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Great Good Fine Okay’s “Led Me To You” Finds Love In Unexpected Places
Vulture’s “Realm Of The Impaler” Gives A Nod To Vlad’s Dark Reputation
Päter’s “4-7 Company” Addresses Inner Divides
Drew Holcomb & The Neighbors Delve Into Rock For “Suffering”, A Story Song About Things We Can’t Control
Bill MacKay’s “Glow Drift” Is A Sunny Celebration
Watch Chris Smither’s Live Play Video For Folk Blues Title Track “All About The Bones”
DÅÅTH Returns From 13 Year Hiatus With New Album ‘The Deceivers’
Last Night Of Solace Teases Sophomore Album
“Somersault” From Tucker Woods Shares The Sense Of Losing Your Footing
Chris Kasper’s “Shuffle On Through” Says Life’s A Dance
Song + Video Premier: Colin Keenan’s “Somehow” Brings Empathy To Isolation
Sylvaine’s ‘Eg Er Framand’ EP Draws On Folk And Post-Metal Traditions
Red Wanting Blue Are Ready To “Light It Up”
Peach And Lee’s Lost Pop ‘Not For Sale 1965-1975’ Gets A CD Release In April
Watch Wayland’s Behind-The-Scenes Video Recording ‘On The Way’
First Nation Artist Adrian Sutherland Shares Songs Close To Home With ‘Precious Diamonds’
Wake Me’s “Finger On The Trigger” Finds Our Breaking Points
The Chesterfield Kings Return With New Rock Track “Meet You After Midnight”
The Mortal Prophets Bring Experimental Blues & Electronica To ‘Sleeping In My Bed’ EP
Alison Brown & Steve Martin Team Up Again For Celebratory “Bluegrass Radio”
Slow Joy’s “Pulling Teeth” Acknowledges That We Can Be Difficult To Put Up With
Wesley Dean’s “Blood Brothers” Is A Distant Dream Of Two Best Friends
Molly Tuttle & Sam Bush Join Tony Trischka On Earl Scruggs Tribute Track “Dooley”
Ruth Moody’s ‘Wanderer’ Reflects On Journeys And The Longing We All Feel For Home
Sheppard’s “Edge Of The Earth” Confirms That Loved Ones Make A Place Home
Leslie Mendelson’s “Other Girls” Is About Women Empowering Women
Chris Shiflett’s ‘Starry Nights & Campfire Lights’ EP Gathers Live Tracks, Acoustic Tracks, And New Covers
Vihar Után Hopes To Inspire A Journey Inwards With “Your Own Forest”
Drahla’s “Grief In Phantasia” Previews The Chaos And The Calm Of Their New Album
Manic Eden’s 1994 Album Gets A Re-Release Appearing On Vinyl For The First Time
Watch Flamingosis’ Video For “Nebula Gazer” Animated By Space Dawg
Rosy Nolan’s “One Of Your Songs” Bares The Highs And Lows Of A Tumultuous Relationship
Sun Atoms Complete Their Double Single With Leonard Cohen Tribute “Tower Of Song (In The Key Of JAMC)”
Blitz Vega’s “Disconnected” Turns Off The Screens
Abigail Lapell’s “Rattlesnake” Is An Ode To Love And Superstition
The Hold Steady Announces A ‘Constructive Summer’ Featuring Multi-City Weekend Shows And Events
Dana Cooper’s ‘The Ghost Of Tucumcari’ Marks 50 Years In Music
Dvne’s ‘Voidkind’ Continues The Story Of Followers Journeying To Reach Their God Dimension
Teresa Storch Band Builds A Bigger Sound For ‘Open Your Heart’
Catch Career Documentary ‘Indigo Girls: It’s Only Life After All’ At Special Screenings In March And April
Anders Osborne Captures His American Life For ‘Picasso’s Villa’
Song Premier: Katie Oates Answers A Chaotic World With The Poise Of “Shoo Be”
Watch Gost’s Video For Dark Synth Track “Leviathan”
Chris Milam’s ‘Orchid South’ Shares Tales Of 90s Memphis From A Teenager’s Perspective
The Cocktail Slippers Collaborate With Stevie Van Zandt On “I Still Dream You”
Jeff Slate’s “Till New York City Dies” Heads In A Positive Direction
Beharie Takes A Playful Approach To “Desire”
Domain’s Debut Full-Length ‘Life’s Cold Grasp’ Takes Aim At Corporate Lifestyle, Politics, And More
Marcus King’s “Hero” Was Co-Written With Dan Auerbach And Tells A Story Of Self-Reliance
Wesson’s Acoustic Track “Stay The Same” Holds Attitude Responsible For Lack Of Change
Taj Mahal Releases Historic Live Album ‘Swingin’ Live At The Church In Tulsa’
Emily Triggs Takes Nuclear Weapons Testing Of The 50s and 60s As Inspiration For “Summer In Nevada”
THOT’s “Supercluster” Embraces A World Turned Upside Down
Amistat’s ‘a moment in the sun’ EP Was Inspired By Encounters With Mental Health Issues
Edge Of A Hurricane’ Was Born From Katie Oates’ Friend & Mentor Urging Her To Write Again
Earthburner Returns With “Slaves To The Screen” And A Reflection On Our Fixations
The Alarm’s Jules Peters Announces Treat:Retreat 2025 For Breast Cancer Patients
Robert Jon & The Wreck’s “Dragging Me Down” Recounts A One-Night Stand Gone Wrong
Dark Tranquility’s “The Last Imagination” Meditates On What We Leave Behind
Insanity Alert Parodies Queen, Guns ‘N’ Roses, Iron Maiden, And George Michael For ‘Moshemian Thrashody’
Watch of Montreal’s Paper-Cut Out Animated Video For “Yung Hearts Bleed Free”
Hannah Marcus’ Collaborative Songwriting From 1993-2004 Gets A Collection From Bar-None
Oska’s “Like A Song” Describes A Feeling of Lightness After Turbulence
