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For I Am’s “Power Behind The Throne” Says It’s Up To Us To Drive Change
Cris Jacobs Expresses A Parent’s Fear For Their Child In A Dangerous World With “Daughter, Daughter”
Song Premier: Tipps & Obermiller’s “Wait” Captures Decisive Moments In A New Relationship
Steve Conte’s ‘The Concrete Jangle’ Will Launch On Record Store Day
Kitty Coen’s ‘Hellcat’ Harnesses Anger To Create Love And Light
Third Man Reissues Big Sugar’s Blues-Based Classic ‘500 Pounds’
The Tano Jones Revelry’s ‘Spinning North’ Looks At How We Care For Those We Love
Watch Flor’s Studio-Based Video For “Same Color As The Sun”
The Goodies Reflect On The Idea That “All The Love We Bring” Is Really All We Have To Give
Greenwich Village Folk Trio Richard, Cam & Bert’s ‘Somewhere In The Stars’ Is Compiled For Record Store Day
Handsome Jack’s ‘A Good Thing’ Channels The Golden Age of Rock
“Quitters Get Nothing” From Midnight Foolishness Launches A New Beginning
Kanak’s Video For “Outside” Draws From Live Shows At Local New Jersey Venues
Rachel Garlin’s “Crossing Guard” Expresses The Possibilities Of The First Few Months Of The Year
Wormwood’s ‘The Star’ Takes Us On A Journey Through A Dying Universe
Sparks Album ‘No. 1 In Heaven’ And Sparks-Produced Album ‘Is There More To Life Than Dancing’ By Noël Return In Multiple Formats
Trouser Press Books Collects The Best Of The Magazine From 1974-1984 In Large Format Paperback
Catch A UK Folk Double Act As The Trials Of Cato Tour The US With Talisk
Andrea von Kampen’s “Such Love Does” Has A 13th Century Mystical Inspiration
The ‘Oxford Gardens’ EP From Devon Ross Harkens Back To The Early NYC Punk Scene
Dual Analog’s “Long Divide” Is A Ritual Of The Senses
Fair Visions Readies Indie Rock Debut Album ‘Quite An End’
Christian Parker’s Cover Of “She Don’t Care About Time” By The Byrds Dials Into Roger McGuinn’s Guitar
Pete Jolly’s ‘Seasons’ Returns To Vinyl For The First Time In Over 50 Years
Chief State Reveals Acoustic EP Plans & A Valentine’s Day T-Shirt
Moon Goose Delivers ‘Murmurations’ From The Welsh Countryside
Watch Sun Atoms’ Video For “Ceiling Tiles” Telling A Tale Of Two Worlds
Fears Encounters The Joy Of The Present And Sadness Of The Past For “11249”
The Eyebrows Shed Inhibitions With “Say Yeah!”
Alien Ant Farm’s ‘mAntras’ Grows From The Good And The Bad In Their Lives
Pick Up ‘nublues’ From Joel Ross And Catch Him On Tour
Terrace Martin Covers Women Who Inspire Him With ‘Her Thoughts’
Emily Barker’s “Feathered Thing” Allows For Grief And Gives Permission To Move On
Song Premier: Claudia Gibson’s “Rain” Leaves Room For The Human Condition
Colin Marston Remixes & Remasters Imperial Triumphant’s 2018 Album ‘Vile Luxury’
Good Kid Announces ‘Good Kid 4’ EP Ahead Of US And European Tour
‘Part Time Believer’ From The Strumbellas Is An Album About Half Truths And Whole Truths
Dhani Harrison Celebrates Physical Release For ‘Innerstanding’ With New Video For “I.C.U.”
Song + Video Premier: ONOFF’s “What Matters Most” Holds Onto Our Ability To Love
Worst Doubt’s “Immortal Pain” Strives For Acceptance Of Life’s Suffering
Fire Sale’s Double Single “The Albatross” Takes On Gun Violence
Sadye Shares Her Origin Story With “Pretty Traumatized”
Infected Rain’s “Lighthouse” Reminds Us Of The Power We Hold Inside Us
Grandmaster’s “Castle Door” Is An Ominous Invitation
Glixen’s “foreversoon” Encapsulates New Love
Tigercub’s “Show Me My Maker” Gets A Remix By Stone Gossard & Josh Evans
If These Trees Could Talk Returns With Ambience-Heavy “Trail Of Whispering Giants”
Birdfeeder’s ‘Woodstock’ Helps Indie Rock Songs Find Their Moment
Gamblers Channel Life’s Unravelings For ‘Pulverizer’
Blair Lee’s “Grow” Finds You’re Right Where You Wanna Be
i Häxa Brings Together Old And New Rituals For Audio Visual ‘Part I’
Faux Real’s “Rent Free” Encourages Dancing With Total Abandon
Cole Gallagher’s “Lost Sounds” Co-Written With Barry Billings Is A Plea For Peace
Watch Shadow Show’s Video For “On A Cloud” Ahead Of ‘Fantasy Now!’
Blue Note Collects A Key Set of Sonny Rollins Performances With ‘A Night At The Village Vanguard: The Complete Masters’
Suldusk’s “Crystalline” Single + Video Pays Homage To The Power And the Solace Of The Ocean
Accept Launches An Interactive Website For Upcoming Album ‘Humanoid’
Five Key Albums By On-U Sound House Band Creation Rebel Will Be Reissued
Subtronics Creates An Immersive Alternative Reality For ‘Tesseract’
Craft Recordings Launches Reissue Series Bluesville Records And Supporting Celebratory Initiatives
“Unmoved” From North Sea Echoes Acknowledges Hidden Inner Struggles
Goblyns Readies Debut Psych Rock Album ‘Hunki Bobo’
Mackenzie Shivers Asks If We Ever Really Know What Others Are Going Through With “Johnny Gown”
Katie Powderly’s ‘Live By The Song, Die By The Song’ Is A Puzzle You Put Together By Listening
Nisa’s “Smokescreen” Uncovers Harmful Patterns
AR/CO Convey Their Free-spirited Ethos With “Cherry Lips”
The Blessed Madonna’s “Happier” Featuring Clementine Douglas Is A Pledge To Oneself
Bones And Jones Lean Into Indie Rock For ‘In Blue’ EP
Hello Emerson’s ‘To Keep Him Here’ EP Encompasses Hope, Fear, And Compassion
Nora Brown & Stephanie Coleman’s ‘Lady Of The Lake’ EP Arrives On Vinyl
10 Years Breaks Out Of A Cycle Of Negativity With “Rise”
Charm Of Finches Conjures A Haunted Doll Museum In Their Video For “Clean Cut”
Watch Laura Pursell’s Nashville-Set Video For Her Cover Of Dylan’s “Shooting Star”
From Ashes To New’s “Barely Breathing” Featuring Chrissy Costanza Reflects On The Dissolution Of A Turbulent Romance
The Fourth Wall Explores The Unresolved Aspects Of Immigrant Experience For ‘Return Forever’
Flora Cash’s “Baby I Love You” Proves That Love Doesn’t Need Explanations
Eve Parker Finley’s “Fall Into Me” Is Driving, Dark, And Disco
The Painted Shield Previews Their Third Album With “Transector” Ahead Of Loosegroove Review
Ghost Funk Orchestra’s ‘A Trip To The Moon’ Falls In Love With Space Travel
Humbird’s “Right On” Grasps Endurance In The Face Of Uncertainty
Song Premier: Freddy Trujillo’s “I Didn’t Cross The Border, The Border Crossed Me” Is A Story Of Belonging
A Burial At Sea Explores The Influence Of Their Irish Roots With ‘Close To Home’
A Day To Remember’s ‘Homesick’ Gets A 15th Anniversary Vinyl Reissue With Bonus Tracks
The High Hawks Travel The Blues Highway For ‘Mother Nature’s Show’
Mt. Joy’s 2024 North American & European Tour Will Take In Their Hometown Of Philadelphia
Song Premier: Rah Rah Rabbit’s “Doin’ Time” Confronts The Ghosts Of One’s Own Past
Allagaeon Reunites With Original Vocalist Ezra Haynes To Record Seventh Studio Album
Watch The Venomous Pinks’ Album Documentary ‘We Must Prevail: The Making Of Vita Mors’
Budderside Bring Grunge & Punk Accents To “Good For Nothing”
TRZTN And Karen O. Collaborate On “Alina’s Lullaby” For Horror Film ‘The Seeding’
Ohio Rock Bands Six Parts Seven & Goodmorning Valentine Team Up For ‘Kissing Distance’
BLŪMĒ Hones In On The Essential For ‘Everything Is Going To Be O.K.’
