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Disillusion’s ‘Back To Times Of Splendor’ Returns For A 20th Anniversary Expanded Edition
Tyler Bryant & The Shakedown’s ‘Electrified’ Captures Their On-Stage Energy
Middle Child Syndrome’s “Slate” Reflects On Loss
Jenny Parrot’s ‘Love Spell’ Explores All Forms Of Love
Rivers of Nihil Contemplates Truth And Justice For “Criminals”
The Dollyrots Have A Dual Coast Tour And A New 7 Inch Up Their Sleeves
The Reddcoats Double Down With Second Genre-Blending Album
Ebba Bergkvist & The Flat Tire Band’s ‘Four Wings’ Was Inspired By Unreasonable Ambition
Greensky Bluegrass Shares ‘The Iceland Sessions’ Recorded Around More Sheep Than People
The Dead Daisies Announce ‘Light ‘Em Up’ And An International Tour For 2024
Lily Kershaw’s ‘Pain & More’ Pulls Back The Curtain On Years Of Hidden Depression
Alisan Porter’s “Bleedin” Explores The Angles Of Losing A Partnership
Matt Kearney’s “Drowning In Nostalgia” Asks If Our Story Is Writing Us
The Georgia Thunderbolts Bring Experience On The Road To ‘Rise Above It All’
Urban Heat’s “Seven Safe Spaces” Finds Refuge Fleeting
The Black Keys’ Andrew Gabbard Completes ‘Big Belly Boogaloo’ EP With Two Final Tracks
Devarrow Surprise-Releases ‘A Long & Distant Wave’
Liz Brasher’s ‘Baby Damn’ Celebrates A Californian Rebirth
Summer Salt’s “Deja Vu” Manifests Relaxation Via A Happy Memory
Evan Honer’s “Easier” Pits Realities Against Expectations
Black Tusk’s ‘The Way Forward’ Is About Putting Your Life Back Together
Pan American & Kramer Track “Groundwater” Gets An Ambient-Cinema Video
AJ Lee & Blue Summit Craft A Metaphor Of Women’s Empowerment And Resilience With “Hillside”
Simon Fisher Turner’s ‘Instability Of The Signal’ Is Built Around Snippets Of Sound And Field Recordings
Smithsonian Folkways Will Release 1965’s ‘The Complete Friends Of Old-Time Music Concert’ Featuring The Georgia Sea Island Singers And More
Accept’s “Frankenstein” Shares The Perspective Of A Monster Without Agency
Limina’s ‘Coming Home’ Draws Inspiration From Many Subway Rides
Watch Los Bitchos’ Video For Psych-Infused “La Bomba”
Silver Skylarks Collaborate With Large Professor For Album Title Track “Number One Set and Sound”
The dB’s’ 1981 Debut Album ‘Stands For deciBels’ Gets A Multi-Format Re-Release In June
Billy Tibbals Channels A Businessman’s Regrets For “Out Of Touch”
Halie Loren’s ‘Dreams Lost And Found’ Sees With New Eyes
Fernie’s “Pain” Plumbs A Universal Feeling Of Emptiness
Song + Video Premier: Jubal Lee Young’s “Angel With A Broken Heart” Salutes A Troubadour Very Close To Home
Rainy Eyes Celebrates A Long Journey Into Music With ‘Lonesome Highway’
Savage Lands Continues To Support Rainforest Conservation With “Black Rock Heart” Featuring Kai Uwe Faust & Chloé Trujillo
Terry Jones & Dashius Clay Team Up For ‘The Bebop Summer’ EP
Fair Visions Takes To The Skies In Video For “Tell Me A Lie”
Lille Venn’s “Just Like Me!!” Befriends Self-Deprecating Thoughts
Working Musicians Group Cosmic Guilt Announces ‘Palace Of Depression’
Authority Zero’s Jason DeVore Announces Next Solo Album ”Til The Voice Goes Out’
Steve Dawson’s “Time To Let Some Light In” Addresses The Ghosts Of The Past
Tei Shi’s “Falling From Grace” Confronts Mortality And Fragility
Flor’s “Nosedive” Battles Intrusive Thoughts
The Infamous Stringdusters And Anders Osborne Cover Earl King’s “Those Lonely, Lonely Nights” Ahead Of Jazz Fest Performance
Glixen’s “lust” Is Crushingly Heavy
Happy Landing’s “Let Me Out” Is Caught In A Memory Loop
Watch The Making Of Elvie Shane’s “First Place” With Little Big Town
Jim Higgins Considers All 50 Lou Reed Albums For ‘Sweet, Wild, And Vicious’ Book
Dirty Heads Release Vinyl Collector’s Edition Box Set Of ‘Midnight Control’ For RSD
‘Live On Mountain Stage: Outlaws And Outliers’ Captures Historic Performances
SYK’s “I Am The Beast” Speaks To The Creatural In Us All
Lava La Rue’s “Humanity” Presents Love As A Radical Thing
Watch Arooj Aftab’s Video For “Raat Ki Rani” Directed By And Featuring Tessa Thompson
Interview: Scotty Stoughton On The Crazy Ideas And Magical Moments Behind WinterWonderGrass
Accompany Plàsi On A Dreamy Journey To “Avignon” With Björn Yttling
Watch Jinjer’s Live Video For “Pisces” From Their DVD/BluRay ‘Live In Los Angeles’
Seth Channels The French Revolutionary Spirit For ‘La France Des Maudits’
Dan Rincon’s Experimental “Motor Rhythm, Wooden” Is An Electro-Orchestral Track
George Ducas And Pete Anderson Team Up For ‘Long Way From Home’
Song Premier: Mike Miz’s “On The Rocks” Offers An Insider View Of The Difficulties Of Recovery
Watch Six Feet Under’s Video For Macbeth-Inspired Track “Ascension”
The Early November’s “The Fool” Looks Out For Opportunities Too Good To Miss
Walt Disco’s “Jocelyn” Meditates On Childhood And Parental Connection
The Harlem Gospel Travelers Provide A Hug When You Need It With “God’s Love”
Song Premier: Nikki O’Neill’s “Candy Apple Morning” Celebrates The Small Things That Leave You Glowing
Oceans Of Slumber’s “Where Gods Fear To Speak” Questions Religious Suffering
Mest Have Written And Recorded Three New Albums, Including ‘Youth’
BLŪMĒ Dives For Conceptual Depth With “Dream Of You”
Petric’s Self-Titled EP Includes Bonnie Tyler Classic “The Best”