TÝR’s “Hammered” Balances Enthusiasm Against Defeatism
Bad Mary Remixes Their Most Played Song “Forget About It” For ‘Better(er) Days’ EP
Aaron Lee Tasjan’s “Dylan Shades” Is A Power Ballad That Faces Down Fear Of Loss
Josephine’s ‘Leaning’ EP Follows An Emotional And Personal Arc
Misner & Smith’s “Silence Of The Sun” Finds Strength Within
L.C. Franke’s “You And Me And Us Against The World” Started An Artistic Reinvention
Swamp Dogg Has A Full-Circle Moment With ‘Blackgrass: From West Virginia To 125th St’
Craft Recordings Announces Four More Releases In Original Jazz Classics Line
Interview: Bex Marshall’s ‘Fortuna’ Puts The Rock In Blues-Rock
Song Premier: John Shipe’s “Water This Dark” Reflects On A Matter Of Life And Death
Benighted Builds On Bug Phobias With ‘Ekbom’
Peytan Porter’s “Grown” Expresses Excitement And Sadness At Coming Into One’s Own
Gab De La Vega’s ‘Life Burns’ Expresses The Incendiary Aspects Of Being Alive
Ordinary Elephant’s “Relic Of The Rain” Shares The Duo’s Personal Love Story
Song + Video Premier: Jeff Larson’s “Something Of A Dream” Holds Onto Hope
Soraia Recorded “Bang Them Bones” From Swedish Songwriter While On Tour In Sweden
The Molice & Letter To Elise Create “Ride The Wind” To Raise Funds For Japanese Earthquake Relief
Friend Of A Friend Brings Art Pop To “everyplane”
LITA Gathers An All-Star Cast For Lou Reed Tribute Album Including Keith Richards Covering “I’m Waiting For The Man”
Patrick Davis Pays Multi-Faceted Tribute To His Upbringing With “Southern Roots”
Watch Psychic Graveyard’s Video For “Your Smile Is A Hoax”
Punk Label Thousand Island Records Launches Physical Only Compilation Series With ‘The Sauce: Volume 1’
‘Heaven’s Bluegrass Band’ By Lester Flatt & The Nashville Grass Returns Remastered In Multiple Formats
Axel Rudi Pell Announces ‘Risen Symbol’ For June
Self-Recording Pioneer Linda Smith Takes The Spotlight On Two Multi-Format Album Releases
Stephanie Sammons Channels The Wisdom Of Songwriting Mentors For ‘Time And Evolution’
Watch KillerStar’s Enigmatic Video For “You’re A Chameleon”
Paraorchestra Leans Into The Melancholy For ‘Death Songbook’
Track Ohio Players’ Early Development With Curated Release ‘Observations In Time: The Johnny Brantley/Vidalia Production’
Metal-Focused Raven Records Opens In London’s Camden Town
Collective Soul Recorded Their 2024 Double Album ‘Here To Eternity’ At Elvis’ Estate In Palm Springs
Keygen Church’s ‘Nel Nome Del Codice’ Is A Love Letter To Heavy & Classical Music
Night Laser Wanted A Lot Of Cooks In The Kitchen For ‘Call Me What You Want’
Royal Tusk’s ‘Altruistic’ Album & Documentary Tell A Story Of Survival
The Demo Won Out For Kim Richey’s “Floating On The Surface”
Brigitte Mena’s Live Acoustic Version Of “Sun On My Back” Captures Its Earliest Feel
Disillusion’s ‘Back To Times Of Splendor’ Gets A 20th Anniversary Reissue And A Dedicated Tour
‘A-Side Graffiti’ From T.S.O.L. Challenges Our Idea Of Punk
Wilderado’s “Sometimes” B/W “Tomorrow” Spans Their Career And Arrives On 7 Inch
Anastasia Coope’s ‘Darning Woman’ Brings A Spatial Sense To Music
Tylor & The Train Robbers Take Us On A Journey With ‘Hum Of The Road’
Watch Dun Ringill’s Video For “The Parrish” From Their Double Concept Album
Loosegroove Celebrates Four Years Since Relaunch With A New Release Every Day This Week
Icarus Phoenix Worked With Producer Jed Jones And Friends For Their ‘Son’ EP
Fran Ashcroft’s ‘The Songs That Never Were’ Collaborates With His Past
Song + Video Premier: Breezers Celebrates A Warm And Mysterious Personality With “No Problem”
New Hardcore Team-Up Atomic Life Reveals Debut Single “Hit Me First”
“Power Moves” From Silver Skylarks Gets An Extra Edit Featuring Hip-Hop Artist Kool G Rap
Ian Brennan & Marilena Umuhoza Delli Brings Us ‘Africatown AL Ancestor Sounds’, An Album Featuring The Local Community
Jazmin Bean’s ‘Traumatic Livelihood’ Was Written During A Time Of Healing
Josh Fortenbery’s ‘No Such Thing As Forever’ Highlights Southeastern Alaskan Musicians
Mermaid Reveals A Full Visual Album Accompaniment For ‘Iridescence’
Can Release ‘Live In Paris 1973’ Features The Late Damo Suzuki
The Inspector Cluzo Will Play Their First North American Tour Following Release Of Their Organic Farming Documentary
Quantum’s “Abstract Bliss” Gets Behind The Mask Of Heavy Alcohol Consumption
The String Cheese Incident Reveals Track “Windy Mountain” Ahead Of Their 30th Anniversary Touring Year
Watch The Darkness Explore The New Gibson Garage London On “The Scene”
Bayside’s ‘There Are Worse Things Than Being Alive’ Combines Two EPs And Adds Six New Tracks
Watch Sum 41’s “Waiting On A Twist Of Fate” Video Filmed At The Punk Rock Museum And Featuring CJ Ramone
Little Steven’s Underground Garage Goes On The Road For ‘The Wicked Cool Records Revue!’
