives Out Her ‘Entelechy’ With Second Solo Album
Hinayana’s ‘Shatter And Fall’ Is Darker And More Solemn Than Their Debut Album
Selcouth Quartet Decamped To Iceland’s Flóki Studios For An Improv Debut Album
Wajatta Dances The Summer Out With EP ‘Waiting For the Get Down’
Robert Rex Waller Jr’s ‘See The Big Man Cry’ Showcases His Vocal Range
Temic’s “Falling Away” Reflects Positively On Our Finite Time
Watch mssv’s Trippy Video For “Baby Ghost (From The 1900s)”
Best Ex’s “I Promise To Ruin Your Life” Makes Way For Little Crushes
Paramorph Collective Bridges Ensemble And Band Work With ‘All we’re made of is borrowed’
The Hangmen Have New ‘Stories To Tell’
For Matthew Lowry, ‘Flamingo County’ Is A State Of Mind
Tyler Gunn Questions The Role Of Suffering In Our Lives With “A Million Miles”
Randy Steele Brings The Feel Of Playing Banjo With Friends To ‘High Cold Wind’
“Little Miss Sunshine” From SWMRS Celebrates Moments Of Invincibility
Simple Minds Release ‘New Gold Dream – Live From Paisley Abbey’
Jerry Leger Worked With Mark Howard To Create A Noir Atmosphere For ‘Donlands’
The Holy Ghost’s “Worker’s Curse” Sympathizes With Those In Unrewarding Jobs
Saxophilia Deliver ‘Metamorphosis’
Ari Árelíus Crafts Icelandic Desert Music With “Endless Summer”
Lizzie Borden Collaborates With Kane Churko On “Death Of Me”, A Song About Never Giving Up
Cayo Coco’s “Ghosts Talk” Tells The Story Of Feeling Unseen
Barenaked Ladies Bring Joy To Upcoming Album ‘In Flight’
Antonio Andrade Shares “My Reward” Reflecting On His Purpose In Life
HeavyHex Signs With Bridge Nine Records Ahead Of Debut Album ‘True To You’
Anjimile’s “Animal” Is A Protest Song About Police Brutality
OMD’s ‘Bauhaus Staircase’ Is Their Most Explicitly Political Record
Longtime Friends John McCutcheon And Tom Paxton Create First Full Album ‘Together’
Massive Forces Are At Play In Alkaloid’s ‘Numen’
Suicide Squeeze Brings Back Lync’s Sole Album ‘These Are Not Fall Colors’ As A Double LP
Tempt’s Self-Titled Debut Follows Arena Openings For Heavy Hitters
Tex Crick Ponders The Plight Of “Easy Keepers”
Sisters Delve Into Heavy Atmospheric Rock For “Feet On The Ground”
Chelsea Collins’ EP ‘The Lost Files’ Chronicles And Champions Her Early Songwriting
Forager Bring Funk And Folk To Debut Album ‘Pipedream Firewood’
Aussie Dan Sultan Follows Self-Titled Album With US & Canada Tour
S/J’s “Love So Fierce” Is A Folk-Punk Anthem For His Autistic Son
Gregory Alan Isakov’s ‘Apoloosa Bones’ Is Built Around A Raw Experience
Melody Federer Says Falling In Love Is Easy, But “Falling Out” Isn’t
The Grahams Prove The Timelessness Of “A Good Man”
Don’t Panic Finds Their Place Between Rock And Punk With ‘Setting Up To Fail’
The Sleeping Breaks 13 Year Silence With Post-Punk Influenced Album ‘I Feel Like I’m Becoming A Ghost’
Fred Abong’s ‘Fear Pageant’ Combines Mystery, Romance, And Dread
Nothing More Releases Their First Live Music With Album Title Track “Spirits”
Enjoy Snailmate’s ‘Stress Sandwich’ With A Dash Of Their Stress Sauce
Ryan McMahon’s ‘Live Now’ Testifies To A Rich Life
Moonlight Sorcery Will Introduce Us To The ‘Horned Lord Of The Thorned Castle’
Watch Frankie And The Witch Fingers’ Video For “Empire” Capturing Psychedelic Mayhem
S. Carey & John Raymond Bend Genres For Long-Brewing Collaboration ‘Shadowlands’
The Dry County Crooks’ EP ‘Life, Love, And Death’ Opens A New Chapter For Them
Primordial Stares Down The Apocalypse For Tenth Studio Album, ‘How It Ends’
Fievel Is Glauque Joins Fat Possum Records, Releases Double Single
Daisy The Great Delivers A Helpful Reminder With “Tough Kid”
The ‘Secret Museum Of Mankind’ Collection Reaches For World-Wide Early Fiddle Music
Hail The Sun’s ‘Divine Inner Tension’ Questions What It Means To Be Alive
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