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Kurt Baker Captures A Maritime Feel For 7 Inch Vinyl “Anchors Up” B/W “Sweet Alice”
Junip Shares A New Version Of “Line Of Fire” Featuring Sharon Van Etten
Roxx Revolt & The Velvets Bring The Classic And The Modern To ‘Turn Your Head This Way’
Tempt’s “Roses” Pays Tribute To Those Who Uplift Us
Greensky Bluegrass Reveals Emotive B-Side Track “Congratulations & Condolences”
Silence & Light’s “Purple” Pays Tribute To Artists Gone Too Soon
Whitehall Talks Creating A Dreamy Rock Atmosphere For New Album ‘Maizy’
Ani Cordero Creates An Album Of “Radical Love” With Multi-Lingual Elements
Zac Farro’s Halfnoise Project Gives Us A Taste Of Summer With “Baby”
Romes Takes Aim At 90’s Grunge And Alt-Rock Nostalgia With “Choker”, Their Heaviest Track Yet
Vexed’s “Anti-Fetish” Addresses Criticism Of Bands That Goes Too Far
The Great Crusades’ Brian Krumm Goes Solo With His Barfly Friends For ‘Just Fade Away’
Ghost Of Vroom Readies A Third Album And Goes Behind The Scenes
Benjamin Gustafsson Explores That Moment Of Waking Up With “Sleeping?”
Brian McSweeney Readies New Solo Releases While ‘As The Bluebird’ Heads To The Stage
Half Moon Run Mines Their Musical Past For ‘Salt’
Illegal Mind’s “Industrial Birth 2.0” Questions The Simulation
Pandemic-Born Project Moon Walker Embarks On First US Tour
Pixie and The Partygrass Boys Bring A Fiddle Duel To “The Devil Went Down To Utah” Featuring Jeremy Garrett
The Hellfreaks Battle Fear In The Title Track For ‘Pitch Black Sunset’
Arrows In Action’s “Head In The Clouds” Prioritizes Well-Being
Sleep Nation’s “Red Guitar” Reflects On Rocky Relationships
Find Your “Lighthouse” With Bring The Hoax
Jack River’s “Lie In The Sun” Is An Apocalyptic Holiday
Holy Wave Tells Of Instant Connections With “Cow Print”
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