22 Players Team Up On ‘We Still Can’t Say Good Bye’ To Honor Chet Atkins’ 100th Birthday
Eliza Hardy Jones Shares A Personal Journey To Becoming A Parent With ‘Pickpocket’
Vulture Drills Down Into Their Writing And Recording Methods For ‘Sentinels’
Billy Tibbals Shakes Off Stress With “The World Revolves”
Gabrielle Vaughn’s “Erase It” Grapples With Holding Onto The Good Memories
Interview: Jerome Forde Finds Glimmers Shining Through ‘Wintertide Blues’
Stephen Bluhm’s ‘Out Of The Nowhere. Into The Here’ Is Arriving In Both Vocal And Instrumental Versions
The Mysterines Reflect On How We Handle Suffering With “Stray”
The Ballroom Thieves Craft Space Within New Song “Tender”, Reveal Spring Headline Tour
Old 97’s Return With 13th Studio Album ‘American Primitive’
Atlas Genius’ Two New Songs Speak To Relationship Realizations
Kelly Moran’s ‘Moves In The Field’ Pushes The Limits Of The Possible
Lettuce’s Free-Flowing Session ‘Vibe’ Arrives As A Picture Disc For Record Store Day
Quinn Sullivan’s “Dark Love” Tells An Age-Old Story
For I Am’s “Power Behind The Throne” Says It’s Up To Us To Drive Change
Cris Jacobs Expresses A Parent’s Fear For Their Child In A Dangerous World With “Daughter, Daughter”
Song Premier: Tipps & Obermiller’s “Wait” Captures Decisive Moments In A New Relationship
Steve Conte’s ‘The Concrete Jangle’ Will Launch On Record Store Day
Kitty Coen’s ‘Hellcat’ Harnesses Anger To Create Love And Light
Third Man Reissues Big Sugar’s Blues-Based Classic ‘500 Pounds’
The Tano Jones Revelry’s ‘Spinning North’ Looks At How We Care For Those We Love
Watch Flor’s Studio-Based Video For “Same Color As The Sun”
The Goodies Reflect On The Idea That “All The Love We Bring” Is Really All We Have To Give
Greenwich Village Folk Trio Richard, Cam & Bert’s ‘Somewhere In The Stars’ Is Compiled For Record Store Day
Handsome Jack’s ‘A Good Thing’ Channels The Golden Age of Rock
“Quitters Get Nothing” From Midnight Foolishness Launches A New Beginning
Kanak’s Video For “Outside” Draws From Live Shows At Local New Jersey Venues
Rachel Garlin’s “Crossing Guard” Expresses The Possibilities Of The First Few Months Of The Year
Wormwood’s ‘The Star’ Takes Us On A Journey Through A Dying Universe
Sparks Album ‘No. 1 In Heaven’ And Sparks-Produced Album ‘Is There More To Life Than Dancing’ By Noël Return In Multiple Formats
Trouser Press Books Collects The Best Of The Magazine From 1974-1984 In Large Format Paperback
Catch A UK Folk Double Act As The Trials Of Cato Tour The US With Talisk
Andrea von Kampen’s “Such Love Does” Has A 13th Century Mystical Inspiration
The ‘Oxford Gardens’ EP From Devon Ross Harkens Back To The Early NYC Punk Scene
Dual Analog’s “Long Divide” Is A Ritual Of The Senses
Fair Visions Readies Indie Rock Debut Album ‘Quite An End’
Christian Parker’s Cover Of “She Don’t Care About Time” By The Byrds Dials Into Roger McGuinn’s Guitar
Pete Jolly’s ‘Seasons’ Returns To Vinyl For The First Time In Over 50 Years
Chief State Reveals Acoustic EP Plans & A Valentine’s Day T-Shirt
Moon Goose Delivers ‘Murmurations’ From The Welsh Countryside
Watch Sun Atoms’ Video For “Ceiling Tiles” Telling A Tale Of Two Worlds
Fears Encounters The Joy Of The Present And Sadness Of The Past For “11249”
The Eyebrows Shed Inhibitions With “Say Yeah!”
Alien Ant Farm’s ‘mAntras’ Grows From The Good And The Bad In Their Lives
Pick Up ‘nublues’ From Joel Ross And Catch Him On Tour
Terrace Martin Covers Women Who Inspire Him With ‘Her Thoughts’
Emily Barker’s “Feathered Thing” Allows For Grief And Gives Permission To Move On
Song Premier: Claudia Gibson’s “Rain” Leaves Room For The Human Condition
Colin Marston Remixes & Remasters Imperial Triumphant’s 2018 Album ‘Vile Luxury’
Good Kid Announces ‘Good Kid 4’ EP Ahead Of US And European Tour
‘Part Time Believer’ From The Strumbellas Is An Album About Half Truths And Whole Truths
Dhani Harrison Celebrates Physical Release For ‘Innerstanding’ With New Video For “I.C.U.”
Song + Video Premier: ONOFF’s “What Matters Most” Holds Onto Our Ability To Love
Worst Doubt’s “Immortal Pain” Strives For Acceptance Of Life’s Suffering
Fire Sale’s Double Single “The Albatross” Takes On Gun Violence
Sadye Shares Her Origin Story With “Pretty Traumatized”
Infected Rain’s “Lighthouse” Reminds Us Of The Power We Hold Inside Us
Grandmaster’s “Castle Door” Is An Ominous Invitation
Glixen’s “foreversoon” Encapsulates New Love
Tigercub’s “Show Me My Maker” Gets A Remix By Stone Gossard & Josh Evans
If These Trees Could Talk Returns With Ambience-Heavy “Trail Of Whispering Giants”
Birdfeeder’s ‘Woodstock’ Helps Indie Rock Songs Find Their Moment
Gamblers Channel Life’s Unravelings For ‘Pulverizer’
Blair Lee’s “Grow” Finds You’re Right Where You Wanna Be
i Häxa Brings Together Old And New Rituals For Audio Visual ‘Part I’
Faux Real’s “Rent Free” Encourages Dancing With Total Abandon
Cole Gallagher’s “Lost Sounds” Co-Written With Barry Billings Is A Plea For Peace
Watch Shadow Show’s Video For “On A Cloud” Ahead Of ‘Fantasy Now!’