Watch David Kushner’s Video For “Skin And Bones” Tracing The Duality Of Love
Mirah And TEKE::TEKE Cover The Clash And Perform In Brooklyn This Friday
Marc Valentine’s ‘Strange Weather’ Ponders A Glimpse Of Extraterrestrial Life
Loreena McKennitt’s ‘The Road Back Home’ Was Inspired By And Recorded At At Several Folk Festivals
Olhava Meditate On ‘Sacrifice’ As A Precursor To Their Album ‘Reborn’
Neil Leyton’s “These Seeds” Commemmorates Ukrainian Courage And Benefits Music Export Ukraine
Wesley Dean’s “Don’t Look Back” Featuring Sarah Buxton Fights For Self-Expression In Life
Grandaddy Brings Shine And Dirt To Heartbreak Ballad “Long As I’m Not The One”
Scottish Fiddler Louise Bichan Reclaims ‘The Lost Summer’
Watch The Black Moods’ Extended Video Of “Roadhouse Blues” Featuring The Doors’ Robby Krieger
Schande’s “Relevant Campaigns” Chooses Resilience
The Stylistics’ 1996 Album ‘Love Is Back In Style’ Returns To CD And Digital Release Via Omnivore
Northpark’s “Ink” Dramatizes The Importance And Power Of Writing And Music
Third Man Hardware & Donner Music Team Up For ‘Triple Threat’ Analog Effects Pedal
Thomas Csorba’s ‘Windchimes’ Is A Reflective Look At Building A Family
Creed’s Scott Stapp Warns Of Mutually Assured Destruction With “Deadman’s Trigger”
Friends And Family Lauch GoFundMe To Help With Punk Artist Dave Smalley’s Cancer Battle
Driftwood’s “Every Which Way But Loose” Is Steeped In Eric Clapton’s ‘Slowhand’
Wilder Woods And The War & Treaty Team Up To Share Unconditional Love With “Be Yourself”
Pillow Queens Chart How Love And Lost Coexist With ‘Name Your Sorrow’
Breezers Draws On The Landscape Of The West For ‘Hideaway’
Joh Chase’s “Avalanche” Is About The Transformational Power Of Love
Watch Kitchen Dwellers’ Video For “The Crow And The Raven (III)” Where The Old West Meets The New West
Icelandic Post-Punk Group Groa Reissues Two Albums On Vinyl & CD
Bex Marshall’s ‘Fortuna’ Chases Blues Rock Euphoria
Quiet Car’s “Goblin” Previews Their Experimental Debut EP
Claudia Gibson’s ‘Within The Fields Of Chazy’ Brings Her Family’s Past And Present Together
An Acoustic Version Of Trevor Hall’s Latest Album Has Been Released As ‘Trevor Hall And The Great in-Between (Live From The Barn)’
Poolside Releases Electro-Funk “Ride With You (Mindchatter Remix)” And Heads Out On Tour
Tucker Woods Weathered A Studio Fire To Bring Us ‘Sunshine Blues’
Dawn Landes Highlights Activism By Reimagining 1971’s ‘The Liberated Woman’s Songbook’
Robby Krieger Branches Out Alongside The Soul Savages
Ethan Larsh’s “The Last Big Score” Chases Springsteen’s Promised Land
Armchair Boogie’s “Gone In A Day” Captures Loss And Acceptance
Jerome Forde Returns With Gritty Love Songs For ‘Wintertide Blues’
Marcus King Works With Rick Rubin And Spotlights His Vocals On “F*ck My Life Up Again”
King Dream Adds To An Ambitious Cycle With Psych-Tinged ‘Glory Days V’
The Lucky Ones Recorded Live For ‘A Nickel For The Fiddler’ EP
Nothing More’s “If It Doesn’t Hurt” Reflects On Entrapment And Freedom
Watch Eddie Berman’s Live Performance Video For “Go From Here”
Molly O’Leary Conquers The “Ticking Of A Clock”
The Dandy Warhols Set Their Sights On A Heavy Guitar Record With ‘Rockmaker’
Christian Lopez Follows ‘Magdalena’ With Grand Ole Opry Debut On January 27th
Catch The ‘All The Good Times Farewell Tour’: Nitty Gritty Dirt Band Starts Their Last Big Tour In March
Christian Parker Tunes Into Psychedelic Country Music With ‘Change Is Now: A Tribute To The Byrds’
Sum 41’s Last Global Tour Will Span 2024 And 2025 And Bring Us ‘Heaven :x: Hell’
‘A New Form Of Beauty’ From Virgin Prunes Gets A Rerelease With Remixes, Artbook, And More
Sam Morrow’s “By Your Side” Shares An Encompassing Love
Song Premier: Buddy Mondlock And Chelsea Ewing Uncover The Scars Of “Girlstown”
Ginny Luke & Orianthi Team Up For Fierce Title Track To ‘Devil At My Heels’
More Original Jazz Classics Arrive In March Including Cannonball Adderley & Bill Evans, Art Blakey & The Jazz Messengers, And Ron Carter
The Ozark Mountain Daredevils Say Thank You For 50 Years Of Support With Farewell ‘When It Shines’ Tour
Song Premier: Domenic Cicala’s “Shores Of Sorrow” Looks Beyond Good And Evil To Lessons From Life
The Dollyrots Deliver A Teen Rush Via “Tonight With You” And Announce A Valentine’s Day Serenade
The Thing Contemplates Our Ticking Doomsday Clock With “Midnight”
Gab De La Vega’s “Northern Lights” Treats Solitude Like A Companion
Tyler Ramsey’s “These Ghosts” Acknowledges The Time It Takes To Move On
Lifesick’s ‘Love And Other Lies’ EP Draws On The Turbulent Nature Of Life
Alex Jordan’s “Saving Grace” Pleads For Forgiveness
Dayna Reid’s “This House” Shakes Off Stagnation By Facing Problems
Cedric Burnside’s ‘Hill Country Love’ Celebrates His Heritage And Journey
G. Love And Special Sauce’s Remastered Debut Album Includes 11 Unreleased Live Tracks From 1994 Knitting Factory NYC Performance
Ben Frost’s ‘Scope Neglect’ Is Metal Alchemy
Tony Rice’s 1983 Classic ‘Church Street Blues’ Gets A Vinyl Reissue
Haystack’s Noise Rock Gets Introspective For “Doomsday Goes Away”