The Ballroom Thieves Craft ‘Sundust’ To Promote Living With More Compassion And Kindness
Nothing More’s “House On Sand” Featuring Eric Vanlerberghe Advocates For Starting Again
Bobby Mahoney Joins Wicked Cool Records, Reveals “Empty Passenger Seats”
Rising Appalachia’s ‘Folk and Anchor’ Will Reimagine Foundational Tracks
Anders Osborne’s “To Live” Continues On A Path Of Renewal And Self-Healing
Connie Smith Brings The Spark To Country Music With ‘Love, Prison, Wisdom, And Heartaches’
The Greeting Committee’s “How It Goes” Recognizes Being Stuck In A Cycle
Taylor Acorn’s “Greener” Fully Appreciates Better Times
The Brother Brothers Urge A More Active Approach To The World With “Brown Dog”
As For The Future Is Inspired By Brazilian Music To Create In Hybrid Genres
Chris Smither Gives A Folk Blues Treatment To Tom Petty’s “Time To Move On”
America’s Gerry Beckley Contemplates The Impact Of A Touring Life With “Well Worn Shoes”
Mick Harvey’s ‘Five Ways To Say Goodbye’ Mutates Songs To Blend With Originals
Jack Manley’s “Save Your Own” Prioritizes Wellness
Ann Savoy’s “Cajun Love Song” Celebrates A Mysterious Man
Third Man’s Vault Package #60 Features Live Recordings From Third Man Venues
Freedom Call Will Celebrate 25 Years With Imaginative ‘Silver Romance’ Album
The Offspring Welcomes The Vandals’ Warren Fitzgerald On Podcast Season Finale
Mono’s ‘Oath’ Album Ponders How To Make The Most Of Our Time In Life
Dolly Dagger’s “Tower” Takes A Stand In Epic Style
Watch Edge Of Paradise’s Video For “Rogue (Aim For The Kill)”
Babylon A.D. Follows Live Album With ‘Rome Wasn’t Built In A Day’
Left Circles Offers An Antidote To Self-Defeat With “Bleed It Out”
Melissa Aldana’s ‘Echoes Of The Inner Prophet’ Charts An Inner Journey
Black Lava’s Second Album ‘The Savage Winds To Wisdom’ Is Heavier And More Atmospheric
The Mysterines Show The Brutal Side Of Real Love With “Sink Ya Teeth”
Christian McBride & Edgar Meyer’s Bass-Driven ‘But Who’s Gonna Play The Melody?’ Arrives On Vinyl For RSD
Idaho Returns With High Desert-Influenced Album ‘Lapse’
Ingested Embraces Risk With “Endless Machine”
Mainstream Songs Get The Heavy Treatment For ‘Hot N’ Heavy Vol. 1′
“One Way” Gives A Glimpse Of Michael Hutchence’s Unreleased Music
Blue Lab Beats Collaborates With Jay Prince And IDK On “Say Wow”
Powerwolf’s ‘Wake Up The Wicked’ Will Arrive Just Before Their First Full North American Tour
Milan McAlevey’s “Don’t Push A Man” Reflects On The Karmic Wheel
Cody Dickinson’s “Walk Right In” Featuring Tikyra Jackson Captures The Energy Of Married Life And Being A Performer
Thomas Nicholas Band’s “Wrong Side” Is The Inspiration For Their 7th Album
Adi Oasis Teams Up With Luedji Luna For Ode To Motherhood “Multiply”
Cole Gallagher’s “Don’t You Know” Meditates On The Madness Of Love
Lizzy Borden Will Be Playing In Las Vegas At Metal Blade’s Heavy Metal Museum On Saturdays In April
Chaser Finds ‘Small Victories’ Add Up To Greatness
Guster’s “Maybe We’re Alright” Sets Its Sights On Nostalgia And Hope
Watch Jesse Daniel’s Video For Autobio Song “Comin’ Apart At The Seams”
Arsun’s ‘Babe I Hear Thunder In Your Heart’ Aims At Timelessness
Watch North Sea Echoes’ Animated Video For “The Mission”
Cognitive’s ‘Abhorrence’ Draws Observations From Video Games, Addiction, And Mental Health
Kaia Kater’s “In Montreal” Is A Love Letter To The Banjo And Her Home Town
Interview: Chris Wood & Scott Gross Share Their Mission At PA-Based Studio The Bombshelter
Wyndham Baird’s ‘After The Morning’ Draws On A Deep Repertoire Cultivated On The Road
Watch The Reverend Shawn Amos’ Video For “It’s All Gonna Change (For The Better)” Featuring Apocalypse And Reclamation
The Lost Weekend Band Invites You To Experience ‘One Hell Of A Time’
Elijah Woods Processes Grief With ‘Silver Lining’ EP
Jacob Jolliff’s Second Volume Of Instrumentals Pursues ‘Mandolin Mysteries’
Emily Triggs Embraces The New For ‘The Great Escape’
Tuomo & Markus Team Up With Marc Ribot And Verneri Pohjola For “Waiting Room”
Los Saints Get ‘Certified’ And Add Two New Band Members
World’s First Cinema’s EP ‘Palm Reader (Silver Screen Edition)’ Features Film Trailer Versions Of Their Songs
The Strumbellas Remix “Hold Me” With Kayla Diamond
Experience The Staple Singers’ First Tour Of Africa In 1980 With ‘Africa 80’
The Dangerous Summer’s “Gravity” Is A Triumphant Return From A Lonely Journey
Anastasia Coope’s “Woke Up And No Feet” Dives Into Surrealist Psychedelia
Eivør’s 11th Album ‘ENN’ Takes Her Somewhere New
RubyJoyful’s ‘Pie Chart Of Love’ Was Created By A Duo Joined By Many Friends
The Lumineers’ Jeremiah Fraites Returns With Experimental Follow-Up ‘Piano Piano 2’
“Paradise” From Henry Morris Finds Our Dependencies Seductive
Adeem The Artist’s “Rotations” Came From A Place Where Parenthood And The Stars Align
The Drives Recall Losing Trajectory For “Overeducated”
StrateJacket’s “Be My Drug” Embraces Love’s Highs And Lows
Devon Thompson’s ‘Skin’ EP Is Both Delicate And Tough
Hello Emerson’s Autobiographical Album ‘To Keep Him Here’ Incorporates Audio From NPR’s StoryCorps
Watch Evergrey’s Video For “Ominous” Shot In Feature-Film Style
Devarrow’s “Kickin’” Is An Ode To Easy Days Hanging With Friends
Elektric Animals Find Balance With EP ‘A Bear And The Bull.’