Blue Note Collects A Key Set of Sonny Rollins Performances With ‘A Night At The Village Vanguard: The Complete Masters’
Suldusk’s “Crystalline” Single + Video Pays Homage To The Power And the Solace Of The Ocean
Accept Launches An Interactive Website For Upcoming Album ‘Humanoid’
Five Key Albums By On-U Sound House Band Creation Rebel Will Be Reissued
Subtronics Creates An Immersive Alternative Reality For ‘Tesseract’
Craft Recordings Launches Reissue Series Bluesville Records And Supporting Celebratory Initiatives
“Unmoved” From North Sea Echoes Acknowledges Hidden Inner Struggles
Goblyns Readies Debut Psych Rock Album ‘Hunki Bobo’
Mackenzie Shivers Asks If We Ever Really Know What Others Are Going Through With “Johnny Gown”
Katie Powderly’s ‘Live By The Song, Die By The Song’ Is A Puzzle You Put Together By Listening
Nisa’s “Smokescreen” Uncovers Harmful Patterns
AR/CO Convey Their Free-spirited Ethos With “Cherry Lips”
The Blessed Madonna’s “Happier” Featuring Clementine Douglas Is A Pledge To Oneself
Bones And Jones Lean Into Indie Rock For ‘In Blue’ EP
Hello Emerson’s ‘To Keep Him Here’ EP Encompasses Hope, Fear, And Compassion
Nora Brown & Stephanie Coleman’s ‘Lady Of The Lake’ EP Arrives On Vinyl
10 Years Breaks Out Of A Cycle Of Negativity With “Rise”
Charm Of Finches Conjures A Haunted Doll Museum In Their Video For “Clean Cut”
Watch Laura Pursell’s Nashville-Set Video For Her Cover Of Dylan’s “Shooting Star”
From Ashes To New’s “Barely Breathing” Featuring Chrissy Costanza Reflects On The Dissolution Of A Turbulent Romance
The Fourth Wall Explores The Unresolved Aspects Of Immigrant Experience For ‘Return Forever’
Flora Cash’s “Baby I Love You” Proves That Love Doesn’t Need Explanations
Eve Parker Finley’s “Fall Into Me” Is Driving, Dark, And Disco
The Painted Shield Previews Their Third Album With “Transector” Ahead Of Loosegroove Review
Ghost Funk Orchestra’s ‘A Trip To The Moon’ Falls In Love With Space Travel
Humbird’s “Right On” Grasps Endurance In The Face Of Uncertainty
Song Premier: Freddy Trujillo’s “I Didn’t Cross The Border, The Border Crossed Me” Is A Story Of Belonging
A Burial At Sea Explores The Influence Of Their Irish Roots With ‘Close To Home’
A Day To Remember’s ‘Homesick’ Gets A 15th Anniversary Vinyl Reissue With Bonus Tracks
The High Hawks Travel The Blues Highway For ‘Mother Nature’s Show’
Mt. Joy’s 2024 North American & European Tour Will Take In Their Hometown Of Philadelphia
Song Premier: Rah Rah Rabbit’s “Doin’ Time” Confronts The Ghosts Of One’s Own Past
Allagaeon Reunites With Original Vocalist Ezra Haynes To Record Seventh Studio Album
Watch The Venomous Pinks’ Album Documentary ‘We Must Prevail: The Making Of Vita Mors’
Budderside Bring Grunge & Punk Accents To “Good For Nothing”
TRZTN And Karen O. Collaborate On “Alina’s Lullaby” For Horror Film ‘The Seeding’
Ohio Rock Bands Six Parts Seven & Goodmorning Valentine Team Up For ‘Kissing Distance’
BLŪMĒ Hones In On The Essential For ‘Everything Is Going To Be O.K.’
Watch David Kushner’s Video For “Skin And Bones” Tracing The Duality Of Love
Mirah And TEKE::TEKE Cover The Clash And Perform In Brooklyn This Friday
Marc Valentine’s ‘Strange Weather’ Ponders A Glimpse Of Extraterrestrial Life
Loreena McKennitt’s ‘The Road Back Home’ Was Inspired By And Recorded At At Several Folk Festivals
Olhava Meditate On ‘Sacrifice’ As A Precursor To Their Album ‘Reborn’
Neil Leyton’s “These Seeds” Commemmorates Ukrainian Courage And Benefits Music Export Ukraine
Wesley Dean’s “Don’t Look Back” Featuring Sarah Buxton Fights For Self-Expression In Life
Grandaddy Brings Shine And Dirt To Heartbreak Ballad “Long As I’m Not The One”
Scottish Fiddler Louise Bichan Reclaims ‘The Lost Summer’
Watch The Black Moods’ Extended Video Of “Roadhouse Blues” Featuring The Doors’ Robby Krieger
Schande’s “Relevant Campaigns” Chooses Resilience
The Stylistics’ 1996 Album ‘Love Is Back In Style’ Returns To CD And Digital Release Via Omnivore
Northpark’s “Ink” Dramatizes The Importance And Power Of Writing And Music
Third Man Hardware & Donner Music Team Up For ‘Triple Threat’ Analog Effects Pedal
Thomas Csorba’s ‘Windchimes’ Is A Reflective Look At Building A Family
Creed’s Scott Stapp Warns Of Mutually Assured Destruction With “Deadman’s Trigger”
Friends And Family Lauch GoFundMe To Help With Punk Artist Dave Smalley’s Cancer Battle
