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We Are Scientists Bring Dual Albums ‘Huffy’ And ‘Lobes’ To North American Audiences In November & December
Wajatta Dances The Summer Out With EP ‘Waiting For the Get Down’
New Collection Delivers Treasures Of Peruvian Disco From 1978 – 1989
Telly’s “Blink” Resists FOMO And Digital Overload
Neil Frances Gets Collaborative For ‘It’s All A Bit Fuzzy’ Tracks
Le Couleur’s “Autobahn” Chases Thrills
Black Market Brass Heads Into Sci-Fi Sounds With ‘Hox’
Cooly G. Remixes Badlands Track “Bury You Whole”
Serhat Durmus Seeks Universal Common Melodies For ‘Red Lies’
La Sécurité’s “Serpent” Is An Ode To A Complicated Friendship
The Tongue Of Eden Blends Metal And Synth Melodies For “Reprehensible”
Jape Joins Badlands Remix Project, Taking On “My Time Will Come Again”
The Blessed Madonna’s “Shades Of Love” Is About What We All Have In Common
The Blessed Madonna Delivers “Seratonin Moonbeams” With A Club-Capturing Video
For Badlands, Relationships And Music Are Intuitive: Catharina Jaunviksna On ‘Call To Love’
No Cosmos Explores Electronica And Jazz For “Almost Lost You”
Naut’s “Unity Of Opposites” Was Inspired By The Writings Of Heraclitus
DJ Karaba Brings Her Culture, Dance, And Club Experiences To ‘Délivrance’
Join Helen Ganya For “Afterparty”
Gemini Parks Combines Loner And Party Vibes For “Up All Night”
Hercules & Love Affair Tackle “Dissociation” And The Distortion Of Self
Video Premier: Rachel Garlin’s “To Be” Expands Into An “Artventure” In Song And Dance
Datarock’s Frederik Saroea Teams With Norwegian String Quartet BIT20 For “Bergheim”
Jogïr Turns Quarter-Life Crisis Into Synth-Pop Album ‘Neon’
Garage Nation And DeeVu Records Launch Garage Nation Records
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