Tuelo’s ‘Regarding My Heart’ Reminds That We Are Deserving Of Love
JM Stevens Sparks Memories With ‘Nowhere To Land’
Imperial Triumphant’s “Cosmopolis” Gets A Redux Capturing New York’s “Molten Grandeur”
Watch Metalcore Band Foreign Hands Perform “God Under Fingernails” In A Church
Gramercy Arms Reacts To Paranoid Times With “Never Say Anything”
The 2nd Installment Of Todd Snider’s Free Retrospective Collection ‘All My Songs’ Arrives This Week
Song + Video Premier: Ryan David Green’s “Song For Beth” Honors A Heartfelt, Handmade Legacy
“Oh Hell” From No Guidance Tracks Actions And Consequences
DVNE’s “Abode Of The Perfect Soul” Is A Heavy Track About Transformation
“Younger” From Synthpop Project Gemz Gets Transcendental In A Remix From Lick
Silverstein’s Concept Album ‘Shipwreck In The Sand’ Returns With A 15th Anniversary Vinyl Reissue
Video Premier: Diane Arkenstone’s “The Glass Ceiling Is Now The Sky” Rises Through Life’s Challenges
The Hu Joins Iron Maiden For Fall Tour & Releases ‘Live At Glastonbury’ Vinyl For RSD
The Alarm Pays Homages To 1980s Video Hits With ‘Music Television’
The String Cheese Incident Channel Bluegrass For “Country Road Blues”
Interview: Christian Parker Chases Down Inventive And Psychedelic Sounds For Byrds Tribute Album ‘Change Is Now’
Jesse Baylin’s ‘Strawberry Wind’ Gets An Expanded Deluxe Edition And Short Film
Hamferð‘s New Album Was Inspired By A 1915 Disaster In The Faroe Islands
Parallels Acknowledge That Asking For Help Can Be Daunting With “No Way Out”
Duff McKagan’s Epanded Digital Edition Of ‘Lighthouse’ Includes Performances Live From Easy Street Records In Seattle
Grant Summerland Returns With A Second ‘Unnatural History’ EP
Drive-By Truckers Focus On Their Third Album For ‘Southern Rock Opera Revisited 2024 Tour’
Watch Hideous Divinity’s Video For “More Than Many, Never One” Made With Physics, Chemistry, And Blood
Freedom’s “This Is Gonna Hurt” Falls Head Over Heels
Calder Allen’s ‘Dreamers, Drifters, And Hiders’ Reflects What He Would Like The World To Be
The Band bôa Returns With “Walk With Me” Following TikTok Resurgence
Cosmo Sheldrake’s Two New Singles Introduce Second Album ‘Eye To The Ear’
Dan Davidson Teams Up With Tim Hicks & Max Jackson For Optimistic Track “Won’t Forget”
Folterkammer’s “Algolagnia” Draws Inspiration From Strauss Opera ‘Elektra’
Kassa Overall And Friends Record Direct To Acetate For ‘Live At Third Man Records’ LP
The Story So Far Returns With First Album In 6 Years: ‘I Want To Disappear’
A Folk Rock Pioneer Is Honored In Documentary ‘Lost Angel: The Genius Of Judee Sill’
Great Good Fine Okay’s “Led Me To You” Finds Love In Unexpected Places
Vulture’s “Realm Of The Impaler” Gives A Nod To Vlad’s Dark Reputation
Päter’s “4-7 Company” Addresses Inner Divides
Drew Holcomb & The Neighbors Delve Into Rock For “Suffering”, A Story Song About Things We Can’t Control
Bill MacKay’s “Glow Drift” Is A Sunny Celebration
Watch Chris Smither’s Live Play Video For Folk Blues Title Track “All About The Bones”
DÅÅTH Returns From 13 Year Hiatus With New Album ‘The Deceivers’
Last Night Of Solace Teases Sophomore Album
“Somersault” From Tucker Woods Shares The Sense Of Losing Your Footing
Chris Kasper’s “Shuffle On Through” Says Life’s A Dance
Song + Video Premier: Colin Keenan’s “Somehow” Brings Empathy To Isolation
Sylvaine’s ‘Eg Er Framand’ EP Draws On Folk And Post-Metal Traditions
Red Wanting Blue Are Ready To “Light It Up”
Peach And Lee’s Lost Pop ‘Not For Sale 1965-1975’ Gets A CD Release In April
Watch Wayland’s Behind-The-Scenes Video Recording ‘On The Way’
First Nation Artist Adrian Sutherland Shares Songs Close To Home With ‘Precious Diamonds’
Wake Me’s “Finger On The Trigger” Finds Our Breaking Points
The Chesterfield Kings Return With New Rock Track “Meet You After Midnight”
The Mortal Prophets Bring Experimental Blues & Electronica To ‘Sleeping In My Bed’ EP
Alison Brown & Steve Martin Team Up Again For Celebratory “Bluegrass Radio”
Slow Joy’s “Pulling Teeth” Acknowledges That We Can Be Difficult To Put Up With