Driftwood’s “Every Which Way But Loose” Is Steeped In Eric Clapton’s ‘Slowhand’
Wilder Woods And The War & Treaty Team Up To Share Unconditional Love With “Be Yourself”
Pillow Queens Chart How Love And Lost Coexist With ‘Name Your Sorrow’
Breezers Draws On The Landscape Of The West For ‘Hideaway’
Joh Chase’s “Avalanche” Is About The Transformational Power Of Love
Watch Kitchen Dwellers’ Video For “The Crow And The Raven (III)” Where The Old West Meets The New West
Icelandic Post-Punk Group Groa Reissues Two Albums On Vinyl & CD
Bex Marshall’s ‘Fortuna’ Chases Blues Rock Euphoria
Quiet Car’s “Goblin” Previews Their Experimental Debut EP
Claudia Gibson’s ‘Within The Fields Of Chazy’ Brings Her Family’s Past And Present Together
An Acoustic Version Of Trevor Hall’s Latest Album Has Been Released As ‘Trevor Hall And The Great in-Between (Live From The Barn)’
Poolside Releases Electro-Funk “Ride With You (Mindchatter Remix)” And Heads Out On Tour
Tucker Woods Weathered A Studio Fire To Bring Us ‘Sunshine Blues’
Dawn Landes Highlights Activism By Reimagining 1971’s ‘The Liberated Woman’s Songbook’
Robby Krieger Branches Out Alongside The Soul Savages
Ethan Larsh’s “The Last Big Score” Chases Springsteen’s Promised Land
Armchair Boogie’s “Gone In A Day” Captures Loss And Acceptance
Jerome Forde Returns With Gritty Love Songs For ‘Wintertide Blues’
Marcus King Works With Rick Rubin And Spotlights His Vocals On “F*ck My Life Up Again”
King Dream Adds To An Ambitious Cycle With Psych-Tinged ‘Glory Days V’
The Lucky Ones Recorded Live For ‘A Nickel For The Fiddler’ EP
Nothing More’s “If It Doesn’t Hurt” Reflects On Entrapment And Freedom
Watch Eddie Berman’s Live Performance Video For “Go From Here”
Molly O’Leary Conquers The “Ticking Of A Clock”
The Dandy Warhols Set Their Sights On A Heavy Guitar Record With ‘Rockmaker’
Christian Lopez Follows ‘Magdalena’ With Grand Ole Opry Debut On January 27th
Catch The ‘All The Good Times Farewell Tour’: Nitty Gritty Dirt Band Starts Their Last Big Tour In March
Christian Parker Tunes Into Psychedelic Country Music With ‘Change Is Now: A Tribute To The Byrds’
Sum 41’s Last Global Tour Will Span 2024 And 2025 And Bring Us ‘Heaven :x: Hell’
‘A New Form Of Beauty’ From Virgin Prunes Gets A Rerelease With Remixes, Artbook, And More
Sam Morrow’s “By Your Side” Shares An Encompassing Love
Song Premier: Buddy Mondlock And Chelsea Ewing Uncover The Scars Of “Girlstown”
Ginny Luke & Orianthi Team Up For Fierce Title Track To ‘Devil At My Heels’
More Original Jazz Classics Arrive In March Including Cannonball Adderley & Bill Evans, Art Blakey & The Jazz Messengers, And Ron Carter
The Ozark Mountain Daredevils Say Thank You For 50 Years Of Support With Farewell ‘When It Shines’ Tour
Song Premier: Domenic Cicala’s “Shores Of Sorrow” Looks Beyond Good And Evil To Lessons From Life
The Dollyrots Deliver A Teen Rush Via “Tonight With You” And Announce A Valentine’s Day Serenade
The Thing Contemplates Our Ticking Doomsday Clock With “Midnight”
Gab De La Vega’s “Northern Lights” Treats Solitude Like A Companion
Tyler Ramsey’s “These Ghosts” Acknowledges The Time It Takes To Move On
Lifesick’s ‘Love And Other Lies’ EP Draws On The Turbulent Nature Of Life
Alex Jordan’s “Saving Grace” Pleads For Forgiveness
Dayna Reid’s “This House” Shakes Off Stagnation By Facing Problems
Cedric Burnside’s ‘Hill Country Love’ Celebrates His Heritage And Journey
G. Love And Special Sauce’s Remastered Debut Album Includes 11 Unreleased Live Tracks From 1994 Knitting Factory NYC Performance
Ben Frost’s ‘Scope Neglect’ Is Metal Alchemy
Tony Rice’s 1983 Classic ‘Church Street Blues’ Gets A Vinyl Reissue
Haystack’s Noise Rock Gets Introspective For “Doomsday Goes Away”
Stream Kitchen Dwellers’ Three Night NYE Performances On January 19-21 And Catch Them On Tour For ‘Seven Devils’
Third Man’s Vault Package #59 Reaches For The Sun With ‘Elvis Presley At 706 Union Ave: The Sun Singles 1954-55’
Ray Alder & Jim Matheos Team Up As North Sea Echoes To Bring Us ‘Really Good Terrible Things’
James Mastro’s Video For “Right Words, Wrong Song” Tips The Hat To Stephen Colbert And Jon Stewart
David Malloy Crafts His Own End Of The World Song “I Play Gimme Shelter”
Shaina Hayes Remembers That Better Times Are Ahead With “Sun And Time”
Drumcorps Remixes Entheos’ Prog Metal Track “I Am The Void”
Eynomia’s 2018 Debut Album ‘Break Free’ Gets Reissued With Bonus Track “Raise Your Voice”