Stream Kitchen Dwellers’ Three Night NYE Performances On January 19-21 And Catch Them On Tour For ‘Seven Devils’
Third Man’s Vault Package #59 Reaches For The Sun With ‘Elvis Presley At 706 Union Ave: The Sun Singles 1954-55’
Ray Alder & Jim Matheos Team Up As North Sea Echoes To Bring Us ‘Really Good Terrible Things’
James Mastro’s Video For “Right Words, Wrong Song” Tips The Hat To Stephen Colbert And Jon Stewart
David Malloy Crafts His Own End Of The World Song “I Play Gimme Shelter”
Shaina Hayes Remembers That Better Times Are Ahead With “Sun And Time”
Drumcorps Remixes Entheos’ Prog Metal Track “I Am The Void”
Eynomia’s 2018 Debut Album ‘Break Free’ Gets Reissued With Bonus Track “Raise Your Voice”
Shane Smith & The Saints Ready ‘Norther’ Featuring Tracks That Debuted On ‘Yellowstone’
‘The Rolling Stones Live At The Wiltern’ Captures A 2002 Performance In An Intimate Venue
Hiraes Extends A Sense Of Unity To Their Community With “We Owe No One”
Melodic Hardcore Team-Up The Promised End Deliver ‘For The Buried And The Broken’ In February
Fazi’s Cyclical Album ‘Folding Story’ Gets Wider Rerelease
Eminence Ensemble’s ‘Flipside’ Discovers The Grass Isn’t Always Greener
Suldusk’s ‘Anthesis’ Blends Dark Folk, Post-Rock, Black Metal, And More
Eric Brace & Thomm Jutz Announce ‘Simple Motion’ Tackling Life And Loss
Ghost Work’s ‘Light A Candle For The Lonely’ Navigates Between The Universe’s Beauty And Uncertainty
The Goddamsels Reflect On The Whirlpool Of Modern Life With “Better Than”
Ronnie And The Savoys’ Out Of Print Single “Domino” Gets 7 Inch Release From Wicked Cool Records & Cleveland International Records
Rod Picott Rallies Around His Difficult Past For ‘Starlight Tour’
The Children’s Hour Returns With ‘Going Home’ After A Twenty Year Wait
Elvie Shane’s ‘Damascus’ Challenges What Holds People Down
Vipassi’s “Morningstar” Presents A Terrifying Vision Of The Future
Diane Coll’s “Glow Candlelight” Believes In Healing If We Really Desire It
Amigo The Devil’s ‘Yours Until The War Is Over’ Looks At Relationships Used For Survival
The Josh Abbot Band’s “She’ll Always Be” Captures A Free Spirit
The Speakeasy Brings Punk And Folk Traditions Together For Self-Titled Debut
Tatyana’s ‘It’s Over’ Tracks Online Dating And The Risks Of Opening Up To Others
Malcolm MacWatt’s ‘Dark Harvest’ Takes A Look At The Shady Side Of History While Staying Contemporary
Scarefield’s “Ancient Evil” Introduces Their Lovecraft-Inspired EP ‘Nightmare Tales’
Scott Sean White’s ‘Even On The Bad Days’ Focuses On Life As Lived And Side-Steps A Mainstream Sound
May Devun’s “Encore” Invites Self-Discovery
The Behaviour’s ‘A Sin Dance’ Moves Through Redemption To Renewal
Foxes On The Run Reveal Upcoming Songs On Their Live ‘Arroiz Sessions’
Savanna Leigh’s Live Acoustic Version Of “locked in july” Captures A Moment In Time
Dominum Have a Power Metal Message For Us Via ‘Hey Living People’
Untamed’s Self-Titled Debut Album Shares Songs Linked By Impact
Catch Amelia White Live Supporting The February Release Of ‘Love I Swore’
Dig Into Lord Of The Lost’s First Covers Album ‘Weapons of Mass Seduction’
Watch Searows’ Searching Video For “End Of The World”
Graham Parker & The Goldtops Pair Two Live Tracks With “Sun Valley” For A Triple Single
Watch ‘Nashville’s Big Bash’ Hosted By Elle King On TV And Streaming For NYE
Phear Is Looking To ‘Save Our Souls’ In 2024
Brother Bird’s “something better” Transmutes Despair Into Creativity
Daniel Johnston’s ‘Alive In New York City’ Album Release Will Have A Brooklyn Celebration On January 21st
Karriem Riggins & Madlib’s Jahari Massamba Unit Readies Second Album ‘YHWH Is Love’
John Oates Supports Teen Cancer America With The Single “Get Your Smile On”
Three New Shoegaze Albums By Screaming Bones Close Out 2023
Kathleen Hanna’s 2024 Book Tour For ‘Rebel Girl: My Life As A Feminist Punk’ Will Span The USA
Maria Elena Silva Brings Rock, Romance, And Flamenco-Influenced Guitar To ‘Dulce’
In The Rosemary Dreams Bring Stoner Rock And Post-Punk To ‘Day After Night Before’
Samuel Wilbur’s ‘The Age’ Focuses On The Global Climate Crisis
Harrison Storm’s ‘Wonder, Won’t You?’ Reflects How He Connects With The World
VLTIMAS Compose A Score For The Apocalypse With Album ‘Epic’
Horizon Theory Sees The Relevance Of Flobots Track “Handlebars” And Delivers Their Own Take + Video
Glassio Teams Up With Rodes Rollins & Mumble Tide For Four Part Single “Will You Still Come Back Tomorrow?”
Son Of The Velvet Rat’s “Beautiful Day” Features Jolie Holland & Discovers A Dream-Like Cycle
All The Tracks On Leslie Evers ‘Bound For Land’ Share A Common Theme Of Love
Celebrate The Close Of The Year By Streaming Bobby Weir, The Wolf Bros & The Wolfpack In Concert
Tilburg’s ‘Turning Time’ Brings Together 70s Prog Rock And Dark Electronica
Listen To Jason Isbell And The 400 Unit’s Rendition Of Kevn Kinney’s “Look What You’ve Done To Your Brother”
Ponte Del Diavolo’s “Demone” Blends Doom Metal, Post-Punk, And Dark Wave
Save Ferris Share A Tale Of Longing With “Xmas Blue”
Rebecca Pidgeon Explores A Fascination With Filmmaking For ‘Songs Of L.A.’