Wesley Dean’s “Blood Brothers” Is A Distant Dream Of Two Best Friends
Molly Tuttle & Sam Bush Join Tony Trischka On Earl Scruggs Tribute Track “Dooley”
Ruth Moody’s ‘Wanderer’ Reflects On Journeys And The Longing We All Feel For Home
Sheppard’s “Edge Of The Earth” Confirms That Loved Ones Make A Place Home
Leslie Mendelson’s “Other Girls” Is About Women Empowering Women
Chris Shiflett’s ‘Starry Nights & Campfire Lights’ EP Gathers Live Tracks, Acoustic Tracks, And New Covers
Vihar Után Hopes To Inspire A Journey Inwards With “Your Own Forest”
Drahla’s “Grief In Phantasia” Previews The Chaos And The Calm Of Their New Album
Manic Eden’s 1994 Album Gets A Re-Release Appearing On Vinyl For The First Time
Watch Flamingosis’ Video For “Nebula Gazer” Animated By Space Dawg
Rosy Nolan’s “One Of Your Songs” Bares The Highs And Lows Of A Tumultuous Relationship
Sun Atoms Complete Their Double Single With Leonard Cohen Tribute “Tower Of Song (In The Key Of JAMC)”
Blitz Vega’s “Disconnected” Turns Off The Screens
Abigail Lapell’s “Rattlesnake” Is An Ode To Love And Superstition
The Hold Steady Announces A ‘Constructive Summer’ Featuring Multi-City Weekend Shows And Events
Dana Cooper’s ‘The Ghost Of Tucumcari’ Marks 50 Years In Music
Dvne’s ‘Voidkind’ Continues The Story Of Followers Journeying To Reach Their God Dimension
Teresa Storch Band Builds A Bigger Sound For ‘Open Your Heart’
Catch Career Documentary ‘Indigo Girls: It’s Only Life After All’ At Special Screenings In March And April
Anders Osborne Captures His American Life For ‘Picasso’s Villa’
Song Premier: Katie Oates Answers A Chaotic World With The Poise Of “Shoo Be”
Watch Gost’s Video For Dark Synth Track “Leviathan”
Chris Milam’s ‘Orchid South’ Shares Tales Of 90s Memphis From A Teenager’s Perspective
The Cocktail Slippers Collaborate With Stevie Van Zandt On “I Still Dream You”
Jeff Slate’s “Till New York City Dies” Heads In A Positive Direction
Beharie Takes A Playful Approach To “Desire”
Domain’s Debut Full-Length ‘Life’s Cold Grasp’ Takes Aim At Corporate Lifestyle, Politics, And More
Marcus King’s “Hero” Was Co-Written With Dan Auerbach And Tells A Story Of Self-Reliance
Wesson’s Acoustic Track “Stay The Same” Holds Attitude Responsible For Lack Of Change
Taj Mahal Releases Historic Live Album ‘Swingin’ Live At The Church In Tulsa’
Emily Triggs Takes Nuclear Weapons Testing Of The 50s and 60s As Inspiration For “Summer In Nevada”
THOT’s “Supercluster” Embraces A World Turned Upside Down
Amistat’s ‘a moment in the sun’ EP Was Inspired By Encounters With Mental Health Issues
Edge Of A Hurricane’ Was Born From Katie Oates’ Friend & Mentor Urging Her To Write Again
Earthburner Returns With “Slaves To The Screen” And A Reflection On Our Fixations
The Alarm’s Jules Peters Announces Treat:Retreat 2025 For Breast Cancer Patients
Robert Jon & The Wreck’s “Dragging Me Down” Recounts A One-Night Stand Gone Wrong
Dark Tranquility’s “The Last Imagination” Meditates On What We Leave Behind
Insanity Alert Parodies Queen, Guns ‘N’ Roses, Iron Maiden, And George Michael For ‘Moshemian Thrashody’
Watch of Montreal’s Paper-Cut Out Animated Video For “Yung Hearts Bleed Free”
Hannah Marcus’ Collaborative Songwriting From 1993-2004 Gets A Collection From Bar-None
Oska’s “Like A Song” Describes A Feeling of Lightness After Turbulence
TÝR’s “Hammered” Balances Enthusiasm Against Defeatism
Bad Mary Remixes Their Most Played Song “Forget About It” For ‘Better(er) Days’ EP
Aaron Lee Tasjan’s “Dylan Shades” Is A Power Ballad That Faces Down Fear Of Loss
Josephine’s ‘Leaning’ EP Follows An Emotional And Personal Arc
Misner & Smith’s “Silence Of The Sun” Finds Strength Within
L.C. Franke’s “You And Me And Us Against The World” Started An Artistic Reinvention
Swamp Dogg Has A Full-Circle Moment With ‘Blackgrass: From West Virginia To 125th St’
Craft Recordings Announces Four More Releases In Original Jazz Classics Line
Interview: Bex Marshall’s ‘Fortuna’ Puts The Rock In Blues-Rock
Song Premier: John Shipe’s “Water This Dark” Reflects On A Matter Of Life And Death
