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Philly Music Fest Returns For Six Nights In October Featuring Low Cut Connie, Mannequin Pussy, And Many More
Organist Ronnie Foster Returns To Blue Note With ‘Reboot’
The Michael Boguski Trio’s ‘A Newer Morning (For John)’ Reimagines Suede Album As Jazz For Charity
Joy On Fire’s “Selfies” Critiques Social Media, Gets A Fractured Video
Art Rock Critiques Feudalism In Purple Witch Of Culver’s “Themes From The Servant’s Hall”
Listen To Jazz Saxophonist Donny McCaslin’s “Blinded” Featuring Ani DiFranco
Omnivore To Reissue Bobby Cole’s 1967 Jazz Album ‘A Point Of View’
Lady Blackbird’s ‘Black Acid Soul’ Arrives On CD And Vinyl
The Royal Arctic Institute’s John Leon Talks Channeling Joy On ‘From Catnap To Coma’ EP
The Bogie Band Featuring Joe Russo Observes The Humanity Of New York With New LP
Youn Sun Nah Puts Her “True Self On Record” With ‘Waking World’
Delvon Lamarr Organ Trio Says “Don’t Worry ‘Bout What I Do”
Soundtrack For Martin Shore’s ‘Take Me To The River: New Orleans’ Documentary Set For April Release
Curtis Stigers Puts A Jazz Spin On His Repertoire With ‘This Life’ Collection
Blue Lab Beats Signs With Blue Note For ‘Motherland Journey’
Makaya McCraven Remixes Blue Note Classics In ‘Deciphering The Message’
Jaga Jazzist Announces ‘Pyramid Remix’ And “Sci-Fi Livestream” Event
Tom Rodwell’s ‘Wood & Waste’ Recorded Entirely Analog On The Who’s Old Neve Console
Juliana Riccardi’s Live EP Asks: Do You Have A ‘Full Cup’?
Omnivore RSD Releases Will Include Jazz By Art Pepper And Roots Reggae From The Gladiators
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