DJ Ashba’s “Party Tonight” Featuring Dia Channels 1940s Style Vocal Melodies
Watch Yoshiki Perform “Closer” With The Chainsmokers In Clip From New Documentary
The Blue Note Quintet Pays Tribute To Their Heroes On Blue Note 85th Anniversary Tour
Oceans Of Slumber’s “Poem Of Fire” Is A Musical Medley Of Their Upcoming Album
Blowfuse’s “Move On” Is A Call To Positive Action
Interview: Billy Raffoul’s ‘For All These Years’ Is Built On Perspective And Empathy
Alan Lomax’s Festive Multi-Cultural Field Recordings Get Collected As ‘Songs Of Christmas, Midwinter & New Year’
Like A Storm’s “Sinners & Saints” Gets A Heavy Alternative Remix Addressing Humanity’s Inner Conflicts
Walter Martin’s ‘Concert at Coco’s’ Is A Family Party Record Featuring New Songs And Favorites
Ruthie Foster’s New Live Version Of “What Kind Of Fool” Reflects Where She Stands On Love
Video Premier: Mike Miz’s “Heroes” Calls To Mind The Ones We Miss And The Music We Love
Gravenoire Joins Season Of Mist, Teases New Music In 2024
Jenny Boyd Expands Her Doctoral Thesis Featuring 65 Interviews With Musicians For The Book ‘Icons Of Rock – In Their Own Words’
Interview: Movie Club’s Vince Cuneo Talks ‘Great White’ And Thinking Outside The Box
Daniel Johnston’s Work Gets First Comprehensive Collection With ‘Daniel Johnston In The 20th Century’
Two Feet Launches Independent Record Label And Announces Initial Roster
Keane’s Unreleased Song For ‘Love, Actually’ Gets A Lyric Video By Richard Curtis And Spike Curtis
Mento Buru Finds More Neighborhood Musical History To Celebrate For ‘East Bakersfield Christmas II’
Lily Seabird’s ‘Alas’ Spotlights Cycles Of Grief And Letting Go
Borknagar’s ‘Fall’ Will Celebrate Boundary-Pushing
Watch Voodoo Beach’s Live Session With Felix Keiler Of Die Kerzen
New Zealand’s L.A.B. Closes A Big Year With “Oh No (Pt. 2)”
Amon Amarth Faces Off Against Several Members Of Saxon For “Saxons And Vikings” Track + Video
Steve Aoki & Yellowcard Collaborate On 20th Anniversary Remix Of “Ocean Avenue”
Watch Catbells’ Video For “Walking In The Air” From The Snowman
Samael Brings Their 25th Anniversary Tour Performance Of ‘Passage’ To Live Release
Mick Mars Looks At Both Sides Of The Story For “Right Side Of Wrong”
Monkey3’s ‘Welcome To The Machine’ Plumbs The Future Of Humanity
Matthew Sweet Will Tour, Release 1993 Live Album + A New Studio Album In 2024
Telltale’s “Otherside” Acknowledges The Darker Side Of Escaping From Reality
Kitchen Dwellers Follow The Swing Of “Pendulum (V)”
Interview: Bre Kennedy Finds Her Moment To ‘Scream Over Everything’
Stax Meets Motown In Black History Month Online Event That Brings Two Cities Together
XII Thorns Crafts An Eerie Narrative In Old Dutch With “De Kelderbode”
Atreyu Explores Anxiety, Depression, Self-Belief, And Identity To Find ‘The Beautiful Dark Of Life’
Black Market Karma Pairs “Wisdom Shifter” With “The Sour Truth” Featuring Sonic Boom For 10 Inch Vinyl
Magnús Jóhann’s ‘Rofnar’ Is Built Around Sonic Deconstruction
Exit Eden Brings Symphonic Metal To Journey’s “Separate Ways”
Foscor Returns With “Solitud”, A Brand New Chant From The Past
Chris Kage’s ‘Cycles’ Finds Life To Be A Self-Created Tapestry
The Montvales Address Uncertain Times For ‘Born Strangers’
’92 Introduces Their Rebellion With “Culture”
Emel’s “Souty” Finds An Empowering Voice
Bryan Adams ‘Live At The Albert Hall’ Captures Three Albums Performed In Their Entirety
Maddox Jones & Great Adamz Wrote “It’s Christmas Time” To Build Each Other Up
Vitriol’s “Weaponized Loss” Reconsiders Suffering As Preparation For Survival
Letters Sent Home Crafts “Elements” As A Love Song And Cry To Nature
Arms And Sleepers’ Track “Belfast (Feat. Sofia Insua” Meditates On Communities Affected By Conflict
Ryujin’s “Gekokujo” Is Japanese Metal Folk Horror
Watch The Gems’ Video For “Undiscovered Paths”, Ahead Of Debut Album ‘Phoenix’
The Dollyrots Get Punk Yet Sentimental For “Auld Lang Syne”
Merrimack’s ‘Of Grace And Gravity’ Seeks A More Primitive Form
Charles Moothart Introduces Apocalyptic Pop Via “Roll”
Ethan Lipton & His Orchestra Celebrate People Who Share Their Whole Selves With “Talking To Bonnie”
Hazlett’s ‘Goodbye To The Valley Low’ Stems From A Journey To The Other Side Of The World
Helfró Introduces Introspective Themes With ‘Tálgröf’
Silver Planes Asks “Where You Gonna Run?”
