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As For The Future Is Inspired By Brazilian Music To Create In Hybrid Genres
Chris Smither Gives A Folk Blues Treatment To Tom Petty’s “Time To Move On”
America’s Gerry Beckley Contemplates The Impact Of A Touring Life With “Well Worn Shoes”
Mick Harvey’s ‘Five Ways To Say Goodbye’ Mutates Songs To Blend With Originals
Jack Manley’s “Save Your Own” Prioritizes Wellness
Ann Savoy’s “Cajun Love Song” Celebrates A Mysterious Man
Third Man’s Vault Package #60 Features Live Recordings From Third Man Venues
Freedom Call Will Celebrate 25 Years With Imaginative ‘Silver Romance’ Album
The Offspring Welcomes The Vandals’ Warren Fitzgerald On Podcast Season Finale
Mono’s ‘Oath’ Album Ponders How To Make The Most Of Our Time In Life
Dolly Dagger’s “Tower” Takes A Stand In Epic Style
Watch Edge Of Paradise’s Video For “Rogue (Aim For The Kill)”
Babylon A.D. Follows Live Album With ‘Rome Wasn’t Built In A Day’
Left Circles Offers An Antidote To Self-Defeat With “Bleed It Out”
Melissa Aldana’s ‘Echoes Of The Inner Prophet’ Charts An Inner Journey
Black Lava’s Second Album ‘The Savage Winds To Wisdom’ Is Heavier And More Atmospheric
The Mysterines Show The Brutal Side Of Real Love With “Sink Ya Teeth”
Christian McBride & Edgar Meyer’s Bass-Driven ‘But Who’s Gonna Play The Melody?’ Arrives On Vinyl For RSD
Idaho Returns With High Desert-Influenced Album ‘Lapse’
Ingested Embraces Risk With “Endless Machine”
Mainstream Songs Get The Heavy Treatment For ‘Hot N’ Heavy Vol. 1′
“One Way” Gives A Glimpse Of Michael Hutchence’s Unreleased Music
Blue Lab Beats Collaborates With Jay Prince And IDK On “Say Wow”
Powerwolf’s ‘Wake Up The Wicked’ Will Arrive Just Before Their First Full North American Tour
Milan McAlevey’s “Don’t Push A Man” Reflects On The Karmic Wheel
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