Shane Smith & The Saints Ready ‘Norther’ Featuring Tracks That Debuted On ‘Yellowstone’
‘The Rolling Stones Live At The Wiltern’ Captures A 2002 Performance In An Intimate Venue
Hiraes Extends A Sense Of Unity To Their Community With “We Owe No One”
Melodic Hardcore Team-Up The Promised End Deliver ‘For The Buried And The Broken’ In February
Fazi’s Cyclical Album ‘Folding Story’ Gets Wider Rerelease
Eminence Ensemble’s ‘Flipside’ Discovers The Grass Isn’t Always Greener
Suldusk’s ‘Anthesis’ Blends Dark Folk, Post-Rock, Black Metal, And More
Eric Brace & Thomm Jutz Announce ‘Simple Motion’ Tackling Life And Loss
Ghost Work’s ‘Light A Candle For The Lonely’ Navigates Between The Universe’s Beauty And Uncertainty
The Goddamsels Reflect On The Whirlpool Of Modern Life With “Better Than”
Ronnie And The Savoys’ Out Of Print Single “Domino” Gets 7 Inch Release From Wicked Cool Records & Cleveland International Records
Rod Picott Rallies Around His Difficult Past For ‘Starlight Tour’
The Children’s Hour Returns With ‘Going Home’ After A Twenty Year Wait
Elvie Shane’s ‘Damascus’ Challenges What Holds People Down
Vipassi’s “Morningstar” Presents A Terrifying Vision Of The Future
Diane Coll’s “Glow Candlelight” Believes In Healing If We Really Desire It
Amigo The Devil’s ‘Yours Until The War Is Over’ Looks At Relationships Used For Survival
The Josh Abbot Band’s “She’ll Always Be” Captures A Free Spirit
The Speakeasy Brings Punk And Folk Traditions Together For Self-Titled Debut
Tatyana’s ‘It’s Over’ Tracks Online Dating And The Risks Of Opening Up To Others
Malcolm MacWatt’s ‘Dark Harvest’ Takes A Look At The Shady Side Of History While Staying Contemporary
Scarefield’s “Ancient Evil” Introduces Their Lovecraft-Inspired EP ‘Nightmare Tales’
Scott Sean White’s ‘Even On The Bad Days’ Focuses On Life As Lived And Side-Steps A Mainstream Sound
May Devun’s “Encore” Invites Self-Discovery
The Behaviour’s ‘A Sin Dance’ Moves Through Redemption To Renewal
Foxes On The Run Reveal Upcoming Songs On Their Live ‘Arroiz Sessions’
Savanna Leigh’s Live Acoustic Version Of “locked in july” Captures A Moment In Time
Dominum Have a Power Metal Message For Us Via ‘Hey Living People’
Untamed’s Self-Titled Debut Album Shares Songs Linked By Impact
Catch Amelia White Live Supporting The February Release Of ‘Love I Swore’
Dig Into Lord Of The Lost’s First Covers Album ‘Weapons of Mass Seduction’
Watch Searows’ Searching Video For “End Of The World”
Graham Parker & The Goldtops Pair Two Live Tracks With “Sun Valley” For A Triple Single
Watch ‘Nashville’s Big Bash’ Hosted By Elle King On TV And Streaming For NYE
Phear Is Looking To ‘Save Our Souls’ In 2024
Brother Bird’s “something better” Transmutes Despair Into Creativity
Daniel Johnston’s ‘Alive In New York City’ Album Release Will Have A Brooklyn Celebration On January 21st
Karriem Riggins & Madlib’s Jahari Massamba Unit Readies Second Album ‘YHWH Is Love’
John Oates Supports Teen Cancer America With The Single “Get Your Smile On”
Three New Shoegaze Albums By Screaming Bones Close Out 2023
Kathleen Hanna’s 2024 Book Tour For ‘Rebel Girl: My Life As A Feminist Punk’ Will Span The USA
Maria Elena Silva Brings Rock, Romance, And Flamenco-Influenced Guitar To ‘Dulce’
In The Rosemary Dreams Bring Stoner Rock And Post-Punk To ‘Day After Night Before’
Samuel Wilbur’s ‘The Age’ Focuses On The Global Climate Crisis
Harrison Storm’s ‘Wonder, Won’t You?’ Reflects How He Connects With The World
VLTIMAS Compose A Score For The Apocalypse With Album ‘Epic’
Horizon Theory Sees The Relevance Of Flobots Track “Handlebars” And Delivers Their Own Take + Video
Glassio Teams Up With Rodes Rollins & Mumble Tide For Four Part Single “Will You Still Come Back Tomorrow?”
Son Of The Velvet Rat’s “Beautiful Day” Features Jolie Holland & Discovers A Dream-Like Cycle
All The Tracks On Leslie Evers ‘Bound For Land’ Share A Common Theme Of Love
Celebrate The Close Of The Year By Streaming Bobby Weir, The Wolf Bros & The Wolfpack In Concert
Tilburg’s ‘Turning Time’ Brings Together 70s Prog Rock And Dark Electronica
Listen To Jason Isbell And The 400 Unit’s Rendition Of Kevn Kinney’s “Look What You’ve Done To Your Brother”
Ponte Del Diavolo’s “Demone” Blends Doom Metal, Post-Punk, And Dark Wave
Save Ferris Share A Tale Of Longing With “Xmas Blue”
Rebecca Pidgeon Explores A Fascination With Filmmaking For ‘Songs Of L.A.’