Benighted Builds On Bug Phobias With ‘Ekbom’
Peytan Porter’s “Grown” Expresses Excitement And Sadness At Coming Into One’s Own
Gab De La Vega’s ‘Life Burns’ Expresses The Incendiary Aspects Of Being Alive
Ordinary Elephant’s “Relic Of The Rain” Shares The Duo’s Personal Love Story
Song + Video Premier: Jeff Larson’s “Something Of A Dream” Holds Onto Hope
Soraia Recorded “Bang Them Bones” From Swedish Songwriter While On Tour In Sweden
The Molice & Letter To Elise Create “Ride The Wind” To Raise Funds For Japanese Earthquake Relief
Friend Of A Friend Brings Art Pop To “everyplane”
LITA Gathers An All-Star Cast For Lou Reed Tribute Album Including Keith Richards Covering “I’m Waiting For The Man”
Patrick Davis Pays Multi-Faceted Tribute To His Upbringing With “Southern Roots”
Watch Psychic Graveyard’s Video For “Your Smile Is A Hoax”
Punk Label Thousand Island Records Launches Physical Only Compilation Series With ‘The Sauce: Volume 1’
‘Heaven’s Bluegrass Band’ By Lester Flatt & The Nashville Grass Returns Remastered In Multiple Formats
Axel Rudi Pell Announces ‘Risen Symbol’ For June
Self-Recording Pioneer Linda Smith Takes The Spotlight On Two Multi-Format Album Releases
Stephanie Sammons Channels The Wisdom Of Songwriting Mentors For ‘Time And Evolution’
Watch KillerStar’s Enigmatic Video For “You’re A Chameleon”
Paraorchestra Leans Into The Melancholy For ‘Death Songbook’
Track Ohio Players’ Early Development With Curated Release ‘Observations In Time: The Johnny Brantley/Vidalia Production’
Metal-Focused Raven Records Opens In London’s Camden Town
Collective Soul Recorded Their 2024 Double Album ‘Here To Eternity’ At Elvis’ Estate In Palm Springs
Keygen Church’s ‘Nel Nome Del Codice’ Is A Love Letter To Heavy & Classical Music
Night Laser Wanted A Lot Of Cooks In The Kitchen For ‘Call Me What You Want’
Royal Tusk’s ‘Altruistic’ Album & Documentary Tell A Story Of Survival
The Demo Won Out For Kim Richey’s “Floating On The Surface”
Brigitte Mena’s Live Acoustic Version Of “Sun On My Back” Captures Its Earliest Feel
Disillusion’s ‘Back To Times Of Splendor’ Gets A 20th Anniversary Reissue And A Dedicated Tour
‘A-Side Graffiti’ From T.S.O.L. Challenges Our Idea Of Punk
Wilderado’s “Sometimes” B/W “Tomorrow” Spans Their Career And Arrives On 7 Inch
Anastasia Coope’s ‘Darning Woman’ Brings A Spatial Sense To Music
Tylor & The Train Robbers Take Us On A Journey With ‘Hum Of The Road’
Watch Dun Ringill’s Video For “The Parrish” From Their Double Concept Album
Loosegroove Celebrates Four Years Since Relaunch With A New Release Every Day This Week
Icarus Phoenix Worked With Producer Jed Jones And Friends For Their ‘Son’ EP
Fran Ashcroft’s ‘The Songs That Never Were’ Collaborates With His Past
Song + Video Premier: Breezers Celebrates A Warm And Mysterious Personality With “No Problem”
New Hardcore Team-Up Atomic Life Reveals Debut Single “Hit Me First”
“Power Moves” From Silver Skylarks Gets An Extra Edit Featuring Hip-Hop Artist Kool G Rap
Ian Brennan & Marilena Umuhoza Delli Brings Us ‘Africatown AL Ancestor Sounds’, An Album Featuring The Local Community
Jazmin Bean’s ‘Traumatic Livelihood’ Was Written During A Time Of Healing
Josh Fortenbery’s ‘No Such Thing As Forever’ Highlights Southeastern Alaskan Musicians
Mermaid Reveals A Full Visual Album Accompaniment For ‘Iridescence’
Can Release ‘Live In Paris 1973’ Features The Late Damo Suzuki
The Inspector Cluzo Will Play Their First North American Tour Following Release Of Their Organic Farming Documentary
Quantum’s “Abstract Bliss” Gets Behind The Mask Of Heavy Alcohol Consumption
The String Cheese Incident Reveals Track “Windy Mountain” Ahead Of Their 30th Anniversary Touring Year
Watch The Darkness Explore The New Gibson Garage London On “The Scene”
Bayside’s ‘There Are Worse Things Than Being Alive’ Combines Two EPs And Adds Six New Tracks
Watch Sum 41’s “Waiting On A Twist Of Fate” Video Filmed At The Punk Rock Museum And Featuring CJ Ramone
Little Steven’s Underground Garage Goes On The Road For ‘The Wicked Cool Records Revue!’
