[Cover photo features John Lee Hooker]
Craft Recordings has announced the launch of Bluesville Records, a new reissue series that celebrates the Blues, as well as trailblazing musicians that contributed to its traditions. Inspired by the original Bluesville imprint launched by Prestige Records in 1959, the series is intended to appeal to Blues enthusiasts of all levels, from casual fans to long-time collectors and audiophiles.
In addition to releasing foundational Blues titles from labels like Prestige, Vee-Jay, Riverside, Vanguard, Stax and Rounder, Bluesville Records will elevate the legacies of the artists behind these albums. They will be launching a series of “initiatives,” including curated playlists, editorial content, dedicated social media channels, and more.
You can find out more about their plans at bluesvillerecords.com and follow Bluesville Records on Facebook, Instagram and YouTube.
Each Bluesville title will be released on vinyl in partnership with Acoustic Sounds. Founder of Acoustic Sounds, Chad Kassem says of the new series:
Craft Recordings owns some very important blues albums. I am honored and excited to work with them to ensure that their new Bluesville reissues will sound as good as possible.
Bluesville Records launches its first titles on June 7th, 2024 with albums from two of the genre’s most influential artists: John Lee Hooker’s Burning Hell (originally released in 1964) and Skip James’ Today! (1966).
The rollout will continue throughout the year, and beyond, with classic titles from Albert King, Lightnin’ Hopkins, Jimmy Reed and Blind Gary Davis, among others.
More about John Lee Hooker’s Burning Hell:
Frequently known as “The King of the Boogie,” GRAMMY Award-winner John Lee Hooker (1917–2001) was one of the most important American artists of all time, whose prolific, seven-decade-long career continues to reverberate today. As a young man, the Mississippi-born singer, songwriter and guitarist relocated to Detroit, where he established himself in the industry—making his debut recordings and scoring his earliest hits (including 1948’s R&B No.1, “Boogie Chillen’”). Over a decade later, back in Motor City, Hooker laid down one of his first full-length LPs, Burning Hell, for Riverside Records.
Recorded in Detroit in April 1959 (during a session that also produced 1960’s The Country Blues of John Lee Hooker), Burning Hell was a stylistic outlier for the artist, who was better known at the time for his electric, R&B-influenced sound. Instead, Riverside sought to highlight Hooker’s Delta roots, capturing him in an intimate setting, where he was accompanied only by his acoustic guitar. The resulting album showcased Hooker’s commanding presence as an artist, as he delivered a soulful blend of original songs (“Graveyard Blues,” “You Live Your Life and I’ll Live Mine” and the title track, among them) as well as a selection of blues standards, including Big Joe Williams’ “Baby, Please Don’t Go,” Howlin’ Wolf’s “Smokestack Lightnin’,” and the Charlie Segar/Big Bill Broonzy-penned “Key to the Highway.”
More about Skip James’ Today!:
Singer, songwriter, guitarist and keyboardist Skip James (1902–1969) was a seminal Delta bluesman, who (like many of his counterparts) didn’t find broader fame until his later years. Born Nehemiah Curtis James in Mississippi, the artist had a reputation that preceded him, fueled by allegations of a wild lifestyle and unpredictable mood swings. Whether or not these rumors were true, they certainly added to the bluesman’s mystique as he launched his career in the 1920s. In 1931, James recorded a series of singles for Paramount Records but, as the Great Depression took hold, he failed to find success. Over the next 30 years, he would remain relatively unknown, working in the church as a minister and choir director.
In the ’60s, amid rumors of James’ death, blues enthusiasts John Fahey, Henry Vestine (Canned Heat) and Bill Barth sought out the artist—finding him to be very much alive—and encouraged him to return to the stage. James made his long-awaited comeback at the 1964 Newport Folk Festival, enjoying newfound fame among a younger generation of fans. Over the next five years, he also recorded a series of albums, including 1966’s Today! for Vanguard.
Today! found the bluesman revisiting many of his 1931 singles, including the popular “I’m So Glad” (famously covered by Cream on their 1966 debut, Fresh Cream), “Hard Time Killing Floor Blues,” “Special Rider Blues” and “Drunken Spree.” Haunting and emotionally raw, the pared-down session also showcased James’ unique fingerpicking technique on the acoustic guitar, as well as his talents on the piano. While the album was primarily a solo outing, James was joined by bassist Russ Savakus on his sole cover—the Leroy Carr standard, “How Long.”