DJ Ashba’s “Party Tonight” Featuring Dia Channels 1940s Style Vocal Melodies
Watch Yoshiki Perform “Closer” With The Chainsmokers In Clip From New Documentary
The Blue Note Quintet Pays Tribute To Their Heroes On Blue Note 85th Anniversary Tour
Oceans Of Slumber’s “Poem Of Fire” Is A Musical Medley Of Their Upcoming Album
Blowfuse’s “Move On” Is A Call To Positive Action
Interview: Billy Raffoul’s ‘For All These Years’ Is Built On Perspective And Empathy
Alan Lomax’s Festive Multi-Cultural Field Recordings Get Collected As ‘Songs Of Christmas, Midwinter & New Year’
Like A Storm’s “Sinners & Saints” Gets A Heavy Alternative Remix Addressing Humanity’s Inner Conflicts
Walter Martin’s ‘Concert at Coco’s’ Is A Family Party Record Featuring New Songs And Favorites
Ruthie Foster’s New Live Version Of “What Kind Of Fool” Reflects Where She Stands On Love
Video Premier: Mike Miz’s “Heroes” Calls To Mind The Ones We Miss And The Music We Love
Gravenoire Joins Season Of Mist, Teases New Music In 2024
Jenny Boyd Expands Her Doctoral Thesis Featuring 65 Interviews With Musicians For The Book ‘Icons Of Rock – In Their Own Words’
Interview: Movie Club’s Vince Cuneo Talks ‘Great White’ And Thinking Outside The Box
Daniel Johnston’s Work Gets First Comprehensive Collection With ‘Daniel Johnston In The 20th Century’
Two Feet Launches Independent Record Label And Announces Initial Roster
Keane’s Unreleased Song For ‘Love, Actually’ Gets A Lyric Video By Richard Curtis And Spike Curtis
Mento Buru Finds More Neighborhood Musical History To Celebrate For ‘East Bakersfield Christmas II’
Lily Seabird’s ‘Alas’ Spotlights Cycles Of Grief And Letting Go
Borknagar’s ‘Fall’ Will Celebrate Boundary-Pushing
Watch Voodoo Beach’s Live Session With Felix Keiler Of Die Kerzen
New Zealand’s L.A.B. Closes A Big Year With “Oh No (Pt. 2)”
Amon Amarth Faces Off Against Several Members Of Saxon For “Saxons And Vikings” Track + Video
Steve Aoki & Yellowcard Collaborate On 20th Anniversary Remix Of “Ocean Avenue”
Watch Catbells’ Video For “Walking In The Air” From The Snowman
Samael Brings Their 25th Anniversary Tour Performance Of ‘Passage’ To Live Release
Mick Mars Looks At Both Sides Of The Story For “Right Side Of Wrong”
Monkey3’s ‘Welcome To The Machine’ Plumbs The Future Of Humanity
Matthew Sweet Will Tour, Release 1993 Live Album + A New Studio Album In 2024
Telltale’s “Otherside” Acknowledges The Darker Side Of Escaping From Reality
Kitchen Dwellers Follow The Swing Of “Pendulum (V)”
Interview: Bre Kennedy Finds Her Moment To ‘Scream Over Everything’
Stax Meets Motown In Black History Month Online Event That Brings Two Cities Together
XII Thorns Crafts An Eerie Narrative In Old Dutch With “De Kelderbode”
Atreyu Explores Anxiety, Depression, Self-Belief, And Identity To Find ‘The Beautiful Dark Of Life’
Black Market Karma Pairs “Wisdom Shifter” With “The Sour Truth” Featuring Sonic Boom For 10 Inch Vinyl
Magnús Jóhann’s ‘Rofnar’ Is Built Around Sonic Deconstruction
Exit Eden Brings Symphonic Metal To Journey’s “Separate Ways”
Foscor Returns With “Solitud”, A Brand New Chant From The Past
Chris Kage’s ‘Cycles’ Finds Life To Be A Self-Created Tapestry
The Montvales Address Uncertain Times For ‘Born Strangers’
’92 Introduces Their Rebellion With “Culture”
Emel’s “Souty” Finds An Empowering Voice
Bryan Adams ‘Live At The Albert Hall’ Captures Three Albums Performed In Their Entirety
Maddox Jones & Great Adamz Wrote “It’s Christmas Time” To Build Each Other Up
Vitriol’s “Weaponized Loss” Reconsiders Suffering As Preparation For Survival
Letters Sent Home Crafts “Elements” As A Love Song And Cry To Nature
Arms And Sleepers’ Track “Belfast (Feat. Sofia Insua” Meditates On Communities Affected By Conflict
Ryujin’s “Gekokujo” Is Japanese Metal Folk Horror
Watch The Gems’ Video For “Undiscovered Paths”, Ahead Of Debut Album ‘Phoenix’
The Dollyrots Get Punk Yet Sentimental For “Auld Lang Syne”
Merrimack’s ‘Of Grace And Gravity’ Seeks A More Primitive Form
Charles Moothart Introduces Apocalyptic Pop Via “Roll”
Ethan Lipton & His Orchestra Celebrate People Who Share Their Whole Selves With “Talking To Bonnie”
Hazlett’s ‘Goodbye To The Valley Low’ Stems From A Journey To The Other Side Of The World
Helfró Introduces Introspective Themes With ‘Tálgröf’
Silver Planes Asks “Where You Gonna Run?”
Washing Machina Wishes You A “Merry Fuzzy Christmas”
Mackenzie Shivers Pairs Grounded Love Song “pedestal” With “a cautionary tale” For 7 Inch Offering
The Speakeasy’s “Devil In Disguise” Hints At Future Freedom
Miss Grit Shares EP Gathering Remixes Of Debut Album ‘Follow The Cyborg’
Lapalux’s 2013 Debut ‘Nostalchic’ Gets A Vinyl Reissue From Brainfeeder
“For You” From Thee Sinseers Blends Southern California Sounds With A Devotional Message
Gloryhammer Celebrates Their Cover Of Classic Cheap Trick Track “Mighty Wings” With Wide Release
Zach Seabaugh Writes “Helium Balloons” About Things Better Left Behind
Song + Video Premier: Stevi Daft’s “Vertigo” Is A Healing Rock Ritual
Taylor Pearlstein’s ‘Perfect Blue’ EP Delves Into Self-Delusion And Our Desire To Be Wanted
Yasu’s “My Spaceship Lost Control” Finds An Astronaut Adrift
Today Was Yesterday’s Debut Album Features Rush’s Alex Lifeson & The Doors’ Robby Krieger
Amanda Stewart Covers “A Long December” From Counting Crows For EP ‘Since It’s Christmas’
Ethan Iverson Helms Two Trios And Works With Younger Musicians For ‘Technically Acceptable’
Metal Trio Imperial Triumphant Covers Wayne Shorter’s “Nefertiti”
