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Borknagar’s ‘Fall’ Will Celebrate Boundary-Pushing
Amon Amarth Faces Off Against Several Members Of Saxon For “Saxons And Vikings” Track + Video
XII Thorns Crafts An Eerie Narrative In Old Dutch With “De Kelderbode”
Atreyu Explores Anxiety, Depression, Self-Belief, And Identity To Find ‘The Beautiful Dark Of Life’
Exit Eden Brings Symphonic Metal To Journey’s “Separate Ways”
Foscor Returns With “Solitud”, A Brand New Chant From The Past
Vitriol’s “Weaponized Loss” Reconsiders Suffering As Preparation For Survival
Ryujin’s “Gekokujo” Is Japanese Metal Folk Horror
Merrimack’s ‘Of Grace And Gravity’ Seeks A More Primitive Form
Helfró Introduces Introspective Themes With ‘Tálgröf’
Gloryhammer Celebrates Their Cover Of Classic Cheap Trick Track “Mighty Wings” With Wide Release
Metal Trio Imperial Triumphant Covers Wayne Shorter’s “Nefertiti”
Interview: Grave Domain’s Shel Plock Guides Us Through The Underworld
Watch Temic’s Iceland-Set Video For “Through The Sands Of Time”
Necrowretch’s ‘Swords Of Dajjal’ Focuses On A Mysterious Doom-Bringer
TÝR Announces ‘Battle Ballads’ North American Headlining Tour For 2024
Watch Kill The Thrill’s Near-Apocalyptic Video For “Autophagie”
Olathia’s ‘The Forest Witch’ Traverses Both Battles And Good Times
Many Eyes Tackles Trauma Head-On With “Mystic Cord”
Gost’s ‘Prophecy’ Imagines The Fall Of Western Civilization
Slayer’s ‘No Mercy’ Gets Two 40th Anniversary Re-Releases
Whitechapel Announces ‘Live In The Valley’ Album Recorded At Their 2022 Christmas Benefit Show
Atreyu’s ‘The Beautiful Dark Of Life’ Steps Back To Look At The Whole Picture
Helga Shares Their Struggle To Feel “Alive Again”
Insomnium’s ‘Songs Of The Dusk’ EP Offers An Alternate Ending To ‘Anno: 1696’
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