22 Players Team Up On ‘We Still Can’t Say Good Bye’ To Honor Chet Atkins’ 100th Birthday
Eliza Hardy Jones Shares A Personal Journey To Becoming A Parent With ‘Pickpocket’
Vulture Drills Down Into Their Writing And Recording Methods For ‘Sentinels’
Billy Tibbals Shakes Off Stress With “The World Revolves”
Gabrielle Vaughn’s “Erase It” Grapples With Holding Onto The Good Memories
Interview: Jerome Forde Finds Glimmers Shining Through ‘Wintertide Blues’
Stephen Bluhm’s ‘Out Of The Nowhere. Into The Here’ Is Arriving In Both Vocal And Instrumental Versions
The Mysterines Reflect On How We Handle Suffering With “Stray”
The Ballroom Thieves Craft Space Within New Song “Tender”, Reveal Spring Headline Tour
Old 97’s Return With 13th Studio Album ‘American Primitive’
Atlas Genius’ Two New Songs Speak To Relationship Realizations
Kelly Moran’s ‘Moves In The Field’ Pushes The Limits Of The Possible
Lettuce’s Free-Flowing Session ‘Vibe’ Arrives As A Picture Disc For Record Store Day
Quinn Sullivan’s “Dark Love” Tells An Age-Old Story
For I Am’s “Power Behind The Throne” Says It’s Up To Us To Drive Change
Cris Jacobs Expresses A Parent’s Fear For Their Child In A Dangerous World With “Daughter, Daughter”
Song Premier: Tipps & Obermiller’s “Wait” Captures Decisive Moments In A New Relationship
Steve Conte’s ‘The Concrete Jangle’ Will Launch On Record Store Day
Kitty Coen’s ‘Hellcat’ Harnesses Anger To Create Love And Light
Third Man Reissues Big Sugar’s Blues-Based Classic ‘500 Pounds’
The Tano Jones Revelry’s ‘Spinning North’ Looks At How We Care For Those We Love
Watch Flor’s Studio-Based Video For “Same Color As The Sun”
The Goodies Reflect On The Idea That “All The Love We Bring” Is Really All We Have To Give
Greenwich Village Folk Trio Richard, Cam & Bert’s ‘Somewhere In The Stars’ Is Compiled For Record Store Day
Handsome Jack’s ‘A Good Thing’ Channels The Golden Age of Rock
“Quitters Get Nothing” From Midnight Foolishness Launches A New Beginning
Kanak’s Video For “Outside” Draws From Live Shows At Local New Jersey Venues
Rachel Garlin’s “Crossing Guard” Expresses The Possibilities Of The First Few Months Of The Year
Wormwood’s ‘The Star’ Takes Us On A Journey Through A Dying Universe
Sparks Album ‘No. 1 In Heaven’ And Sparks-Produced Album ‘Is There More To Life Than Dancing’ By Noël Return In Multiple Formats
Trouser Press Books Collects The Best Of The Magazine From 1974-1984 In Large Format Paperback
Catch A UK Folk Double Act As The Trials Of Cato Tour The US With Talisk
Andrea von Kampen’s “Such Love Does” Has A 13th Century Mystical Inspiration
The ‘Oxford Gardens’ EP From Devon Ross Harkens Back To The Early NYC Punk Scene
Dual Analog’s “Long Divide” Is A Ritual Of The Senses
Fair Visions Readies Indie Rock Debut Album ‘Quite An End’
Christian Parker’s Cover Of “She Don’t Care About Time” By The Byrds Dials Into Roger McGuinn’s Guitar
Pete Jolly’s ‘Seasons’ Returns To Vinyl For The First Time In Over 50 Years
Chief State Reveals Acoustic EP Plans & A Valentine’s Day T-Shirt
Moon Goose Delivers ‘Murmurations’ From The Welsh Countryside
Watch Sun Atoms’ Video For “Ceiling Tiles” Telling A Tale Of Two Worlds
Fears Encounters The Joy Of The Present And Sadness Of The Past For “11249”
The Eyebrows Shed Inhibitions With “Say Yeah!”
Alien Ant Farm’s ‘mAntras’ Grows From The Good And The Bad In Their Lives
Pick Up ‘nublues’ From Joel Ross And Catch Him On Tour
Terrace Martin Covers Women Who Inspire Him With ‘Her Thoughts’
Emily Barker’s “Feathered Thing” Allows For Grief And Gives Permission To Move On
Song Premier: Claudia Gibson’s “Rain” Leaves Room For The Human Condition
Colin Marston Remixes & Remasters Imperial Triumphant’s 2018 Album ‘Vile Luxury’
Good Kid Announces ‘Good Kid 4’ EP Ahead Of US And European Tour
‘Part Time Believer’ From The Strumbellas Is An Album About Half Truths And Whole Truths
Dhani Harrison Celebrates Physical Release For ‘Innerstanding’ With New Video For “I.C.U.”
Song + Video Premier: ONOFF’s “What Matters Most” Holds Onto Our Ability To Love
Worst Doubt’s “Immortal Pain” Strives For Acceptance Of Life’s Suffering
Fire Sale’s Double Single “The Albatross” Takes On Gun Violence
Sadye Shares Her Origin Story With “Pretty Traumatized”
Infected Rain’s “Lighthouse” Reminds Us Of The Power We Hold Inside Us
Grandmaster’s “Castle Door” Is An Ominous Invitation
Glixen’s “foreversoon” Encapsulates New Love
Tigercub’s “Show Me My Maker” Gets A Remix By Stone Gossard & Josh Evans
If These Trees Could Talk Returns With Ambience-Heavy “Trail Of Whispering Giants”
Birdfeeder’s ‘Woodstock’ Helps Indie Rock Songs Find Their Moment
Gamblers Channel Life’s Unravelings For ‘Pulverizer’
Blair Lee’s “Grow” Finds You’re Right Where You Wanna Be
i Häxa Brings Together Old And New Rituals For Audio Visual ‘Part I’
Faux Real’s “Rent Free” Encourages Dancing With Total Abandon
Cole Gallagher’s “Lost Sounds” Co-Written With Barry Billings Is A Plea For Peace
Watch Shadow Show’s Video For “On A Cloud” Ahead Of ‘Fantasy Now!’