Hakushi Hasegawa Announces First Time Vinyl Releases For ‘Somoku Hodo’ & ‘Air Ni Ni’
Morgan Myles & Sam Morrow Debuted Original Song “Christmas Just Us Two” At The Grand Ole Opry
Johnny Brenda’s & Mt. Joy’s Matt Quinn Team Up For A Show Benefitting World Central Kitchen
Katherine Yeske Taylor’s ‘She’s A Badass: Women In Rock Shaping Feminism’ Arrives In January 2024
Lost Under Heaven Takes On “She’s Acting Just Like A Child” For Badlands Remix Project
High Llamas Opens Up To Possibilities With ‘Hey Panda’
Sabatta Brings Psych Rock Sensibilities To ‘How To Get Even’
Dustin Douglas & The Electric Gentlemen Get Super-Seasonal In Their Video For Billy Squier’s “Christmas Is The Time To Say I Love You”
Winter Aid’s Inner Sunset EP Bridges The Old World And The New
Scott Stapp’s “Black Butterfly” Chronicles Transformative Growth
Watch Marcus Rezak Collaborate With Blues Traveler On “Mulling It Over”
Interview: Grave Domain’s Shel Plock Guides Us Through The Underworld
Dea Doyle’s “One For Me” Testifies To Love’s Surprises
Watch Temic’s Iceland-Set Video For “Through The Sands Of Time”
Cybotron’s Techno Classic ‘Enter’ Gets A 40th Anniversary Expanded Reissue
Small Isles Goes Cinematic For The EP ‘Everything On Memory’
Diane Coll Addresses ‘Old Ghosts’ In The Mirror On A Healing Journey
The Haptics Explore The Darker Side Of Relationship Power Dynamics With “Mouse”
Giantsky’s Sophomore Album Brings Together Folk, Electronica, And Post-Rock Traditions
Hani Abadi’s “My Story” Offers Hope During Dark Days
Trashcan Sinatras’ John Douglas Releases Debut Solo Album Recorded Live
Two Key Tracks From The Comateens Get A New Multi-Format Release From Left For Dead Records
Collaborative Group Zahn Returns With ‘Adria’, A Journey Into European Holiday Culture
Leftover Salmon’s Andy Thorn Answers Fan Demand With ‘High Country Holiday’
Leslee Smucker’s ‘Breathing Landscape’ Was Recorded In An Abandoned Water Tank
From Ashes To New’s Rock Take On “All I Want For Christmas Is You” Gets A Video
Darko’s “What I Cannot Be” Pushes Back Against Traditional Ideas Of Masculinity
Listen To Half Moon Run’s Alternate Live Version Of “9beat” And Catch Their North American Tour
Necrowretch’s ‘Swords Of Dajjal’ Focuses On A Mysterious Doom-Bringer
Velcros Tease ‘Strange News From The Vault’ With Psychedelic Track “Hollowed”
Ismay’s ‘Desert Pavement’ Was Inspired By Rural Life And Days Of Yore
Joe McGinty & The Losers Lounge Celebrate 30 Years Of Live Events With A Tribute To Burt Bacharach
Willie Jones Champions Things That Stay The Same With “Dive Bar” Featuring Ben Burgess
Americana Ode “Marfa Christmas Lights” From Beth // James Finds Santa Unwinding With Mrs. Clause
TÝR Announces ‘Battle Ballads’ North American Headlining Tour For 2024
Ron Gallo’s ‘Foreground Music’ Gets A Deluxe Edition Including Acoustic And Demo Versions
Ani DiFranco Will Make Her Broadway Debut In ‘Hadestown’
Watch Kill The Thrill’s Near-Apocalyptic Video For “Autophagie”
Kelly Finnigan’s ‘A Joyful Sound’ Gets Released As A Box Of 45s For Record Store Day
Chloe Star’s “Found My Peace” Is A Song Of Awakening
Olathia’s ‘The Forest Witch’ Traverses Both Battles And Good Times
Off Lights Bring Rock ‘Back To Life’
Many Eyes Tackles Trauma Head-On With “Mystic Cord”
Noa Jamir’s “Subside” Weathers Changes That Bring Us To Personal Growth
Pines Chronicles An Eventful Journey For ‘Life As We Know It’
‘Light In The Attic & Friends’ Gathers 20 Tracks From Their ‘Covers Series’ For Record Store Day
Young The Giant’s ‘Live Across America ’23’ Spans Albums And Venues
Taylor Acorn’s “Basement” Reminds That Things Won’t Always Be As Bad As They Seem
New Years Day Reunites With Original Lineup To Create The Half Dark, Half Fun ‘Half-Black Heart’
Helene Cronin’s ‘Beautiful December’ Captures The Magic Of The Season
Jake Thistle Recorded His Debut EP ‘The Half Left Out’ Between New Jersey And Nashville
One Square Mile’s ‘Source Of Suffering’ EP Channels Hermosa Beach Punk Traditions
Hellman’s “Desktop Activists” Calls Out Uncivil Online Culture
Jared Dustin Griffin’s ‘Battle Cry Mercy’ Documents Struggles, Sacrifices, And Redemption
Gost’s ‘Prophecy’ Imagines The Fall Of Western Civilization
Crossbone Skully’s New Track “I’m Unbreakable” Will Be Part Of A 7 Inch Package To Benefit MusiCares
Watch Säje’s Animated Video For Their Grammy-Nominated Rendition Of “In The Wee Small Hours Of The Morning” Featuring Jacob Collier
Amelia White’s “Something New Comes” Offers Hope After Pain
Molly Hatchet Returns To Releasing With “Firing Line”, A Track About Standing Up For Yourself
Tess & The Details Invite You To Have A Really Good Time With ‘Runaway’
Slayer’s ‘No Mercy’ Gets Two 40th Anniversary Re-Releases
Shaina Hayes Focuses On A Positive Form Of Remembering For ‘Kindergarten Heart’
Whitechapel Announces ‘Live In The Valley’ Album Recorded At Their 2022 Christmas Benefit Show
CrowJane’s “Destroy” Brings A Synth Pulse To A Punk Aesthetic
Kitchen Dwellers Follow In Dante’s Footsteps For New Album ‘Seven Devils’
Video Premier: Steve Drizos Looks For One Sure Thing In The Parade Of Life With “katie”
Atreyu’s ‘The Beautiful Dark Of Life’ Steps Back To Look At The Whole Picture
Catholic Guilt’s “Can You See Me?” Processes A Sense Of Lost Identity
Woody Platt & Del McCoury Team Up For Classic Bluegrass On “Broke Down Engine”
Jordan Mailata & Patti LaBelle Duet On “This Christmas” For ‘A Philly Special Christmas Special’ To Benefit Philadelphia Charities
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