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‘Light In The Attic & Friends’ Gathers 20 Tracks From Their ‘Covers Series’ For Record Store Day
Young The Giant’s ‘Live Across America ’23’ Spans Albums And Venues
‘Highlights Of Existence’ Title Track From Gale Forces Insists On Our Primary Need For Connection
The Maine’s ‘Can’t Stop Won’t Stop’ Gets A 15th Anniversary Vinyl Reissue
Scott Fisher’s ‘Kingdom of Ego’ Tracks American Rugged Individualism Gone Awry
Mellt’s ‘Eternal Embers’ Cycles Through Growth, Decay, And Rebirth
Check Into Broadside’s ‘Hotel Bleu’ And Be Part Of The Story
Sky Lions Create An Open Letter About Struggle With ‘Inside The Circle’
Barenaked Ladies Bring Joy To Upcoming Album ‘In Flight’
OMD’s ‘Bauhaus Staircase’ Is Their Most Explicitly Political Record
Tex Crick Ponders The Plight Of “Easy Keepers”
Aussie Dan Sultan Follows Self-Titled Album With US & Canada Tour
The Sleeping Breaks 13 Year Silence With Post-Punk Influenced Album ‘I Feel Like I’m Becoming A Ghost’
Fred Abong’s ‘Fear Pageant’ Combines Mystery, Romance, And Dread
Los Discorde’s “El Mar” Praises Those Who Bring Us Tranquility
Manja’s “Last Night’s Kiss” Explores A Reality Where They Take More Risks
The Sleeping’s “Tainted” Tells The Story Of A Revolution To Preserve Sanity
Charming Liars Convey Dread Of The Modern Machine In “Black Cage”
Tash Sultana’s “Bitter Lovers” Featuring BJ The Chicago Kid Sets Boundaries
Jr. Thomas & Cutlass Cream Team Up For “Reflections”
Guided By Voices Celebrates 40 Years With 2-Night Event Following ‘Welshpool Frillies’ Release
Birthh Captures First Lovestruck Moments For “Jello”
Junip Shares A New Version Of “Line Of Fire” Featuring Sharon Van Etten
Zac Farro’s Halfnoise Project Gives Us A Taste Of Summer With “Baby”
The Great Crusades’ Brian Krumm Goes Solo With His Barfly Friends For ‘Just Fade Away’
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