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FaithNYC’s ‘Love Is A Wish Away’ Distills A Journey Through Musical Language
The New Era Of Spark Of Life Returns With ‘Plagued By The Human Condition’
Pianist Christian Sands Expands His Album ‘Christmas Stories’ And Sets Out On A Holiday Tour
Kip Moore Reveals Two New Singles As He Closes Out His Nomad World Tour
Amulets Connects The Dots With ‘Not Around But Through’
Wilder Woods And Anna Graves Team Up On Love Song “Offering”
Mary Bue Finds A Safer Space When “Bedding Down With The Deer”
Interview: Tyler-James Kelly Makes Country Music For The People On Solo Debut ‘Dream River’
Vashti Bunyan’s ‘Lookaftering’ Gets A 20th Anniversary Expanded Edition In Time For Her 80th Birthday
Dawes Find Seasonal Magic Again With “Christmas Tree In The Window”
Patterson Hood’s Next Solo Album ‘Exploding Trees & Airplane Screams’ Arrives In February
“High Seas” From Drew & Ellie Holcombe Finds The Craziness And Beauty In Committment
Watch Andy Stochansky’s Video For “Poetry Of Birds” Paying Homage To Those Who Show Us How To Live
Song Premier: The Pinkerton Raid’s “Happy XMas (War Is Over)” Carries A Responsibility To Care
Metal Blade Signs Mongolian Metal Band Nine Treasures And Will Reissue Two Of Their Albums
Rare Concert Video Released Of Riot’s Rhett Forrester Performing In 1992
Multi-Generational And Multi-Genre Collaboration Love Ghost x Skold’s Debut Album Arrives This Week
The Spyrals Capture Their Live Sound For Fifth Album ‘Retrograde’
Song + Video Premier: Tipps & Obermiller’s “Complicated Boxes” Unpacks The Tricky Emotional Terrain Of The Holiday Season
Cascade Riot Gets Nostalgic With Single + Video “Time Machine”
Nico Vega Heralds A New EP With “I’ve Got My Soul” Pushing Back Against Trauma
Watch Ross Valory’s Noir-Themed Video For “Touched, Pt. II”
Interview: For John Treanor Of Tombstones In Their Eyes, ‘Asylum Harbour’ Is All About The Harmonies
Massy Ferguson’s ‘You Can’t Tell Me I’m Not What I Used To Be’ Leans Into Vintage Tones And Analog Production
Metal Blade Records & Pantheon Media Reveal ‘100 Songs That Define Heavy Metal’ Podcast
Knives Deliver Debut Album ‘One Cut Away From Love’ In Multiple Vinyl Variants
Watch Múr’s Video For “Holskefla” Facing Down A Barrage Of Inner Turmoil
Jack White Will Release “You Got Me Searching” & “That’s How I’m Feeling” As A Double Single On 7 Inch Vinyl
Kurt Baker Has Got Something To Say To His “Inner Demons”
Dark Fortress’ 2023 Final Tour Will Yield A Live Album ‘Anthems From Beyond The Grave’
‘Persona’ From Half Alive Challenges Perception
Katie Schecter’s “Pay It No Mind” Learns To Save Energy For The Stuff That Matters
Otis Zheng Counters Monotony And Chooses Joy With “Wake Up”
Emei’s ‘Rabbithole’ EP Was Inspired By The World Of ‘Alice In Wonderland’
Rose Cousins Invites Audiences To Create Their Own Love Story Via “Denouement”
Destruction Pays Tribute To 40 Years Of Thrash With Self-Titled Single
Chatham Rabbits Channel Two Years Of Growth Into ‘Be Real With Me’
Peaer Reflects On Relationship Change Over Time With “Just Because”
Tommy Emmanuel Is Releasing A Live Performance Album From His Hometown, Captured At The Sydney Opera House
Birdtalker Worked With New Collaborator Louis Johnson For Third Album ‘All Means, No End’
Thy Cafalque’s 12th Album Declares ‘The Beautiful Dreams Are Yet To Come’
Sarcator’s Video For “Comet Of End Times” Brings Their Upcoming Album’s Artwork To Life
“Happiness Is Overrated” From Oswald Slain Pushes Back Against The Pressure To Be Happy
Rival Sons Will Release The Audio & Video From Their 2021 Live Stream Concert Performed On Catalina Island
Interpol’s 2024 Live To Acetate Performance At Third Man Records’ Blue Room Will Arrive In December
Watch Category 7’s Video For “Land I Used To Love” And Catch Them On Tour In The Spring
Sacha’s ‘Change Of Heart’ EP Delves Into Themes Of Family And Identity
Neal Francis Finds The Fun In Confessional Love Song “Back It Up”
Dr. Jane Goodall Praises Savage Lands’ Charitable First Album ‘Army Of The Trees’
“Forget My Name” From Nona Invie Is An Ambient Meditation On Love
Mörk Gryning’s “Black Angel” Guides Audiences Into ‘Fasornas Tid’
“Pieces Of Me” From Copper Lungs Celebrates A Love That Arrives After The Storm Has Passed
Watch Kinski Gallo’s Video For Dual Language, Transformative “Ruta Del Sol”
Phillip Lammonds Warns Against Losing Your True Love With “Who’s Right, Who’s Wrong”
“Dark Clouds Are Rising” From Dun Ringill Kicks Off Act 2 Of Their Double Concept Album
Watch Pressure Points’ Video For “The Chase” Following A Gloomy Love Story With A Twist
We Are Wolves’ Sixth And Final Album ‘Nada’ Is A Mixtape Covering Distance And Time
Fie Eike Explores Existential Wisdom With ‘Water’
Bad Tractor’s “Corner Of Blue” Contrasts The Darkness And Light In Their Sound
Black Label Society’s Dario Lorina Launches New Project Dark Chapel
Steve Kelly’s ‘Here’s The Thing’ Distills Years Of Struggle Into A Hopeful Collaboration
Kurt Elling’s Spontaneous ‘Wildflowers Vol. 2’ Arrives Just As ‘Vol. 1’ Is Nominated For A Grammy
Megadeth Celebrates 30 Years Since Their Launch Of The First-Ever Band Website, ‘Megadeth, Arizona’
For Closure Introduces Power-Pop And Punk ‘Cliffside Serenades’
Our Girl’s “Who Do You Love” Reflects On Experiences Of Coming Out And Celebrating Others
Watch Defeated Sanity’s Lile Gruber On Drum Playthrough For “Accelerating The Rot”
Tombstones In Their Eyes Put Vocal Harmonies And Letting Go At The Center Of “In Your Eyes”
Rare DM’s “Skater Hits Me Harder” Captures First Date Euphoria
“Time Of My Life” From Somebody’s Child Finds Resolve And Legacy
Magic Wands Find The Contradictions In Our Relationship Needs For “Armour”
Subway To Sally Celebrates Life For Their 15th Album ‘Post Mortem’
Hyperdog’s ‘Tales From The Mountain’ EP Arrives With New Sounds And Serious Topics In December
“Brazilia” From Cape Jay Reflects On Toxicity In Some Relationships
Heavy Bloom Exits The Honeymoon Phase With “Crash”
Speed Of Sound Critiques AI As Meaningless With “Artificial Paradise” Song + Video
Delain’s “The Reaping” Eyes The Storms On The Horizon
