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Maya Delilah’s “Silver Lining” Admits Contradictions In Love
Joan Osborne Takes On Life’s Major Questions With ‘Nobody Owns You’
Femke’s Debut EP ‘Safe In The Suburbs’ Hints At Alienation Behind Mowed Lawns
The ‘Alexithymia’ EP From Collin Clowes Is A Postcard From A Place Of Disconnection
Julia Pratt & Mt. Joy Duet On Ode To Heartbreak “A Little Love”
Natalie Price’s “Superstitious” Tackles At Least One Source Of Anxiety In Our Lives
Yueku Gets More Collaborative For ‘Little Less Noise’ EP
Kim Moberg’s ‘The Seven Fires Prophecy: Suite For Humanity’ Pays Homage To An Anishinaabe Legend
Video Premier: Scott Sean White’s “Pulling Weeds” Assesses The Overgrowth In Our Lives
Jerome Forde Talks Songwriting Traditions And Self-Recording His Debut Album
Video Premier: Dean Mueller’s “Life Ain’t All Roses” Is A Generational Heart-To-Heart Conversation
Citizen Cope’s ‘The Victory March’ Addresses Disconnection
Dennis Ellsworth’s “Pressure” Recommends Love And Compassion As An Antidote
Lydia Luce Seeks True Acceptance For ‘Florida Girl’
Jerry Joseph Focuses On Simplicity For ‘Baby, You’re The Man Who Would Be King’
Cayo Coco’s “Gently, Dreamer” Details The Journey Within
Ora Cogan Is Inspired By Tales Of Difficult Love For “Dyed”
Jonah Kagen’s “The Roads” Looks At A Transitional Moment
Jonah Tolchin Delves Into Blues Territory For His ‘Dockside’ Album
Ariel Posen’s ‘Reasons Why’ Looks Into Why We Do The Things We Do
Palehound’s “Independence Day” Navigates Newfound Clarity
Madds Buckley’s “My Love Is Sick” Explores The Ugly Sides Of Love
Malcolm Holcombe Recorded ‘Bits & Pieces’ After A Cancer Diagnosis And Releases It Now As A Survivor
Jess Kallen’s “Oolong” Celebrates Emotional Growth
David Borné’s “Disembodied Voices” Lets Go Of Fear
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