Washing Machina Wishes You A “Merry Fuzzy Christmas”
Mackenzie Shivers Pairs Grounded Love Song “pedestal” With “a cautionary tale” For 7 Inch Offering
The Speakeasy’s “Devil In Disguise” Hints At Future Freedom
Miss Grit Shares EP Gathering Remixes Of Debut Album ‘Follow The Cyborg’
Lapalux’s 2013 Debut ‘Nostalchic’ Gets A Vinyl Reissue From Brainfeeder
“For You” From Thee Sinseers Blends Southern California Sounds With A Devotional Message
Gloryhammer Celebrates Their Cover Of Classic Cheap Trick Track “Mighty Wings” With Wide Release
Zach Seabaugh Writes “Helium Balloons” About Things Better Left Behind
Song + Video Premier: Stevi Daft’s “Vertigo” Is A Healing Rock Ritual
Taylor Pearlstein’s ‘Perfect Blue’ EP Delves Into Self-Delusion And Our Desire To Be Wanted
Yasu’s “My Spaceship Lost Control” Finds An Astronaut Adrift
Today Was Yesterday’s Debut Album Features Rush’s Alex Lifeson & The Doors’ Robby Krieger
Amanda Stewart Covers “A Long December” From Counting Crows For EP ‘Since It’s Christmas’
Ethan Iverson Helms Two Trios And Works With Younger Musicians For ‘Technically Acceptable’
Metal Trio Imperial Triumphant Covers Wayne Shorter’s “Nefertiti”
Hakushi Hasegawa Announces First Time Vinyl Releases For ‘Somoku Hodo’ & ‘Air Ni Ni’
Morgan Myles & Sam Morrow Debuted Original Song “Christmas Just Us Two” At The Grand Ole Opry
Johnny Brenda’s & Mt. Joy’s Matt Quinn Team Up For A Show Benefitting World Central Kitchen
Katherine Yeske Taylor’s ‘She’s A Badass: Women In Rock Shaping Feminism’ Arrives In January 2024
Lost Under Heaven Takes On “She’s Acting Just Like A Child” For Badlands Remix Project
High Llamas Opens Up To Possibilities With ‘Hey Panda’
Sabatta Brings Psych Rock Sensibilities To ‘How To Get Even’
Dustin Douglas & The Electric Gentlemen Get Super-Seasonal In Their Video For Billy Squier’s “Christmas Is The Time To Say I Love You”
Winter Aid’s Inner Sunset EP Bridges The Old World And The New
Scott Stapp’s “Black Butterfly” Chronicles Transformative Growth
Watch Marcus Rezak Collaborate With Blues Traveler On “Mulling It Over”
Interview: Grave Domain’s Shel Plock Guides Us Through The Underworld
Dea Doyle’s “One For Me” Testifies To Love’s Surprises
Watch Temic’s Iceland-Set Video For “Through The Sands Of Time”
Cybotron’s Techno Classic ‘Enter’ Gets A 40th Anniversary Expanded Reissue
Small Isles Goes Cinematic For The EP ‘Everything On Memory’
Diane Coll Addresses ‘Old Ghosts’ In The Mirror On A Healing Journey
The Haptics Explore The Darker Side Of Relationship Power Dynamics With “Mouse”
Giantsky’s Sophomore Album Brings Together Folk, Electronica, And Post-Rock Traditions
Hani Abadi’s “My Story” Offers Hope During Dark Days
Trashcan Sinatras’ John Douglas Releases Debut Solo Album Recorded Live
Two Key Tracks From The Comateens Get A New Multi-Format Release From Left For Dead Records
Collaborative Group Zahn Returns With ‘Adria’, A Journey Into European Holiday Culture
Leftover Salmon’s Andy Thorn Answers Fan Demand With ‘High Country Holiday’
Leslee Smucker’s ‘Breathing Landscape’ Was Recorded In An Abandoned Water Tank
From Ashes To New’s Rock Take On “All I Want For Christmas Is You” Gets A Video
Darko’s “What I Cannot Be” Pushes Back Against Traditional Ideas Of Masculinity
Listen To Half Moon Run’s Alternate Live Version Of “9beat” And Catch Their North American Tour
Necrowretch’s ‘Swords Of Dajjal’ Focuses On A Mysterious Doom-Bringer
Velcros Tease ‘Strange News From The Vault’ With Psychedelic Track “Hollowed”
Ismay’s ‘Desert Pavement’ Was Inspired By Rural Life And Days Of Yore
Joe McGinty & The Losers Lounge Celebrate 30 Years Of Live Events With A Tribute To Burt Bacharach
Willie Jones Champions Things That Stay The Same With “Dive Bar” Featuring Ben Burgess
Americana Ode “Marfa Christmas Lights” From Beth // James Finds Santa Unwinding With Mrs. Clause
TÝR Announces ‘Battle Ballads’ North American Headlining Tour For 2024
Ron Gallo’s ‘Foreground Music’ Gets A Deluxe Edition Including Acoustic And Demo Versions
Ani DiFranco Will Make Her Broadway Debut In ‘Hadestown’
Watch Kill The Thrill’s Near-Apocalyptic Video For “Autophagie”
Kelly Finnigan’s ‘A Joyful Sound’ Gets Released As A Box Of 45s For Record Store Day
Chloe Star’s “Found My Peace” Is A Song Of Awakening
Olathia’s ‘The Forest Witch’ Traverses Both Battles And Good Times
Off Lights Bring Rock ‘Back To Life’
Many Eyes Tackles Trauma Head-On With “Mystic Cord”
Noa Jamir’s “Subside” Weathers Changes That Bring Us To Personal Growth
Pines Chronicles An Eventful Journey For ‘Life As We Know It’
‘Light In The Attic & Friends’ Gathers 20 Tracks From Their ‘Covers Series’ For Record Store Day
Young The Giant’s ‘Live Across America ’23’ Spans Albums And Venues
Taylor Acorn’s “Basement” Reminds That Things Won’t Always Be As Bad As They Seem
New Years Day Reunites With Original Lineup To Create The Half Dark, Half Fun ‘Half-Black Heart’
Helene Cronin’s ‘Beautiful December’ Captures The Magic Of The Season
Jake Thistle Recorded His Debut EP ‘The Half Left Out’ Between New Jersey And Nashville
One Square Mile’s ‘Source Of Suffering’ EP Channels Hermosa Beach Punk Traditions
Hellman’s “Desktop Activists” Calls Out Uncivil Online Culture
Jared Dustin Griffin’s ‘Battle Cry Mercy’ Documents Struggles, Sacrifices, And Redemption
Gost’s ‘Prophecy’ Imagines The Fall Of Western Civilization
Crossbone Skully’s New Track “I’m Unbreakable” Will Be Part Of A 7 Inch Package To Benefit MusiCares
Watch Säje’s Animated Video For Their Grammy-Nominated Rendition Of “In The Wee Small Hours Of The Morning” Featuring Jacob Collier
Amelia White’s “Something New Comes” Offers Hope After Pain
Molly Hatchet Returns To Releasing With “Firing Line”, A Track About Standing Up For Yourself
Tess & The Details Invite You To Have A Really Good Time With ‘Runaway’
Slayer’s ‘No Mercy’ Gets Two 40th Anniversary Re-Releases
Shaina Hayes Focuses On A Positive Form Of Remembering For ‘Kindergarten Heart’
Whitechapel Announces ‘Live In The Valley’ Album Recorded At Their 2022 Christmas Benefit Show
CrowJane’s “Destroy” Brings A Synth Pulse To A Punk Aesthetic
Kitchen Dwellers Follow In Dante’s Footsteps For New Album ‘Seven Devils’