Laibach Covers Protest Song “Strange Fruit” As Part Of A Three-Track Single
Drop It First Members Team Up To Create “The Ultimate Punk Rock Album” Titled ‘Fundamentals’
Collignon Transports Listeners Across Borders With ‘Bicicleta’
Kathleen Edwards Covers Tom Petty’s “Crawling Back To You” Featuring Piano And Pedal Steel
“Hollow Treats” From Lifesick Dispels Fairy Tales About Life
Sugar Horse Reflects On The Many Angles Of Losing Someone With “Jefferson Aeroplane Over The Sea”
Watch St. Lenox’s Video For “Kalahari” Capturing A Rare Moment Of Peace
Nether Hour Follows ‘Sunshine’ Album With ‘Moonshine’
Ty Walker And the Humanoids Bring Us Galactic Country Music With ‘Home On The Strange’
Daniel Schamroth Captures Early Romance With Acoustic Demo “Skyscraper”
Worst Ways’ Self-Titled Debut Showcases Loss And The Ways It Changes Over Time
Nathan Ball Reaches Out To Those Struggling With “Rise Up Again”
Sebastian Bach Teams With Orianthi And A Youth Choir For “Future Of Youth” Song + Video
Andrew Browning And The 9 Pound Hammers Pay Tribute To The Grit And Complexity Of California With ‘Love Is A Beautiful Thing’ Album
Ray Cardwell Joins Americana Vibes For Reflective ‘Singing Tree’
Yard Sign Finds That Sadness, Longing, And Hope Collide In “Bookstore”
March To August Created A Concept Album ‘Songs Inspired By Witness’ Around A Prohibition-Era Novel
Humbird Slow-Releases The Songs From ‘Astrovan: The Love Song Vignettes’ Between Now And January
The Dandy Warhols Team Up With Elizabeth S. Acevedo For Hypnogogic “Mini-Film” Video
Flower Face’s ‘Girl Prometheus’ Blooms In The Aftermath Of Love
Left For Dead Records Brings Detention’s Early Tracks Together As ‘Dead Rock ‘N Rollers’
Sueco’s Deluxe Version Of ‘Attempted Lover’ Features Five New Tracks
Fruition’s “Whole World Of Trouble” Counters Divisiveness With Compromise And Understanding
Tremonti Takes Stock Of The Madness In The World With “One More Time”
Queen Kwong Brings The Female Gaze To The Work Of Male Rock Artists On EP ‘Strangers’
W.A.S.P. Takes A Special Museum On The ‘Album ONE Alive Tour’ For Fans
The Candy Whips Expand Their Sound With Synthpop ‘Artificial Melodies’
R.E.M Supports ‘We Are Hope Despite The Times’ With New Lyric Video For “I Believe”
“Lion Rumpus” From Mogwai Gives Us A Taste Of 2025’s ‘The Bad Fire’
‘Up From The Mud’ From Diane Coll Addresses Relational Trauma And Includes Ambient Bonus Tracks
Watch Josie Cotton’s “Fun Trainwreck” Video For “Trick or Treat” Featuring Kevin Preston
Flying Lotus Turns To The Supernatural, The Underrated, And The Mystical For ‘Spirit Box’ EP
Song Premier: Joshua Josué’s “Tipping Point” Featuring Ben Rice Dramatizes A Dark Dance With The Bottle
Kings Of Mercia Return With Collaborative ‘Battle Scars’
SETYØURSAILS Address Desire With New Video For “Dangerous”
Ahead Of The Election, Aaron Lee Tasjan Remixes “I Love America Better Than You” Featuring Widespread Panic’s Dave Schools
“Sweet Thing” From Gyasi Comes From A Longing For Self-Expression
Somebody Someone’s “Better” Asks If We Have The Same Compassion For Ourselves That We Have For Others
Watch Entheos’ Video For “Return To Me”, Which Is Both A Plea And A Point Of Acceptance
Florence Dore’s “Signs Of Life” Resurfaces After Creating It During An Experimental Time
1960s Garage Rock Band The Earls of Babylon Reunite For “My Little Frankenstein” From Wicked Cool Records
Rose Betts Feels Split Apart On New Single “Running”
Jamie McLean Band’s ‘One Step Forward’ Unfolds A Joyful Journey
Jinjer’s 5th Album ‘Duél’ Is An Evolutionary Step For Them
Denison Witmer’s “Older And Free” Is A Meditation On The Freedom Of The Outdoors
Joy Buzzer Delivers Their First Album ‘Pleased To Meet You’ Via Wicked Cool Records
Andy Stochansky’s “Champion” Paints A Portrait Of A Waitress Conquering All
The Grateful Guitar Foundation Will Present Steve Kimock With A Recreation Of Jerry Garcia’s Wolf Guitar To Honor His Jam Band Work
Diana Panton Focuses On Relationship Songs From The 1960s Onwards For Jazz Album ‘soft winds and roses’
Old Cross Frontman Chris Hahn Documents The Support He Found In Unlikely Places On ‘Dead End Lullabies’
The Rasmus Deliver “Rest In Pieces” And Announce ‘Weirdo’ Tour For 2025
Elvis Costello Makes His Visual Art Show Debut In Florida In January 2025
Squanderers Improvise Around Three Guitars
Carolyn Kendrick Takes A Long Look At Human History And Its Evils With ‘Each Machine’
Follow A Lovecraftian Hero On A Mind Quest With The Great Old Ones’ Video For “Me, The Dreamer”
Noopinion Returns With Skate Punk And Opinions For ‘Revolt And Resolve’
The W Lovers Tell Their Story Of Traveling The US For Third Album ‘For A Day Or A Lifetime’
Interview: GEMZ Finds The Space And The Sound To Process Change And ‘See The Future’
Song + Video Premier: C. Daniel Boling’s “Love, Dan” Speaks To The Child In Us
The Rolling Stones To Release Intimate 1999 Concert Audio And Video Recording “Welcome To Shepherd’s Bush”
Slip-Ons Show Devotion To A Beloved Venue With “Graystone”
Neacal’s ‘Stranger From Long Ago’ Moves Through Prog Rock To Orchestral Pop
Video Premier: Smoker Dad’s “Part II” Highlights Their Big Band Sound And The Roadlife/Homelife Dichotomy
Bad Tractor’s ‘Inland Sea’ Captures Rural Life And Threats To Its Existence
The Awakening’s “Mirror Midnight” Looks At Self-Obsession And Self-Perception
Finn’s “Missing You” Song + Video Takes Us On A Late-Night Autumn Drive
The Tulips Introduce The Psych Rock Sound Of ‘Halcyon Beach’ With “Stars Dream Of You”
The Discarded’s “Testify!” Preaches Punk
Lara Ruggles Allows For Our Mistakes With “Love Me Instead”
Ensiferum Takes ‘Winter Storm’ On A Winter Tour Of The US, ‘Folkfest Of The North’
Musician-Heavy 1987 Indie Film ‘Candy Mountain’ Returns To Theaters This Week On October 25
Pypy Continues Their Post-Punk Collaboration With ‘Sacred Times’
‘Whiplash’ Marks bôa’s Return And Speaks To Cultural Unrest
Tyler Ramsey’s “Paper Hearts” Captures A Moment In Time
L.S. Dunes Find Inspiration In Long Lived Melodies For Sophomore Album ‘Violet’
Authority Zero Commemorates 30 Years With The Reflective EP ‘Thirty Years: Speaking To The Youth’