Blue Note Collects A Key Set of Sonny Rollins Performances With ‘A Night At The Village Vanguard: The Complete Masters’
Suldusk’s “Crystalline” Single + Video Pays Homage To The Power And the Solace Of The Ocean
Accept Launches An Interactive Website For Upcoming Album ‘Humanoid’
Five Key Albums By On-U Sound House Band Creation Rebel Will Be Reissued
Subtronics Creates An Immersive Alternative Reality For ‘Tesseract’
Craft Recordings Launches Reissue Series Bluesville Records And Supporting Celebratory Initiatives
“Unmoved” From North Sea Echoes Acknowledges Hidden Inner Struggles
Goblyns Readies Debut Psych Rock Album ‘Hunki Bobo’
Mackenzie Shivers Asks If We Ever Really Know What Others Are Going Through With “Johnny Gown”
Katie Powderly’s ‘Live By The Song, Die By The Song’ Is A Puzzle You Put Together By Listening
Nisa’s “Smokescreen” Uncovers Harmful Patterns
AR/CO Convey Their Free-spirited Ethos With “Cherry Lips”
The Blessed Madonna’s “Happier” Featuring Clementine Douglas Is A Pledge To Oneself
Bones And Jones Lean Into Indie Rock For ‘In Blue’ EP
Hello Emerson’s ‘To Keep Him Here’ EP Encompasses Hope, Fear, And Compassion
Nora Brown & Stephanie Coleman’s ‘Lady Of The Lake’ EP Arrives On Vinyl
10 Years Breaks Out Of A Cycle Of Negativity With “Rise”
Charm Of Finches Conjures A Haunted Doll Museum In Their Video For “Clean Cut”
Watch Laura Pursell’s Nashville-Set Video For Her Cover Of Dylan’s “Shooting Star”
From Ashes To New’s “Barely Breathing” Featuring Chrissy Costanza Reflects On The Dissolution Of A Turbulent Romance
The Fourth Wall Explores The Unresolved Aspects Of Immigrant Experience For ‘Return Forever’
Flora Cash’s “Baby I Love You” Proves That Love Doesn’t Need Explanations
Eve Parker Finley’s “Fall Into Me” Is Driving, Dark, And Disco
The Painted Shield Previews Their Third Album With “Transector” Ahead Of Loosegroove Review
Ghost Funk Orchestra’s ‘A Trip To The Moon’ Falls In Love With Space Travel
Humbird’s “Right On” Grasps Endurance In The Face Of Uncertainty
Song Premier: Freddy Trujillo’s “I Didn’t Cross The Border, The Border Crossed Me” Is A Story Of Belonging
A Burial At Sea Explores The Influence Of Their Irish Roots With ‘Close To Home’
A Day To Remember’s ‘Homesick’ Gets A 15th Anniversary Vinyl Reissue With Bonus Tracks
The High Hawks Travel The Blues Highway For ‘Mother Nature’s Show’
Mt. Joy’s 2024 North American & European Tour Will Take In Their Hometown Of Philadelphia
Song Premier: Rah Rah Rabbit’s “Doin’ Time” Confronts The Ghosts Of One’s Own Past
Allagaeon Reunites With Original Vocalist Ezra Haynes To Record Seventh Studio Album
Watch The Venomous Pinks’ Album Documentary ‘We Must Prevail: The Making Of Vita Mors’
Budderside Bring Grunge & Punk Accents To “Good For Nothing”
TRZTN And Karen O. Collaborate On “Alina’s Lullaby” For Horror Film ‘The Seeding’
Ohio Rock Bands Six Parts Seven & Goodmorning Valentine Team Up For ‘Kissing Distance’
BLŪMĒ Hones In On The Essential For ‘Everything Is Going To Be O.K.’
Watch David Kushner’s Video For “Skin And Bones” Tracing The Duality Of Love
Mirah And TEKE::TEKE Cover The Clash And Perform In Brooklyn This Friday
Marc Valentine’s ‘Strange Weather’ Ponders A Glimpse Of Extraterrestrial Life
Loreena McKennitt’s ‘The Road Back Home’ Was Inspired By And Recorded At At Several Folk Festivals
Olhava Meditate On ‘Sacrifice’ As A Precursor To Their Album ‘Reborn’
Neil Leyton’s “These Seeds” Commemmorates Ukrainian Courage And Benefits Music Export Ukraine
Wesley Dean’s “Don’t Look Back” Featuring Sarah Buxton Fights For Self-Expression In Life
Grandaddy Brings Shine And Dirt To Heartbreak Ballad “Long As I’m Not The One”
Scottish Fiddler Louise Bichan Reclaims ‘The Lost Summer’
Watch The Black Moods’ Extended Video Of “Roadhouse Blues” Featuring The Doors’ Robby Krieger
Schande’s “Relevant Campaigns” Chooses Resilience
The Stylistics’ 1996 Album ‘Love Is Back In Style’ Returns To CD And Digital Release Via Omnivore
Northpark’s “Ink” Dramatizes The Importance And Power Of Writing And Music
Third Man Hardware & Donner Music Team Up For ‘Triple Threat’ Analog Effects Pedal
Thomas Csorba’s ‘Windchimes’ Is A Reflective Look At Building A Family
Creed’s Scott Stapp Warns Of Mutually Assured Destruction With “Deadman’s Trigger”
Friends And Family Lauch GoFundMe To Help With Punk Artist Dave Smalley’s Cancer Battle
Driftwood’s “Every Which Way But Loose” Is Steeped In Eric Clapton’s ‘Slowhand’
Wilder Woods And The War & Treaty Team Up To Share Unconditional Love With “Be Yourself”
Pillow Queens Chart How Love And Lost Coexist With ‘Name Your Sorrow’
Breezers Draws On The Landscape Of The West For ‘Hideaway’
Joh Chase’s “Avalanche” Is About The Transformational Power Of Love
Watch Kitchen Dwellers’ Video For “The Crow And The Raven (III)” Where The Old West Meets The New West
Icelandic Post-Punk Group Groa Reissues Two Albums On Vinyl & CD
Bex Marshall’s ‘Fortuna’ Chases Blues Rock Euphoria
Quiet Car’s “Goblin” Previews Their Experimental Debut EP
Claudia Gibson’s ‘Within The Fields Of Chazy’ Brings Her Family’s Past And Present Together
An Acoustic Version Of Trevor Hall’s Latest Album Has Been Released As ‘Trevor Hall And The Great in-Between (Live From The Barn)’
Poolside Releases Electro-Funk “Ride With You (Mindchatter Remix)” And Heads Out On Tour
Tucker Woods Weathered A Studio Fire To Bring Us ‘Sunshine Blues’