Video Premier: Steve Drizos Looks For One Sure Thing In The Parade Of Life With “katie”
Atreyu’s ‘The Beautiful Dark Of Life’ Steps Back To Look At The Whole Picture
Catholic Guilt’s “Can You See Me?” Processes A Sense Of Lost Identity
Woody Platt & Del McCoury Team Up For Classic Bluegrass On “Broke Down Engine”
Jordan Mailata & Patti LaBelle Duet On “This Christmas” For ‘A Philly Special Christmas Special’ To Benefit Philadelphia Charities
Odd Robot’s ‘Deathmates’ Breaks Five Year Silence With 17 Tracks
Jamie Hannah Shares His Mantra Of Choosing Courage Over Fear With “Dragonfly”
The Continental Drifters’ 2023 Performance At New Orleans Jazz & Heritage Festival Gets Wide Release
Layperson’s ‘Massive Leaning’ Tracks A New Path Forward
J. Wilms Has More Stories To Tell For ‘The Fighter’
Paul McDonald And The Mourning Doves Illustrate The Harder Side Of The Holidays With “Maybe This Christmas”
Driftwood’s “December Last Call” Was Written As A Real-Life Drinking Song
Upon Stone Channels A Nocturnal Spirit For Debut Album ‘Dead Mother Moon’
Key Compositions Get The Limelight With ‘Forsaken Themes From Fantastic Films Vol. 2: Who Wants To Live Forever’
Balsam Range’s ‘Kinetic Tone’ Is A Shared Mindset
Helga Shares Their Struggle To Feel “Alive Again”
Elephant Stone’s “History Repeating” Is A Plea For Reparations To Indigenous Canadians
Mackenzie Shivers Brings Her Version Of Dream Pop To “A Cautionary Tale”
Spelles Explores Inner Worlds And Private Hells For ‘Diving Into The Arms Of The Divine’
Schande’s “52 hz” Was Inspired By A Whale Song Phenomenon
‘Highlights Of Existence’ Title Track From Gale Forces Insists On Our Primary Need For Connection
Interview: Listening Party’s ‘Been A Long Time Comin’ Handles Elusive Adulthood With Humor
Apashe Works With Geoffroy For “Lost In Mumbai”
Elif Dame’s ‘Securely Detached’ Documents Her Mental Health Hiatus
KillerStar’s “Falling Through” Celebrates Time Standing Still
All-Star Marianne Faithfull Tribute Album Will Benefit The Artist As She Recovers From Long Covid
Heather Anne Lomax And Michael Doman Duet On Poignant “Bits and Pieces”
Longwave’s ‘The Strangest Things’ Will Return On Red Vinyl For Its 20th Anniversary
Go Betty Go’s “We Talk A Lot” Conjures That Adventurous Feeling Of Falling In Love
Reid Jenkins Confronts Himself As An Obstacle To Craft ‘Hall Of Gems’
Porcupine Tree’s ‘Closure/Continuation’ Live Album Captures Their Return To Touring
Time Spent Driving Returns With A Brutally Honest Approach For ‘Estrangers’
The Cranberries’ Debut Album ‘Everybody Else Is Doing It, So Why Can’t We?’ Gets A 30th Anniversary Gold Vinyl Release
Close Talker’s Break Resulted In Renewed Inspiration And ‘The Sprawl’
Empty Country Expands Its Lore With A Sophomore LP
Insomnium’s ‘Songs Of The Dusk’ EP Offers An Alternate Ending To ‘Anno: 1696’
Johanna Knutsson Completes The Badlands Remix Project With “Clown”
Maggie Rose’s “Underestimate Me” Sets Out To Shatter Expectations
Hayley and The Crushers Cover Iggy Pop’s “Lust For Life” In Honor Of Detroit’s DIY Scene
The Storm Windows Find Optimism But Plenty That Needs Fixing For “It’s Christmas Time (Live)”
Lilli Lewis Learns Gentler Truths Through ‘All Is Forgiven’
Angelus Apatrida’s “Snob” Features Jamey Jasta Of Hatebreed
Carnation Celebrate A Rebirth With ‘Cursed Mortality’
Sarah Mary Chadwick’s Bonus Track “If I Have It In Me At All” Is A Questioning Love Song
Watch Lisa LeBlanc’s Live Performance Of “Dans L’Jus” Commenting On Societal Burnout
Five Finger Death Punch Partners With Covenant House To Impact Youth Homelessness
Josie Cotton’s “Day Of The Gun” Video Completes Her ‘Trilogy Of Horror’
Johnny O’Neil’s “Take Me Down” Moves Through The Darkness Of Opioid Addiction Towards Hope
Song Premier: Helene Cronin’s “I Could Use A Silent Night” Prizes The Beauty Of Simplicity
We Are Scientists Bring Dual Albums ‘Huffy’ And ‘Lobes’ To North American Audiences In November & December
Watch Hackedepicciotto’s Video For Friendship-Inspired Track “Troubadour”
The Claudettes Fume Over A Bogus Magic Potion With “No Matter How Much”
The Mighty Clouds Of Joy’s Key Album ‘Kickin’ Gets An Expanded Reissue
Mercyful Fate Celebrates 40 Years Of ‘Melissa’ With A New Digital Release And Merch Line
Chestnut Grove Announces ‘Can’t Stand The Music’ For 2024 And A Tour Before Hiatus
John-Robert’s ‘Garden Snake’ EP Is A Virginia Record Made In LA
Song Premier: The Pinkerton Raid’s Cover Of “White Winter Hymnal” Captures Emotional Intensity
Quarters Of Change Finds Acceptance With “Heaven Bound”
“Baby Burglar” From Madness Was Inspired By A Real-Life Home Invasion
Cary Morin’s ‘Innocent Allies’ Pays Tribute To A Western Painter And The Landscape Of Morin’s Childhood
Caleb Lee Hutchinson’s ‘Southern Galactic’ Brings Spacey Vibes To Country Traditions
Eddie Berman Shares A Parent’s Terror And Delight With “First Of Spring (Keira’s Song)”
‘Veneer’ From José González Gets A 20th Anniversary Deluxe Version And A 2024 Tour
Sukey Molloy Releases First Holiday Album For Families, ‘Snow Is Falling! Songs For Christmas, Hanukkah & Knwanzaa’
Heilung Share The Experience Of Their Live Performance Ritual With “Anoana” Filmed At London’s Apollo Theatre
Many Eyes’ Video For “Revelation” Pays Homage To Nirvana’s Game-Changing “Smells Like Teen Spirit” Video
Al Staehely’s ‘Somewhere In West Texas’ Captures The Magic Of The Desert On Vinyl
The Hill Is Burning Launches Second Collection ‘From Alpha To Omega’
Watch Mereki’s Video For “In Everything” Featuring Classic Fairytale Animation
Karamelien Are ‘Living With The Moon’ And Emphasizing The Basslines
The Kinks Release Ray Davies’ Mix Of 1974 Studio Track “Money Talks”
Dolly Dagger’s ‘Nightmare’ EP Processes Art As Survival
Grandaddy Chases A ‘Blu Wav’ Combining Bluegrass And New Wave Elements
Interview: Abby Posner’s ‘Second Chances’ Captures Possibilities And Growth
Newmoon Leans Into Thick Layers Of Guitars For ‘Temporary Light’
Earthburner Returns To Announce Debut Full-Length Album
The Ground Is Lava’s Emo Classic ‘Bottle Rockets’ Returns For Its 10th Anniversary On Cassette, CD, And Digitally
Van Duren & Good Question’s 1992 Career-Spanning Performance Gets A Release As ‘Cartwheeling: Live In Memphis’