Aaron Parks And Little Big Distill Their Essence Into ‘Little Big III’ Via Blue Note
Underoath Returns With “Survivor’s Guilt” And A Self-Directed Tour Video
Kip Moore’s “Learning As I Go” Attempts To Navigate The Unknown
Aisha Badru’s “In The Making” Embodies The Essence Of Change
Pretty Jane’s “Stand So Close” Conveys The Double-Edged Nature Of Desire
Pieta Brown’s ‘Paradise Outlaw’ Gets A 10th Anniversary Reissue, Including Vinyl And Outtake Tracks
Moody Joody’s ‘Dream Girl’ EP Steps Down From The Pedestal To Dance
Kelly Finnigan’s ‘A Lover Was Born’ Channels Midwest Soul Traditions
The Brothers Comatose Are “Runnin’ On Back To You” After And Inspirational Dream
Frozen Crown’s ‘War Hearts’ Marks Their Debut As A Six-Piece Band
Erev’s “Sandbar” Captures Summer’s Afterglow
Watch Soul Asylum’s Video For “The Only Thing I’m Missing” And Catch Them On Tour
The Infamous Stringdusters Reimagine Avicii’s “Wake Me Up”
Video Premier: March To August’s “Running Booze” Chases Prohibition-Era Dreams In A 1922 Packard
The Devil’s Sons Blend Rock, Punk, And Metal For ‘Now And At The Hour Of Death’
Corey Bernhard’s ‘A Blessed Leap Into Eternity’ Explores Themes Of Faith, God, Love, And Loss
JP Harris Puts Down His Carpentry Tools To Take ‘JP Harris Is A Trash Fire’ On The Road
Interview: Plàsi Dares To Take Steps In New Directions For The ‘Salamina’ EP
New Documentary ‘I Need You: 53 Years Of The Band America’ Brings Their Touring Days To A Close
The Ocean Collective’s ‘End Of An Eon’ Tour Marks Its Last With Original Line-Up And Celebrates ‘Holocene’
The Pinkerton Raid Takes On Seasonal Traditions With ‘Jagged Vacance: Winter Songs By Other People’
Fantastic Negrito’s “I Hope Somebody’s Loving You” Counters A Lonely World
Faux Real’s “Full Circle” Looks At The Recurring Nature Of Art And History
Watch Penny & Sparrow’s Indie Folk Video For “Cheers To Good Friends”
Eric Dash’s ‘Bystander’ Emerges Alongside His Work As Producer
Foghat’s “Tonsils & Sneakers” B/W “Black Days & Blue Nights” Honors Lonesome Dave Peverett & Rod Price
Courteeners Launch ‘Pink Cactus Cafe’ And A UK Tour
Hieronymus Bosch Inspired The Veils To Write “The Ladder” About Love And Death
The Mizzerables Create Space To Acknowledge Personal Battles With “Sad Face”
“Getting Older” From Sadie Campbell Encourages Us To Change The Lens Through Which We See Ourselves
As I Lay Dying’s “Whitewashed Tomb” Reveals A Darker Side
Sample ‘Down Home’ And Catch Teddy And The Rough Riders On Tour
Laura Nyro’s Work Gets A New Mega Collection Spanning 1966 To 1995
Ad Infinitum’s “Follow Me Down” Introduces The Ominous Darkness Of ‘Abyss’
Leon Guallart Transforms Himself Into A Monster In His Video For “Int. Night”
Watch Anya Marina’s Reflective Droid-Starring Animated Video For “UR Good”
Bayem Readies ‘Tape 3’ EP And Announces New Live Shows
White Denim’s “Second Dimension” Delves Into 70’s Funk Sounds
Stranger Cat’s “Hollow Heartbreak” Finds Hope In An Unlikely Place
George Alley’s “XRay” Finds The Unseen Layers In Our Connections
Myles Kennedy’s “Saving Face” Takes A Stand For Self-Motivation
Interview: Death Doula’s Kyle Alexander Finds Subtle Texture For ‘Love Spells’
Loose Cattle’s “The Shoals” Conjures A River Demon With Patterson Hood
Tame The Abyss Returns With Their Own Record Label For ‘They Live Again!’ LP
Vision Video’s “Dead Gods” Speaks Against Religion-Driven Wars
Tombstones In Their Eyes Find Ways To Make Life Better With “I Like To Feel Good”
They Might Be Giants To Deliver New Live Album ‘Beast Of Horns’ This Month
Miranda And The Beat’s “Anxiety” Gives Them Anxiety
Trashed Ambulance’s “Split The Difference” Weighs The Value And Danger Of Compromise
KISS’s Paul Stanley Will Appear With His Work At Two New Art Events In November
Bikini Beach’s “Liar Liar” Wonders If The Whole World Is Lying
Catch The Coronas At US Shows Following Release Of ‘Thoughts & Observations’
Outtakes From John R. Miller’s Album ‘Heat Comes Down’ Will Arrive On 7 Inch Vinyl ‘Wayward Wind’
Starcrawler’s “Learn To Say Goodbye” Struggles With Letting Go
Devarrow’s ‘Lightning Bolt’ Speeds Towards Slowing Down
The Boy Detectives & Half Dizzy Team Up For A Halloween-Themed Split 7 Inch From Punkerton Records
The Trouble Notes Get Caught In A Maelstrom While “Storm Searching”
Lucinda Williams Sings The Beatles From Abbey Road For Her ‘Lu’s Jukebox’ Series
Hattie Webb’s “Ruined In The Rain” Searches For Internal Wisdom
Donnie & Joe Emerson Release Two Songs On A 7 Inch As Their First New Music In Over 30 Years
Kyle McKearney’s “Hold On Goodbye” Keeps Fighting For A Relationship’s Survival
Buñuel Says Limiting “Class” Works Its Way Through Every Aspect Of American Life
The Black Pacific’s Video For “I Think I’m Paranoid” Features Jim Lindberg’s Friends And Family
Mindy Smith’s ‘Quiet Town’ Is A Journey Into Self-Discovery
Mother Hubbard’s ‘Live’ EP Pays Tribute To Bob Marley, Amy Winehouse, And The Beatles
Drive-By Truckers Reveal ‘American Band – Deluxe Edition’ Including 7 Live Tracks
AUA’s ‘Painkiller No. 1’ Completes Their Album Trilogy
Celebrating 30 Years Of ‘No Need To Argue’ From The Cranberries
Video Premier: Zoe FitzGerald Carter’s “Starlight Blue” Takes A Haunting Look At The Suffering Of Young Women In The Music Industry
Xandria’s “No Time To Live Forever” Laments A Loss Of Reason In The World
Third Man Records’ Vault Package #62 Is Iggy And The Stooges ‘Raw Power – The 7-Inch Edition’
Thus Love’s “All Pleasure” Is The First Song They Wrote Together As A Quartet
Ra Ra Riot’s Mathieu Santos Returns With Long-Brewing Solo Album ‘Fan Fiction’
Nicholas Michaux’s “Peace Of Mind #2” Reflects On His Evolution As A Songwriter
Sleek Teeth’s Self-Titled EP Cultivates A Sense Of Mystery
Syd Silvair’s “Fugitive” Character Builds A New Self
The Fleshtones Return With ‘It’s Getting Late (…And More Songs About Werewolves)’
Badlands Releases Theater-Born Swedish Language Track “Ack E45”
‘The Best Of Ronnie Milsap’ Captures His Crossover Country Career On Vinyl
Solence Brings Sirens And Breaking The Fourth Wall To The Single + Video “Who You Gonna Call?”
