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‘Motion And Picture’ From Miirrors Takes Us From Disillusionment To Hope
Charlie & Margot’s “Lonely” Adjusts Self-Perception
SCI’s Bill & Jilian Nershi Unveil A Spring Trio Tour
Ottto Gets Out Of Their Comfort Zone For Full-Length Album ‘Life Is A Game’
Lauren Morrow Gets Whimsical For The “Only Nice When I’m High” Video
Elliot Smith’s “Pretty (Ugly Before)” Gets A 20th Anniversary Vinyl Edition
Ponder The Idea Of ‘Leisure’ With Daydream Review
The Heavy Hours’ Self-Titled Album Is “Purely For You”
Dave Hause Faces A New World With ‘Drive It Like It’s Stolen’
Doug Levitt’s ‘Edge Of Everywhere’ Documents 120,000 Miles Of Greyhound Bus Travel
Maps Developed ‘Counter Melodies’ Through DJ Sessions
Genevieve Artadi’s “Visionary” Expresses Gratitude
Alo Rocks Their Silver Anniversary With ‘Silver Saturdays’
Ron Gallo’s “At Least I’m Dancing” Places Action Above Apathy
For Amber Run, Those Who Value Relationships Are “The Beautiful Victorious”
a-ha’s 1985 Debut ‘Hunting High And Low’ Gets A 6LP Box Set
Matt Corby’s “Reelin’” Reflects On The Need For Communication And Compromise In Long-Term Relationships
Hoogenboom’s “Damn Good” Celebrates Finding Self Confidence
“Disappear” With Elly Kace Ahead Of ‘Object Permanence’
Ryan Hamilton Finds That He’s Still ‘Haunted By The Holy Ghost’
Caye Opens “A Door” To Peace By Slowing Down
Mrs. Henry Delivers Act II Of Their Rock Opera ‘Keep On Rising’
The Veils Return With Double Album ‘…And Out Of The Void Came Love’
No Hay Banda’s Debut Album Features Experimental Chamber Music
Kevin Morby’s ‘City Music’ Gets A 5th Anniversary Edition On Pink Vinyl
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