Crystal Canyon’s ‘Stars And Distant Light’ Was Tracked Meticulously Onto Analog Tape
Svartanatt Brings Doom And Magic To ‘Last Days On Earth’
Chris Botti Makes His Blue Note Debut With ‘Vol. 1’
Song Premier: David Newbould’s “Morning” Wakes Up But Keeps The Dream Alive
Mustangs Of The West’s ‘Down At The Palomino’ Hints At Their History With The Historic Venue
For Closure Reflects On Difficult Family Relationships For “Carousel”
Shower Curtain’s Song & Video For “Edgar” Shines The Spotlight On A Beloved Pet
Holden Miller Takes A Dualistic Look At His Mind With ‘My Brain Is Fired’
Bonnie Montgomery’s “I’ll Know” Pays Tribute To Her Love For Beethoven
Foo Fighters’ Chris Shiflett Happily Gets ‘Lost At Sea’ With More Country Rock
With ‘Tight Feathers’ Course Focuses On Embracing Life While Protecting One’s Inner Self
Sam Morrow’s “Searching For Paradise” Details A Journey To A Better Place In Life
Magnum Announces ‘Here Comes The Rain’ And 2024 Touring
Hannah Marks Blends Jazz And Rock For ‘Outsider, Outlier’
Robert Jon & The Wreck Deliver “Hold On” About The Crazy Lifestyle Of The Road
Rivers of Nihil’s “Hellbirds” Is One Of Their Heaviest Songs Yet
Drew Haley Plays With Humor On EP Title Track “Don’t Mess With Mama”
Zack Miranowic Goes Acoustic For ‘Cryin’ Out’ EP
Travis Book Takes On A Rollercoaster Of Emotions With “Afraid Of Love”
The Blips Bring It All Back ‘Again’
Bastards Of Soul’s Video For “You Let Me Down Again” Features Studio Footage Of The Late Chadwick Murray
Interview: Mariel Loveland Talks Solo Project Best Ex And The Female Experience Behind ‘With A Smile’
Vince Clarke’s “White Rabbit” Examines Our Dark Relationship With Technology
La Rosa Noir’s ‘Arellano’ Captures Life’s Adversities And Sweet Moments
G. Love & Special Sauce Celebrate The 30th Anniversary Of Their Debut Album With Reissue & National Tour
Nailah Hunter’s ‘Lovegaze’ Focuses On The Resilience Of The Natural World
Louis Carnell & Ben Vince Team Up On “Three” In Ongoing Collaborative Series
Crypta’s “Stronghold” Chronicles Inner Fears
Watch The Dollyrots’ Video For Anthemic Pop-Punk Track “5+5”
Burnt Tapes Remember A Light In Dark Times With “Little Sister” Featuring Hermione Greenwood
Song Premier: Lee Gallagher And The Hallelujah’s “Baby I’m There” Goes The Distance
Octavian Winters Faces Isolation And Loss For Debut Album ‘The Line Or Curve’
Marc Valentine’s “Skeleton Key” Explores The Darker Side Of A Relationship
Ester Brings A Bit Of Light To “Little Shadow (Duo Version)” Featuring Katelyn Cohen
Berk Jodoin’s “Aces & 8’s” Asks Why We Chase Elusive Goals
Alex Jordan Steps Forward As A Frontman With ‘Queen Kerosene’
John Buffalo’s All-Electronic Sound Was Prompted By A New Lease On Life
Terra Lightfoot’s ‘Healing Power’ Was Inspired By An Encounter With The Natural World
Unwell’s “Homegrown” Is An Anthem To Hometowns
Eddie Roberts & The Lucky Strokes Bring Southern Rock And Funk To Their Self-Titled Debut
Daniel Donato Gets Cosmic For Uplifting Track “Hi-Country”
‘House Of Terror’ Returns With An Expanded 40th Anniversary Edition
Watch Sun Room’s Rowdy House Show Video For “At Least I Tried”
Interview: Meltt Brings Mood And Message To ‘Eternal Embers’
Morat Collaborates With James TW On Their First Bilingual Song “Someone I Used To Know”
Sorcerer’s “Reign Of The Reaper” Finds A Majestic Presence In Death
Elephant Stone Will Take Us ‘Back Into The Dream’
Charlie Burg’s “Before We Step Inside” Dances Misery Away
Uncle Lucius Shares Their “Civilized Anxiety”
Drumcorps Remixes Entheos’ Track “The Interior Wilderness” With Even More Existential Dread
Jake Thistle Takes “Brooklyn Can Wait” Into The City
Watch Shakti Perform “Shrini’s Dream” Live At The Ryman Auditorium In Nashville
Song Premier: Scott Sean White’s “Small World” Is A Gently Delivered Wake-Up Call
Lo-Fi Hip Hop Artist Powfu’s ‘Gathered By The Lantern’ Collects Meaningful Stories
The Woggles’ Double Single “Mr. Last Chance” B/W “The Will O’ The Wisp” Features A New Two-Guitar Attack
Our Man in the Field Finds ‘Gold On The Horizon’
Helena Deland’s ‘Goodnight Summerland’ Emphasizes The Living Heart In Each Lyric
Whitehall’s “Lost And Found” Explores Ego Loss
The Adam Deitch Quartet Are Ready To ‘Roll The Tape’
Corner Club’s “Funny Colors” Processes The Passage Of Time
Gonzales Smith’s “Lexington Line” Chases A Moment Of Certainty
Wayfarer’s “A High Plains Eulogy” Is A Dark Little Folksong
Amaunet’s Debut Full-Length Album ‘Home’ Courts A Raw, Effortless Sound
Alan Chang’s ‘Check Please’ Introduces His Jazz-Infused Pop
Vantage Point Delivers “A Reminder” To Keep Looking Towards Tomorrow
Lauren Lakis Blends Heavy And Shoegaze Elements For ‘A Fiesta And A Hell’
Broke Mountain Bluegrass Band Brings Their Impactful Album ‘Cabin In The Hills’ To 20th Anniversary Release
Destruction Celebrates 40 Years Of Thrash Metal With Anniversary Tour
Gram Parsons’ 1973 Recording ‘The Last Roundup: Live From The Bijou Cafe’ Featuring Emmylou Harris Arrives On RSD
Josh Radnor’s “NYC” Is A Love Letter To A Person And A City
Song Premier: Patton & Brokus Take Off The Rose Colored Glasses For “Here’s To My Friends” But Find Plenty To Love
Morne Takes A Look At The World And Calls Humanity A “Wretched Empire”
Good Rzn’s ‘Falling In Slow Motion’ Shares A Kaleidoscopic Journey
Autogramm’s “WannaBe” Stands By Those Facing Change
Tex Crick Brings Hawaiian Guitar To “Barefoot Blues”
‘Metal Massacre: The Story Behind The Legendary Album’ Documentary To Air On October 28
Watch The Hu’s Haunting Animated Video For “Sell The World”
The Maine’s ‘Can’t Stop Won’t Stop’ Gets A 15th Anniversary Vinyl Reissue
Inger Lorre’s ‘Gloryland’ Confronts Looming Mortality To Find Redemption
The Stone Eye’s “Raindrops” Has Echoes Of Their Early Work
Scott Fisher’s ‘Kingdom of Ego’ Tracks American Rugged Individualism Gone Awry
Song Premier: Antonio Andrade’s “My Reward” Lets His Guitar Speak Volumes
Patrick Davis & Guy Clark’s “Wrong Side Of The Tracks” Featuring Branford Marsalis Captures Jazz Club Magic
StrateJacket’s “Bad Start” Became The Template Of Their Sound
Julia, Julia’s ‘Derealization’ Celebrates First Anniversary With Sped-Up Versions Of Select Tracks