Heriot’s ‘Opaline’ Accepts That Sometimes You Must Sit Alone With Your Truth
Better Noise Music Rolls Out Rocktober Plans And Special Releases
The White Buffalo’s Live Album ‘A Freight Train Through The Night’ Gets An Expanded Digital Edition With 14 Bonus Tracks Released Weekly
Song Premier: Domenic Cicala’s “Vamoose” Blends The Sour And The Sweet
Cathedral In Flames Names ‘Count To Nine’ After A Symbol Of Completion And Connection
Luna Honey Finds Inspiration In Creative Tension For ‘Bound’
Overheard’s ‘Intertwined’ Is An Indie Rock Diary
The Giraffes Return With ‘Cigarette’ For Our Age of Idiocy And Hope
Watch Kashus Culpepper’s Video For “Out Of My Mind” And Catch Him On Tour
Serj Tankian’s ‘Foundations’ EP Is A Multi-Decade Project Of Rebellion
The Collect Pond Takes ‘Lightbreaker’ On The Road This Autumn
“Chameleon” From Maris Conveys The Struggle To Adapt To A New Life
Imperial Age Returns With A New Home Base And New Line-Up For “Gnosis”
Post Hardcore Band Treasure Pains Formed Through Collaborative Writing Sessions In North Carolina
James Vincent McMorrow’s “Glu” Explores What Binds People Together
Duff McKagan Reveals A New Double Single Ahead Of Lighthouse Tour ’24
League of Distortion Take A “Chainsaw” To Injustice And Hypocrisy
Watch Mary Gauthier’s Italian Neorealist-Style Video For “Drag Queens In Limousines”
Frankie And The Witch Fingers Push Back Against Parasitic Noise With “Bonehead”
Brother Elsey’s “Wrong Things” May Lead To The Right Things
Hayla Ventures Further Into Solo Work With Debut Album ‘Dusk’
The Lookout’s “Hot Date” Is A Punk Take On A Sad Love Song
Ginny Luke Teams Up With Nili Brosh For Their Take On Deep Purple’s “Burn”
Abraham Alexander Finds A Personal Connection Covering “Where We Are” By The Lumineers
Amber Martin Collaborates With Jake Shears, Rufus Wainwright, And John Cameron Mitchell For ‘Unbreakable Heart’ Album
Crowjane’s “Gallows” Combines The Destructive Aspects Of Greed With A Medieval Mood
Pedro The Lion’s David Bazan & Lync Team Up For A Split 7 Inch Featuring The Track “B”
Mediocre’s “I Might Be Giant” Welcomes A Soothing Paradox
Solak’s “Different Timing” Navigates Different Frequencies
Song Premier: Helene Cronin’s “Copperhill” Highlights The Human Toll Of Environmental Destruction
Crippled Black Phoenix Celebrates 20 Years With A Double Album Of Reworked Originals And Covers
Two Trains Left’s ‘Probably For Nothing’ Tells A Coming-Of-Age Story
Adrian Sutherland & Rodrigo Massa’s “Don Politico (Politician Man)” Calls On Leaders To Govern For The People
Synth Punk Band Grey Factor’s Live Recordings From 1979-1980 Arrive In November
Ray Charles’ Tangerine Records To Release Five Of His Country Albums, Including One New Addition
Asking Alexandria’s Album ‘Where Do We Go From Here?’ Gets A Remix EP
Watch Death By Gong’s Live Session From Debut Album ‘Descalator’
Latvian Punk Band Have No Heroes Tackles An “Upside-Down World”
Veronica Everheart’s ‘Lighter In The Morning’ EP Is A Confluence Of Collaboration
JT Loux’s “Daisy” Is A Tribute To The Journey Thus Far
The Happys Collaborate With Sublime’s Eric Wilson For “She Found Love”
Midland’s ‘Barely Blue’ Is A Musical Journey Of The Heart
Ghost Hounds Team Up With Patty Griffin For A Cover Of Her Song “Long Ride Home”
Shimmy-Disc Expands With A Spoken Word Album Of Edgar Allan Poe’s Poetry Dedicated To Hal Willner
Ian Fisher’s “Independence Day” Shares Bittersweet Reflections On The Passing Of A Loved One
Theo Kandel’s ‘Eating & Drinking & Being In Love’ Is A Love Letter To Your 20s And Their Key Relationships
Watch Flames Of Durga Brave Water And Mud In Their Rocking Video For “Bicker”
Ohvaur’s “Altered Endings” Explores Life’s Haunting What Ifs
Des Rocs Collaborates With Underoath For New Version Of “In The Night” Alongside A Video By Mark Seliger
Sons Of Town Hall Pave The Way To Their Next Album With A Song-By-Song And Fiction-Based Podcast
Sophie Jamieson’s ‘I still want to share’ Reflects On The Cyclical Nature Of Loving And Losing
Signs Of The Swarm’s “Iwontletyoudie’ Reveals Some New Sonic Experiments
The Crown’s “Gone To Hell” Features Post-Punk Elements They Hope To Get Flack For
Josephine Network’s “Tall Buildings” Revels In The Anonymity Of Big City Life
L7 Hosts Mini-Festival ‘The Fast And Frightening Takeover’ In LA In November
William Harries Graham’s “On The Outside” Captures That In-Between State Before Moving On From A Relationship
Funeral’s ‘Gospel Of Bones’ Builds On Analog Strings And Brings Folk Elements To Doom Metal
Wolfbrigade’s “Ways To Die” Tracks Humankind’s Terrible Creativity
Run Into The Sun’s Dual Single “Victory/Light” Encompasses Both Trauma And Slaying Your Demons
A Burial At Sea & Peter Broderick Team Up For Slow-Burning “Boss Man Tony With His Big Heart”
Lenny Zenith’s “One Of Us Should Go” Faces Up To A Strained Relationship
R.E.M. Releases Digital Compilation ‘We Are Hope Despite The Times’ To Encourage Voter Registration
Chris Simpson Surprise-Releases Mountain Time Album ‘Dream Homes’
Sadie Campbell’s ‘Metamorphosis’ Explores Life’s Questions, Including A Reassessment Of Her Faith
Our Girl’s “What You Told Me” Relishes The Relief After A Struggle
Kim Beggs Shares An Ode To Lost Loved Ones With “Alive And Well In My Dreams”
‘Touch Of Chaos Vol. 1’ Delivers A Survey Of Indie Punk In Physical Formats
Chuck Ragan’s “Echo The Halls” Had A 15 Year Gestation
Palomino Blond’s “Left” Questions A Partner’s Intentions
The Roamers’ Self-Titled Debut Builds Stories By Blending Fact And Fiction
Alas De Liona’s ‘Gravity Of Gold’ Navigates The Workings Of The Mind And Heart
Gale Forces Leans Into A Heavier Sound For “Last Man Under The Moon” (b/w “Scabland”)
Casey Russell’s ‘Patience’ Is His Love Letter To Old School Soul And R&B
Catch Go Betty Go Playing Live From Their New ‘Black & Blue’ EP
Watch Turbokill’s Video For “Champion” Heralding Their New Album
Herb Alpert Covers Simple And Striking Favorite “Are You Lonesome Tonight?”
