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Hannah Means-Shannon
Visions Of Atlantis Tackle Our Inner Struggles With “Monsters”
Crowjane’s “Savage” Explores Facts, Ideas, And Emotions Surrounding Female Bodily Autonomy
Futurebirds Release Three Song EP Ahead Of ‘Easy Company’ Full-Length
Interview: Jeff Larson Finds The Place And The Time For ‘Adobe Home’
Wendy And DB Announce Family Blues Album ‘Back Home’ Dedicated To Simplicity
Bad Beat’s ‘L.P. 2024’ Delivers 16 Tracks In Under 15 Minutes
The Phoenix Within Extends Solidarity With “Abuso”
Handheld Celebrates A Milestone With ‘Live At 25’ Album
Maya Vik’s “C.N.B (Cold Norwegian Babe)” Reframes Coldness As Independence
Herdd’s ‘Afterlife’ Sheds Skin To Return To A Truer Self
Sea Of Treachery Becomes First Metal Band Signed To Mutant League Records, Reveals “What’s Past Is Prologue”
Groundbreaking Youth Movement 2 Tone Record Label Is The Focus Of New Chronicle
Ella Galvin’s “The Way It Goes” Weighs Risks In A Teetering Relationship
Arto Vaun’s “Stuck Inside A Map” Pushes Against Rigid Borders
The Goddamsels Ask If We Can Break Free From Monotony With “Same Damn Thing”
Waverly Drive’s ‘Push My Luck’ EP Dives Into The Surreal
Animal Collective’s ‘Sung Tongs’ Gets A 20th Anniversary Color Vinyl Repress And A Live Album
Go Behind The Scenes of Weezer’s 1994 “Buddy Holly” Video With Vevo’s ‘Footnotes’
Mascots See Glimpses Of A Hopeful Future In “Vertigo”
Late Slip’s ‘I Love You’ Is Retro-Pop With All The Feelings
Midland Teams With Orville Peck For “The Hurtin’ Kind”
Druidess Launches ‘Hermits And Mandrakes’ EP With Heavy Psych And Stoner Rock
The Cold Stares Turn Their Attention Back Home With ‘The Southern’
Ultrabomb’s ‘Dying To Smile’ Arrives In June
Traffic’s Dave Mason Readies Memoir ‘Only You Know And I Know’
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