Dawn Landes Highlights Activism By Reimagining 1971’s ‘The Liberated Woman’s Songbook’
Robby Krieger Branches Out Alongside The Soul Savages
Ethan Larsh’s “The Last Big Score” Chases Springsteen’s Promised Land
Armchair Boogie’s “Gone In A Day” Captures Loss And Acceptance
Jerome Forde Returns With Gritty Love Songs For ‘Wintertide Blues’
Marcus King Works With Rick Rubin And Spotlights His Vocals On “F*ck My Life Up Again”
King Dream Adds To An Ambitious Cycle With Psych-Tinged ‘Glory Days V’
The Lucky Ones Recorded Live For ‘A Nickel For The Fiddler’ EP
Nothing More’s “If It Doesn’t Hurt” Reflects On Entrapment And Freedom
Watch Eddie Berman’s Live Performance Video For “Go From Here”
Molly O’Leary Conquers The “Ticking Of A Clock”
The Dandy Warhols Set Their Sights On A Heavy Guitar Record With ‘Rockmaker’
Christian Lopez Follows ‘Magdalena’ With Grand Ole Opry Debut On January 27th
Catch The ‘All The Good Times Farewell Tour’: Nitty Gritty Dirt Band Starts Their Last Big Tour In March
Christian Parker Tunes Into Psychedelic Country Music With ‘Change Is Now: A Tribute To The Byrds’
Sum 41’s Last Global Tour Will Span 2024 And 2025 And Bring Us ‘Heaven :x: Hell’
‘A New Form Of Beauty’ From Virgin Prunes Gets A Rerelease With Remixes, Artbook, And More
Sam Morrow’s “By Your Side” Shares An Encompassing Love
Song Premier: Buddy Mondlock And Chelsea Ewing Uncover The Scars Of “Girlstown”
Ginny Luke & Orianthi Team Up For Fierce Title Track To ‘Devil At My Heels’
More Original Jazz Classics Arrive In March Including Cannonball Adderley & Bill Evans, Art Blakey & The Jazz Messengers, And Ron Carter
The Ozark Mountain Daredevils Say Thank You For 50 Years Of Support With Farewell ‘When It Shines’ Tour
Song Premier: Domenic Cicala’s “Shores Of Sorrow” Looks Beyond Good And Evil To Lessons From Life
The Dollyrots Deliver A Teen Rush Via “Tonight With You” And Announce A Valentine’s Day Serenade
The Thing Contemplates Our Ticking Doomsday Clock With “Midnight”
Gab De La Vega’s “Northern Lights” Treats Solitude Like A Companion
Tyler Ramsey’s “These Ghosts” Acknowledges The Time It Takes To Move On
Lifesick’s ‘Love And Other Lies’ EP Draws On The Turbulent Nature Of Life
Alex Jordan’s “Saving Grace” Pleads For Forgiveness
Dayna Reid’s “This House” Shakes Off Stagnation By Facing Problems
Cedric Burnside’s ‘Hill Country Love’ Celebrates His Heritage And Journey
G. Love And Special Sauce’s Remastered Debut Album Includes 11 Unreleased Live Tracks From 1994 Knitting Factory NYC Performance
Ben Frost’s ‘Scope Neglect’ Is Metal Alchemy
Tony Rice’s 1983 Classic ‘Church Street Blues’ Gets A Vinyl Reissue
Haystack’s Noise Rock Gets Introspective For “Doomsday Goes Away”
Stream Kitchen Dwellers’ Three Night NYE Performances On January 19-21 And Catch Them On Tour For ‘Seven Devils’
Third Man’s Vault Package #59 Reaches For The Sun With ‘Elvis Presley At 706 Union Ave: The Sun Singles 1954-55’
Ray Alder & Jim Matheos Team Up As North Sea Echoes To Bring Us ‘Really Good Terrible Things’
James Mastro’s Video For “Right Words, Wrong Song” Tips The Hat To Stephen Colbert And Jon Stewart
David Malloy Crafts His Own End Of The World Song “I Play Gimme Shelter”
Shaina Hayes Remembers That Better Times Are Ahead With “Sun And Time”
Drumcorps Remixes Entheos’ Prog Metal Track “I Am The Void”
Eynomia’s 2018 Debut Album ‘Break Free’ Gets Reissued With Bonus Track “Raise Your Voice”
Shane Smith & The Saints Ready ‘Norther’ Featuring Tracks That Debuted On ‘Yellowstone’
‘The Rolling Stones Live At The Wiltern’ Captures A 2002 Performance In An Intimate Venue
Hiraes Extends A Sense Of Unity To Their Community With “We Owe No One”
Melodic Hardcore Team-Up The Promised End Deliver ‘For The Buried And The Broken’ In February
Fazi’s Cyclical Album ‘Folding Story’ Gets Wider Rerelease
Eminence Ensemble’s ‘Flipside’ Discovers The Grass Isn’t Always Greener
Suldusk’s ‘Anthesis’ Blends Dark Folk, Post-Rock, Black Metal, And More
Eric Brace & Thomm Jutz Announce ‘Simple Motion’ Tackling Life And Loss
Ghost Work’s ‘Light A Candle For The Lonely’ Navigates Between The Universe’s Beauty And Uncertainty
The Goddamsels Reflect On The Whirlpool Of Modern Life With “Better Than”
Ronnie And The Savoys’ Out Of Print Single “Domino” Gets 7 Inch Release From Wicked Cool Records & Cleveland International Records
Rod Picott Rallies Around His Difficult Past For ‘Starlight Tour’
The Children’s Hour Returns With ‘Going Home’ After A Twenty Year Wait
Elvie Shane’s ‘Damascus’ Challenges What Holds People Down
Vipassi’s “Morningstar” Presents A Terrifying Vision Of The Future
Diane Coll’s “Glow Candlelight” Believes In Healing If We Really Desire It
Amigo The Devil’s ‘Yours Until The War Is Over’ Looks At Relationships Used For Survival
The Josh Abbot Band’s “She’ll Always Be” Captures A Free Spirit
The Speakeasy Brings Punk And Folk Traditions Together For Self-Titled Debut
Tatyana’s ‘It’s Over’ Tracks Online Dating And The Risks Of Opening Up To Others
Malcolm MacWatt’s ‘Dark Harvest’ Takes A Look At The Shady Side Of History While Staying Contemporary
Scarefield’s “Ancient Evil” Introduces Their Lovecraft-Inspired EP ‘Nightmare Tales’
Scott Sean White’s ‘Even On The Bad Days’ Focuses On Life As Lived And Side-Steps A Mainstream Sound
May Devun’s “Encore” Invites Self-Discovery
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