Ron Dante’s ‘Funhouse’ Comes To Limited Edition Vinyl Spanning His Time With The Archies And More
Whitechapel’s “A Visceral Retch” Poses A Terrifying Test Of Humanity
Tebey And Tenille Arts Duet On Canadian Collaboration “Hangover At My Place”
Joy Clark’s “One Step In The Right Direction” Counts Every Step As Progress
Manja’s “Wax & Feathers” Addresses The Times That We Fall
Wilder Woods’ Two Singles Previewing ‘Curioso’ Observe The Tension Between The Way We Wish The World Was, And The Way It is
Iotunn’s “Twilight” Is All About Energy And Atmosphere
Laibach’s ‘Opus Dei Revisited’ Honors Their 1987 Album With Two New Versions Of The Work
Gewalt’s “A Solar Storm Rages Above Us” Was Written To “Heal The World”
Emmet Cohen’s ‘Vibe Provider’ Channels The Spirit Of His Late Mentor Michael Funmi Ononaiye
Video Premier: Ashley E. Norton’s “Call Of The Void” Dances With A Dangerous Fascination
Watch Jinjer’s Video For Brutally Honest “Rogue” And Catch Them On Tour
KÁRYYN’s “Ground” Is A Missive On Female Liberation
Seafoam Walls React To Oppressive Tactics In The World With “Humanitarian Pt. II”
Hayley And The Crushers Say We Forget That We Can Still “Let Go” Of Smartphones
Temples Celebrate The 10th Anniversary Of ‘Sun Structures’ With ‘Other Structures’ EP & Tour
Andrew Gabbard Delivers Homemade Solo Album ‘Ramble & Rave On!’ In November
‘Our Ancestors Swam To Shore’ Collects Field Recordings Of Music From African Islands Of São Tomé and Príncipe
Blue Note’s Tone Poet Series Expands With The Modest Jazz Trio’s ‘Good Friday Blues’ And Jackie McLean’s ‘Let Freedom Ring’
Four Tet Teams Up With Ellie Goulding For “In My Dreams” Built Around Voice Memo Vocals
The Innocence Mission’s “This Thread Is A Green Street” Chases Transportive Qualities
The Backfires’ Video For “Dressed For A Funeral” Explores The Moment Before We Say “Hello”
Ian Gothe & Fernando Perdomo Bring 70s Prog Rock Band Camel Back Into The Limelight With Tribute Album
Theo Bleak’s “In My House” Expresses Love For Being Alone
Atlas Genius Builds A Recipe Of Lost Love, Guilt, Passion, And More For ‘End Of The Tunnel’
Watch Jovin Webb’s Video For “Save Me” Sharing His Life In Hometown Baton Rouge
The Crown Shook Things Up To Make ‘Crown Of Thorns’ And Took Inspiration From Their Hometown
Tyler Ramsey’s “Song Out Of My Head” Takes A Close Look At Recurring Thoughts And The Hope They Offer
Woody Platt’s ‘Far Away With You’ Pairs Traditional With Modern Bluegrass And Focuses On Collaboration
Ben Chapman Hopes ‘Downbeat’ Will Help The World Make Sense For A Little Bit
Enforced’s “A Leap Into The Dark” Faces Down The Unknown
Watch The Lumineers’ Video For “Sleep On The Floor” Live From Wrigley Field
Slash’s Music For ‘Halloween Horror Nights’ At Universal Studios Hollywood Is Available On Vinyl On Site From Now Until November 3rd
Pale Jay’s ‘Low End Love Songs’ Adds Latin Influences To His Soul Music Roots
Mercyful Fate’s Classic Album ‘Don’t Break The Oath’ Gets A 40th Anniversary Re-Release
‘The Future Is Not Bright’ From Arms & Hearts Is Personal, Political, And Optimistic
Trouser Press Releases Histories Of Both CBGB And The Marquee Club In October
Sum 41’s Deryk Whibley Launches An October Book Tour For Memoir ‘Walking Disaster: My Life Through Heaven And Hell’
Taylor Hollingsworth Delivers Another Dose Of Electric Folk With ‘Yahola’
Watch New Video From KK’s Priest For Title Track “The Sinner Rides Again” And Catch Them On Tour
The Devlins Reconnect With Past Selves For “Slipping Through Your Hands”
Fantastic Negrito’s ‘Son Of A Broken Man’ Delves Into Familial Lies And Building An Identity
Master Boot Record’s ‘Hardwarez’ Began As A Desktop Livestream To Youtube While Composing
People Years Share The Perspective Of Future Robot Overlords On Their New Album ‘The Last Cantina’
Susan O’Neill’s “Rewire” Is An Ode To Grief And Beginning Again
Alessandro Cortini Brings Sonic Art Installation ‘Nati Infiniti’ To Album Format And Tour
LaFrantz’s “Rattlesnake” Is For Those Moments You Want To Feel Like An Outlaw
Suburban Eyes’ Self-Titled Debut Brings Combined Indie Band Experience To A New Sound
Nick Hudson’s “Catherine In The Curate’s Garden” Overturns Martyrdom With Passion
Frencha’s “Grab That Chance” Corrects Course On Following Your Dreams
Wyatt Flores Writes About Home And A Search For Happiness With Debut Album ‘Welcome To The Plains’
Joe Geni’s “City Of Light” Finds Solace In Friendship
Walt Hamburger Expands Into A Full-Band Sound
Marion Raw’s “You Gotta” Admits The Messiness Of Love’s Journey
Liza Lo’s “What I Used To Do” Is A Little Letter To Yourself About Change
Join Pøltergeist In Their “Ethereal Nightmare”
Watch StrateJacket’s Video For Jangle Pop-Influenced “Dreamcatcher”
Jesse Daniel’s “Restless” Pushes Against The Comfort And Chokehold Of Habits
Prime Directive’s ‘The Fallout’ Blends Horror And Sci-Fi In A Dystopian Soundscape
Watch Johnny Delaware’s Animated Video For “Never Let Go”, A Story Of Long-Distance Lovers
Lara Ruggles Looks Back On A Decade Of Truths For ‘Anchor Me’
Wolf Brigade’s “Life Knife Death” Assesses Mankind’s Long History Of Bloodshed
Hamish Anderson’s ‘Electric’ Album Is A Love Letter To The Electric Guitar
Beth McKenzie “She’s Finally Lost It!” Brings Edgy Energy To A Story Of Music Industry Woes
Jennifer Castle’s “Lucky #8” Holds Some Truths About Striving For Greatness
Mothica’s ‘Kissing Death’ Turns The Grim Reaper Into A Scorned Love Interest
The dB’s 1982 Album ‘Repercussion’ Arrives On Vinyl For The First Time
Sawyer Fredericks’ & Cassandra Kubinski’s “Burn It Down” Makes Room For Reinvention
Iain Matthews Gets Band-Oriented And Collaborative For ‘How Much Is Enough’
Mr. Big’s Album And DVD ‘The Big Finish Live’ Captures Their Final Tour Via Their 2023 Budokan Performance
Yemen Blues Draws On African Tribal Music For Tribute “Only Love Remains”
Amy Speace’s “The American Dream” Reflects On What We Try To Get Back To
R.P. Mixon’s “Shades” Is A Psychedelic Country Love Song
Video Burnout’s ‘Shame Spirals’ Builds On Memories Of Disco Parties With Archaic Gear And Cinematic Instrumentals
Kyle McKearney’s “Alberta, Save My Soul” Raises Funds For Alberta Wildfire Relief
Steve Cropper’s ‘Friendlytown’ Features A Host Of High-Caliber Guests
Johnnie Taylor’s Stax Era Album ‘One Step From The Blues’ Returns In Multiple Formats
Watch Delta Sleep’s Video For “Figure In The Dark” Where Anxiety Reaches A Boiling Point
Minus The Bear’s Sophomore Album, ‘Menos El Osos’ Returns On Yuletide Colored Vinyl
Sierra Hull Makes Her Version Of “Mad World” An Official Release
The Harlem Gospel Travelers Investigate Gospel-Funk Traditions For ‘Rhapsody’
‘Sk8face’ Documentary Tracks The Evolution Of Skateboard Art
Iotunn’s Second Album ‘Kinship’ Takes A Close Look At Human Nature Through A Primeval Lens
George Alley’s “Summer Trophies” Is An End Of Summer Song
The Dandy Warhols Will Celebrate 30 Years In December With Several Shows And Parties
Thunder Jackson’s “Hello Stranger” Celebrates Finding Yourself Again
Anya Marina’s “Waiting For A Difference” Pits Hope Against An Uncertain Outcome
Go Betty Go’s ‘Black & Blue’ EP Is Full Of Grit And Determination
St. Lenox Raises Questions About The Definition Of Success With ‘Ten Modern American Work Songs’
Pulp Guitarist Mark Webber Compiles Personal Band History Tome ‘I’m With Pulp, Are You?’