Kronos Quartet & Ghost Train Orchestra Collaborate Via The Music Of Moondog
Morsel’s ‘On A Bee Line’ Gathers Life Lessons From The Road
Structure Sounds Celebrates Fresh Starts With ‘Light Up Your Sorrow’
Maya Delilah “Necklace” Balances Hopes And Fears
Martin Zellar Returns With Family Collaboration ‘Head West’
Europe’s Video For ‘Hold Your Head Up’ Gives Us A Glimpse Of Upcoming Documentary
Jesse Ahern’s “The Older I Get” Featuring Ken Casey And Jaime Wyatt Courts Humility And Wisdom
John Baumann’s ‘Border Radio’ Features Texan Vignettes
Check Out Lorna Shore’s Video For “Welcome Back, O’ Sleeping Dreamer” And Halloween-Themed Merch
Goodnight, Texas Embraces Hard Rock For “Runaways” Featuring Kirk Hammett
Jonah Tolchin’s ‘Dockside’ Holds Onto The Blues
Video Premier: Kurt Baker’s “Bright Blue Sky” Keeps Beauty In Its Sights
Sum 41’s “Landmines” Is An Old School Pop Punk Song
Jim Sullivan’s Star-Studded Interviews Get A Second Volume Covering The 70s And 80s
Robert Pollard’s Circus Devils Are Back With Album ‘Squeeze The Needle’
Video Premier: Heather Anne Lomax & Michael Doman Are Confessional And Confident For “Heavy Load”
On Thorns I Lay Tells A Tale Of Nature’s Revenge With “Thorns Of Fire”
Tiffy’s ‘So Serious’ Spotlights The Potential Of Soft Punk
Eddie Berman’s ‘Signal Fire’ Captures ‘Aliveness’
Video Premier: Tommy Emmanuel And Sierra Hull Wordlessly Channel Peace With “Precious Time”
Watch Blackrain’s Paris-Set Live Performance Video For “All The Darkness”
Discover More Of Hasaan Ibn Ali’s Work With ‘Reaching For The Stars: Trios/Duos/Solos’
Soul Asylum’s 1993 Unplugged MTV Performance Gets A Digital Release
Song Premier: Ben Gage’s “Tie Me Down” Sees Only The Good In A Tricky Relationship
Australian Hardcore Outfit Iron Mind Returns With Double Single “Assume Your Ultimate Form”
Walker Brings New Confidence To ‘Good Man’
Dominique Fils-Aimé’s New Trilogy Opens With ‘Our Roots Run Deep’
Dale Hollow’s ‘Hack Of The Year’ Approaches Country Traditions With A Sense Of Humor
Jonathan Young’s ‘Children Of The Night’ Is An Eclectic Combination Of Heavy Metal And Folk Elements
Revelation Records Reissues Bold’s 1988 Album ‘Speak Out’ With Extras
Meltt’s ‘Eternal Embers’ Cycles Through Growth, Decay, And Rebirth
Ronnie James Dio Documentary ‘Dio: Dreamers Never Die’ Gets A DVD And Blu-Ray Release
‘Laundry Pile’ From Arkells Is For The Sentimental
Vincent Neil Emerson’s “Little Wolf’s Invincible Yellow Medicine Paint” Spotlights Native American Traditions And Western Themes
Sâver Channels Synth-Driven Sci-Fi For “Primal One”
Winger’s Hard Rocking ‘Atlantic Years 1988-1993’ Are Gathered In A Box Set
Watch Bush Perform Tonight In Support Of Unity Against Gun Violence
Maria Wilman Introduces Her Musical World With ‘Dark Horse’
Watch Therion’s Symphonic Metal Video For “Twilight of the Gods”
Los Lonely Boys Express The Movements Of Life And Love Via “Dance With Me”
Beharie Brings R&B And Soul To ‘Are You There, Boy?’
Ann Wilson & Tripsitter Are Taking Us Through ‘Another Door’
Jesse James Dupree And AC/DC’s Brian Johnson Get Together Again To Write “Never Gets Old”
‘Time Has Come Today: Rock and Roll Diaries 1967-2007’ Completes Harold Bronson’s Biographical Trilogy
Gideon King & The City Blog Share The Intricacies Of Friendship With “Skunks Misery Road”
Massive Project Honoring Kevn Kinney’s Songwriting Includes Great Lake Swimmers Covering “Peacemaker”
Sorcerer’s ‘Reign Of The Reaper’ Is Both Darker And More Lyrical Than Their Previous Albums
Watch Knapsack’s Celebratory 25th Anniversary Video For “Katherine The Grateful”
Loraine James Examines Her Past And Present For ‘Gentle Confrontation’
Jon Dee Graham Reflects On An After Death Experience With ‘Only Dead For A Little While’
Celebrate Andrew Gold’s Seasonal Classic ‘Halloween Howls’ With Remixes And New Vinyl Options
Embers Goes Emo Revenge For “Scratch My Name”
Hot Freaks Bring Vintage And All New Songwriting To ‘Hot Freaks Forever’
Colin Hay’s ‘Now And The Evermore’ Gets A Deluxe Edition With Extra Tracks From Original Sessions
Watch The Corps’ Live Video For “Mockingbird”, A Track About Finding Your Footing In Hard Times
Anton O’Donnell Carries The Burdens Of Modern Life For Glasgow-Inspired ‘Tomber Sur PRW’
Danny O’Keefe Gathers Up Much-Loved Tracks And A Live Performance For ‘Circular Turns’
A Two-Song Suite Introduces Leon III’s Next Album, ‘Something Is Trying To Change My Mind’
Larkin Poe Show Their Songwriting Roots With ‘An Acoustic Companion’ EP
Seminal Tim Easton Albums ‘Special 20’ & ‘Not Cool’ Return To CD And Vinyl Formats
Whitechapel’s Video For “Without You/Without Us” Brings An Epic Battle To Life
Collective Soul’s ‘7even Year Itch: Greatest Hits, 1994-2001’ Heads To Vinyl For The First Time
The Steel Wheels Deliver Hymn-Like Reassurance With “Easy On Your Way”
Dan Davidson Takes ‘Nineteen Eighty Something’ On The Road
Cirith Ungol’s ‘Dark Parade’ Took Shape One Track At A Time During Difficult Times
Check Into Broadside’s ‘Hotel Bleu’ And Be Part Of The Story
Interview: Christian Parker Follows The Spirit Of The Byrds For ‘Sweethearts’ Joined By Earl Poole Ball And JayDee Maness
Roger Joseph Manning Jr. Expands On His Solo Work With ‘Radio Daze & Glamping’
Watch Wind Rose’s Dwarven Video For “Mine Mine Mine!”
Ben Harper & Charlie Musselwhite’s ‘Get Up’ Returns To Vinyl On Its 10th Anniversary
Cat Power’s Live Performance Of Dylan’s 1966 Royal Albert Hall Concert Gets A Release
Joey Alexander Collaborates With His Touring Trio For ‘Continuance’
Extreme Metal Producer & Engineer Takes The Spotlight In New Oral History ‘The Scott Burns Sessions: A Life In Death Metal 1987-1997’
Taylor Acorn Gathers Diary Songs For ‘Certified Depressant’ EP
Rod Wave Takes ‘Nostalgia’ To Arenas This Fall
Border Collie’s “I Don’t Believe You” Airs Bitterness And Loss
The Golden Vampire Experience Takes On Human Dreams, Darkness, And Addiction For ‘Polaris’
Graham Parker Throws Out Conservative Arrangements On ‘Last Chance To Learn The Twist’ With The Goldtops
Interview: The Women Of Guji On Making The Leap Into New Musical Territory To Share Their Truth
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