Cliff Beach Embraces His Funk Roots For ‘Beach Please’
Eihwar’s Debut Album ‘Viking War Trance’ Takes Scandinavian Elements To The Techo Dance Floor
Oceans Of Slumber’s “The Given Dream” Was Inspired By The Stabbing Synth Lines Of Dystopian Film Soundtracks
Watch Alli Walker Give An Onstage Bagpipe Lesson To Shania Twain
College Band Crash Harmony Reunites Over 30 Years Later For Album ‘No One Asked For This’
Mary Elle’s “Movie Ticket” Grows From Grief Towards Finding Yourself
Dead Rabbitts Team Up With Atilla’s Fronzilla For “Oxygen”, A Track That Pushes Back Against The Pressures Of Life
Jack Barksdale’s “Freakshow” Turns The Tables On Ostracizing Others
Tay Bronson’s ‘Bad Apple’ Doesn’t Take Itself Too Seriously
Tony Levin’s ‘Bringing It Down To The Bass’ Album Is An Autobiography Of Sorts
Song Premier: Heather Pierson’s “Gutter” Ascends From The Shadows
Little Steven’s Underground Garage Will Host ‘Asbury A Go-Go’ Afterparty For The Sea.Hear.Now Festival
Eureka Shoes Started As A Friendly Workshop And Resulted In ‘Beautalina’
Family Dinner’s ‘God Looks Out For Fools’ Captures A Beach Party Vibe
Molly Murphy’s “Thin Glass” Brings Together Irish Traditions And Modern Influences
Darrell Scott Launches ‘New Moon New Music’ Video Series
Distant Cousins Craft EP ‘Out Of The Darkness’ To Focus On Healing In The Jewish Community
Must Be Wrong’s “Words Untold” Was Built DIY With Mixing And Mastering At Jason Livermore’s Blasting Room
Craig Robertson’s ‘Running The Other Way’ Covers Personal Territory Against The Backdrop Of A Canadian Landscape
Lesibu Grand’s “Oh Erica…” Was Written For A Fearless Friend
Rakish Were Inspired by James Joyce And Celtic Electronica For ‘Now, O Now’ Album
Chuck Ragan’s “Wild In Our Ways” Is An Anthem For The Underdog
Kelley Mickwee’s Solo Return ‘Everything Beautiful’ Sounds Like A Girl From Memphis
Kyle McKearney’s “Wedding Day” Captures The Tension Of Love Lost
Decibel Books Will Publish ‘Into Everlasting Fire: The Official History Of Immolation’ In November
The band LIVE Kicks Off Their Tour With Stone Temple Pilots By Releasing New Track “Lady Bhang (She Got Me Rollin’)”
Mike Stern’s ‘Echoes And Other Songs’ Marks His Comeback After Nerve Damage
“The Darkest Mountain” From Psychic Lines Preserves A Vision Of A Brighter Future
Lyrics Born’s Celebratory Final Album ‘Goodbye, Sticky Rice’ Will Arrive In October
Schande’s “Palimpsest” Finds Room For One’s Own Improvement
Nubya Garcia’s “Set It Free” Featuring Richie Lets Go To Embrace Confidence
Hattie Webb’s ‘Shakespeare’s Shores” Turns The Corner On Loss
Two More Chapters Of Jimmy Eat World’s ‘Phoenix Sessions’ Arrive On Vinyl This Fall
Russell Dickerson’s ‘Bones The EP’ Focuses On The Many Forms Of Love In One’s Life
Violent Femmes Celebrate 40 Years Of Existential Album ‘Hallowed Ground’ With Vinyl Reissue
The Lumineers’ First Live Album, ‘Live From Wrigley Field’, Captures The Brightside World Tour And Lands In September
Steve Dawson’s “Leadville” Chronicles A Devastated American Landscape
Signs Of The Swarm Reveal A Live Performance Of Their Current Tour Opener “Amongst The Low & Empty”
Christoph Dallach Interviews Key Artists For ‘Neu Klang: The Definitive History Of Krautrock’
Sam Phillips’ Album ‘A Boot And A Shoe’ Arrives On Vinyl For 20th Anniversary, Including ‘Gilmore Girls’ Favorites
All Hope Remains Mines A Well Kept Secret For “Standing By”
The Lao Tizer Band’s “The Labyrinth” Encompasses A Myriad Of Moods
Cemetery Skyline’s Video For “Torn Away” Captures Their First Live Performance As A Band
The Intima’s 2002 Album ‘Peril And Panic’ Returns Remixed And Remastered
Mike Peters + The Alarm’s ‘Music Television’ Album Takes On New Meaning For Peters During His Cancer Battle
Matt Costa’s Visual And Musical Project ‘Explorations Of Sight And Sound’ Takes Us On The Road In Sardinia
Song + Video Premier: Neale Eckstein’s “Stormchaser” Finds Inspiration In The Eye Of A Storm
Godsmack’s ‘Faceless’ Comes To Double Vinyl For The First Time
Futurebirds Are Inspired By Change For “Movin’ On”
Ian Fisher Shares “The Face Of Losing” To Bring Comfort In The Midst Of Loss
Friedberg’s ‘Hardcore Workout Queen’ Is Made For Long Drives With Close Friends
Michael Hearst Rounds Up A Host Of Talent To Record ’80 From The 80s’ Celebrating The Decade’s Music
Watch St. Vincent’s Current Band Perform “Reckless” For The First Time
Joanne Shaw Taylor Teams Up With Sav Madigan For “Hold Of My Heart”, A Track About Confessing Feelings For A Close Friend
Ocie Elliott Pay Homage To Inspirational Musicians With “Adelina”
Heilung Releases Video Of Their Full Red Rocks Performance Captured On Their Album ‘Lifa Iotungard’
Jessie Wagner’s “I Just Can’t Today” Is About Allowing Yourself Some Grace
Watch Amos Lee’s Stripped Down Performance Video For “Carry You On”
Mercury Rev’s “A Bird Of No Address” Meditates On Loss And Survival
The Old Ceremony’s ‘Earthbound’ Delivers Wide-Ranging Literate Folk Rock
Patrick Hardy’s ‘tiny’ Reflects On Loss And Growing Away From Friends
Cloud Cult’s ‘Alchemy Creek’ Journeys Into A Psychological Wilderness
Teddy And The Rough Riders Recall A “Catfish Summer” That Took Them By Surprise
Fruition’s “Scars” Explores Badges Of Honor And Scarlet Letters That We Carry
Joy Clark’s “Lesson” Looks Back On A Beloved Grandmother’s Wisdom
The Crane Wives Return With “Scars”, Highlighting The Need To Process Trauma
Jazz Dispensary’s Top Shelf Series Expands With Opa’s 1976 Fusion Album ‘Goldenwings’
Song Premier: New Earth Farmers Diagnose Causes And Offer Solutions For A “War Inside Our Hearts”
Pøltergeist’s ‘Nachtmusik’ Is Post-Punk With Heavy Metal Grit
Mirrors On The Moon Offer Double Single “Wild Love/California” Kicking Off With A Summer Roadtrip
Kanak’s “Crash” Song + Video Brings Punk And Psychedelia To Internal Struggles
Song Premier: Joshua Josué’s “She Is Guadalajara” Introduces Audiences To An Eternal Love
Emily Frembgen’s “Are You Listening?” Reaches Out To The Good Things And Good People In One’s Life
Norna’s “Shadow Works” Hails From The Deepest Darkness That We All Pass Through
Preview Dan Tyminski’s ‘Live From The Ryman’ Album And Catch Him On Tour
Nytt Land Covers Slipknot’s “Wait And Bleed” With Traditional Siberian Throatsinging And Instrumentation
The Chesterfield Kings’ New Album ‘We’re Still All The Same’ Revolves Around A Social Statement
The Down Hill Strugglers’ First Full Album Of Originals, ‘Old Juniper’ Brings Modern Life To Traditional Sounds
Watch Vipassi’s Live Studio Playthrough Of “Phainesthai” From Their Exploration Of Light And Shadow, ‘Lightless’
Fiji Blue’s “Peppermint” Celebrates A Love That Feels Effortless
Foreign Fields Make Time For Self-Compassion With “A Little Longer”
Herb Alpert Commemorates His Major Anniversary In Music With Album ’50’
David Shaw’s “Take A Look Inside” Is A Snapshot Of Life
Watch Wayne Graham’s Animated Video For “I Had Plans” Where Dreams Meet A Cruel World
Old Cross Faces The Existential And The Ominous For “The Attic”
Lee DeWyze’s Album ‘Gone For Days’ Tells Each Song’s Individual Story
The Funeral Portrait’s ‘Greetings From Suffocate City’ Blends The Holy And Unholy
Chris Gostling’s “Bleed” Is About Realizing You Have A Connection
Nadjiwan’s ‘The Mission’ Captures The Landscape Of New Mexico
Lacuna Coil Teams Up With Lamb Of God’s Randy Blythe For “Hosting The Shadow”
Moondaddy’s ‘Lightwave Lightwave’ EP Was Recorded Analog At Sonic Ranch
Jinjer’s “Someone’s Daughter” Reflects On The Inner World Of Women Throughout History
Gab De La Vega’s iPhone-Shot Video For “Adrenaline Rush” Captures The Immediacy Of Touring
The Spiritual Machines Say We Should Listen Twice As Much As We Speak With “You Can’t Hear Me”
Watch Cascade Riot’s “Exit 55” Video Debuting Their Heavier Sound
Tycho Illustrates The Struggle To Stay Connected To Nature With Two Contrasting Songs
Caribou’s “Volume” Channels Landmark UK Dance Music
Zebedee’s “Fast Edee” Character Pursues Hedonism In New York
Mediocre’s “Fun Time Fix (We Go Go)” Finds Beauty In The Midst Of Growing Pains
Serj Tankian Releases “Justice Will Shine On” Written In The Early Days Of System Of A Down
Davis Gestiehr’s “High” Finds A Way To Face Reality
Sun Atoms Release A New 7 Inch Double-Single With Celestial Musings
Muri’s “Rêve-Toi” Breaks Free Of Illusions
Plàsi’s ‘Salamina’ Expands Pace And Power
The Damnwells Praise A City And A Complex Love Interest Who’s “Pretty As Pittsburgh”
Kerretta Takes Geological Formations As Inspiration For ‘Angelm’
Moon Kissed’s ‘Cycles’ May Help You Make A Key Decision
‘Whiplash’ Marks bôa’s First Album In 20 Years
Nancy Sinatra’s ‘Nancy In London’ Returns In Multiple Formats
Oceans Of Slumber Covers “Wicked Game” As The End-Credits Score To Their Album
The Collect Pond’s “Disassociating (Cigarette Dress)” Is About Quiet Quitting At Work
Patrick Davis Praises A Dear Friend In Life Via “Red Wine (Your Way Through It)”
Lost In Society’s “Pascal And Sabine” Pairs A Local Restaurant With The Story Of A Relationship
Big B’s ‘Wellness Check’ Expresses His New Lease On Life
Ben Sollee’s “One More Day” Is A Tiny Anthem To Persistence
Reba McEntire’s “I Can’t” Seeks Higher Ground And New Beginnings
JakoJako’s “Introspektion” Is The Perfect Soundtrack For A Moment Of Self-Reflection
RXGhost’s “Candles” Says “Let’s Do Something Interesting” With Our Lives
Watch Ferry Townes’ Video For “Times Two” Rejoicing In Being A Party Of One
Metal Band Satan’s ‘Songs In Crimson’ Album Touches On Anti-Capitalist Themes
Kato Hideki & Kramer Join Ambient Forces For ‘The Walk’
Ad Infinitum’s “My Halo” Swims In Darker Waters
Drew Holcomb & The Neighbors Channel Classic Heartbreak For “Burn”
Vanessa Collier’s “Wild As A Rainstorm” Is A Letter To The Next Generation
Rockers Galore’s “Blood In The Sand” Commemorates Resistance
Billy Morrison & Mark Weiss Team Up For Rocking Fine Art + Photo Exhibition “A Moment In Time” In LA
Jane’s Addiction Brings Original Line-Up To New Single “Imminent Redemption”
Stephen Jacques Gathers Alt-Rock Love Songs For Steve Albini-Engineered ‘Prayers For An Orange Cat’
Steve Louw’s Double Album ‘Between Time’ Explores Timeless Feelings
“Blood And Treasure” From Hayley And The Crushers Celebrates Irreplaceable Love
Lisa Morales Pays Tribute To Her Sister And Musical Partner With “Hermanitas In The Rain”
Musicians Share Formative Experiences For New Book ‘Down On The Corner: Adventures In Busking And Street Music’
Watch Twisted Pine’s Video For “Goosebump Feeling” About The Thrill Of Change
Christian Sands Invites Us To Group Therapy For Loss With ‘Embracing Dawn’
Sweet’s Final Studio Album, ‘Full Circle’, Arrives In September
Love Has An Enduring Presence In Veronica Lewis’ Single + Video “Against The World”
Change Of Heart’s Original Band, Dark Heart, Are Back With New Album ‘Out Of The Shadows’
Rae Isla’s ‘New Frontier’ Is A Search That Leads Inside
Song Premier: Carolyn Shulman’s “Little Reprieve” Shakes Off A Mountain Of Mishaps To Find Peace Of Mind
Oruã’s “Caboclo” Is A Tale Of Survival
Show Review + Photo Gallery: Sebastian Bach Rattles The Walls At The Majestic Ventura Theater
Palehound’s ‘Live At First Congregational Church’ Album Features Songs From ‘Eye On The Bat’ And Other Classics
Holy Roller Baby’s “Girl From The East Side” Was Inspired By A Macabre Reputation
ZZ Ward’s “Mother” Takes Her Back To Her Blues Roots
Watch Save Ferris’ Spooky Video For “Lights Out In The Reptile House”
Cereus Bright Engages With The Mythological And Otherworldly For ‘Anything’
David Kushner’s ‘The Dichotomy’ Is A Meditation On Human Struggles
Rivers Of Nihil’s Instrumental Version Of ‘The Work’ Further Explores Their Unique Sound World
Blind Boys Of Alabama, Bobby Rush, Dom Flemons, And More Team Up For Traditional Track “99 1/2 Won’t Do”
Weird Al Yankovic’s “Polkamania!” Mashes Up A Whole New Raft Of Ubiquitous Songs Alongside An Animated Video
Armored Saint Will Reissue ‘Revelation’ And ‘La Razza’ On Vinyl In August
The Backfires Pay Tribute To New York Nightlife With “Brighter Lights”
Two Trains Left’s “Sail Away” Featuring Chunk! No Captain Chunk! Is An Anthem Of Growth
Lisa Loeb & The Hollow Trees Collaborate On Era-Spanning All-Ages Album ‘That’s What It’s All About’
“Among Tumbleweeds” From Goodnight Texas Contemplates A Planet That Is Not Ours To Destroy
We Are Wolves Bring Dystopian Dance-Rock To “Súper Normal”
The Devlins Return With ‘All The Days’ To Navigate Human Connection
Soul Asylum Teases New Album ‘Slowly But Shirley’ With “High Road” Single
Kill Rock Stars Will Reissue Mary Gauthier’s ‘Drag Queens In Limosines’ On Vinyl For Its 25th Anniversary
Song + Video Premier: Forty Feet Tall’s “Isochronism” Is Intriguingly Sinister And Energetic
Watch Beauty In Chaos’ Darkwave Video For “Holy Ground” Featuring Patrik Mata Of Kommunity FK
Rodeo Radio’s Latest Single Has A Long Title But A Serious Message About Sacrifice
Pale Jay’s “The Garden” Preserves The Inner Sanctuary Of Music
Interview + Video Premier: Leslie Mendelson’s “Rock And Roll On The Radio” Is A State Of Mind
Spooky Mansion’s “Saturdays” Celebrates Time With Those We Love
Strange Hotels Showcase Their Multi-Faceted Electronica With ‘Hideout In The District’ Debut LP
Jr. Juggernaut Is Ready To Make ‘Another Big Explosion’
Noa Jamir’s ‘Cicada’ Emerges From Underground Into New Life
Jerry Phillips Goes Solo With ‘For The Universe’
Song Premier: “Anymore” From Emily Hicks Learns To Let Go While Holding Onto Connection
Unearth’s EP ‘Bask In The Blood Of Our Demons’ Combines Unreleased Tracks And Live Performances
311 Reissues ‘Grassroots’ For Its 30th Anniversary And Includes Five Bonus Tracks
Happy Landing’s Debut Album ‘Golden’ Is A Purely Homemade Project
Wicked Cool Records Reissues Palmyra Delran’s Debut ‘You Are What You Absorb’ On Turtle Green Vinyl
Sonny Gullage’s “Things I Can’t Control” Focuses On What We Can Change
Marianas Trench’s “I’m Not Getting Better” Addresses The Fear That Stands In The Way Of Adventure
The Gaslight Anthem Releases An Expanded Edition Of ‘History Books’ And A Vinyl 7 Inch Of Their ‘History Books – Short Stories’ EP
Tristan Eckerson’s ‘Purple Decades: Fraction Of Centuries’ Is An Invitation To Slow Down
Watch Bewitcher’s Tour-Capturing Live Video For “Out Against The Law”
Young The Giant Releases “Metropolis” From Their Archives To Commemorate 10 Years Of ‘Mind Over Matter’
Larkin Poe’s “Bluephoria” Video Was Fittingly Recorded At Third Man Records’ The Blue Room
Watch Leatherwolf’s In-Your-Face Performance Video For “Nobody”
Alison Brown’s Grammy-Nominated Debut Album ‘Simple Pleasures’ Returns In Multiple Formats
Thunder Jackson’s “Spoonfed Desire” Embraces A Stranger In The Self
Interview: Family Roots Run Deep On Helen Rose’s ‘Rugged Elegance’
Noa Zimmerman’s “Empty And Divine” Releases The Path Of Most Resistance
Earthburner’s ‘Permanent Dawn’ Was Recorded In Both Digital And Analog Versions
King Thief Teases Debut Album With “Gymposter Syndrome”
For ‘The Set’, Jerry Douglas Blends New Songs With New Takes From His Catalog
Glassfield’s ‘Leave A Light On’ Journeys Through Loss And Anger To Hope
David Luning’s “Lessons” Resurfaces To Find Completion
1349’s ‘The Wolf And The King’ Draws On An Alchemical Image Of Rebirth
Chrystabell & David Lynch’s “The Answers To The Questions” Gets An Animated Video By Lynch
We Are Scorpio Teams Up With Militia Vox For “Scorpio” From Their Debut Album
Divine Sweater’s ‘A Time For Everything’ Rides A Wave Of Inevitability
Song Premier: The Pinkerton Raid’s “If A Tree Fell” Delivers A Little Slice Of Paradise
Stream Black Lava’s ‘The Savage Winds To Wisdom’ In Full Before Friday’s Release
Chaser Steers Their Own Ship Towards ‘Small Victories’
Watch Lord Of The Lost Perform “Herz An Herz” + “The Look” Live Alongside Blümchen
Robyn Hitchcock’s 1967 Memoir Will Have An Accompanying Album: ‘Vacations In The Past’
Parlor Greens Serve Up Organ Combo Debut LP ‘In Green / We Dream’
Category 7’s “Mousetrap” Critiques A Corrupt Justice System
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